Madness and Modernism

Madness and Modernism
Author: Louis Arnorsson Sass
Publisher: International Perspectives in
Total Pages: 0
Release: 2017
Genre: Medical
ISBN: 9780198779292

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Madness and Modernism provides a phenomenological study of schizophrenic disorders, criticizing some standard conceptions of these disorders. Sass argues that many aspects of this group of disorders can actually involve more sophisticated (albeit dysfunctional) forms of mind and experience.

Madness and Modernism

Madness and Modernism
Author: Louis Arnorsson Sass
Publisher:
Total Pages: 595
Release: 1992
Genre: Aesthetics
ISBN: 9780674541375

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In this brilliant work, a clinical psychologist offers a startling new vision of schizophrenia, comparing it with the works of modern writers such as Kafka and philosophers such as Nietzsche. "Refreshingly different from customary writings on mental illness . . . highly original and profoundly disquieting insights".--New York Times Book Review.

Modernism and the Machinery of Madness

Modernism and the Machinery of Madness
Author: Andrew Gaedtke
Publisher: Cambridge University Press
Total Pages: 259
Release: 2017-10-26
Genre: Literary Criticism
ISBN: 1108418007

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This book shows that a distinct form of technological madness emerged within modernist culture, transforming much of the period's experimental fiction.

Madness And Modernism

Madness And Modernism
Author: Louis Sass
Publisher:
Total Pages: 616
Release: 1992-10-27
Genre: Art
ISBN:

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"A stunning revelation of the eerie likeness between schizophrenic insanity and the sensibility of modern art, literature, and thought, Madness and Modernism presents a vivid and highly original portrait of the world of the madman, along with a provocative commentary on modernist and postmodernist culture. Sass, a clinical psychologist, explores the bizarre experiences of schizophrenia (and related conditions) through a comparison with the works of various artists and writers, including Franz Kafka, Paul Valery, Samuel Beckett, Alain Robbe-Grillet, Giorgio de Chirico, and Marcel Duchamp, and by considering the ideas of philosophers such as Friedrich Nietzsche, William James, Martin Heidegger, Michel Foucault, and Jacques Derrida." "The similarities between madness and modernism are striking: defiance of authority and convention; an extreme, often dizzying relativism, which can culminate in paralysis; nihilism and all-embracing irony; a tantalizing, uncanny, but always frustrating sense of revelation; obliteration of standard forms of time and narrative; pervasive dehumanization; and disappearance of external reality in favor of the omnipotent ego or, alternatively, dissolution of all sense of selfhood." "This rigorously argued, gracefully written book offers a startlingly new vision of schizophrenia, an illness long recognized as the greatest challenge to psychiatric or psychological understanding. Conventionally seen as a loss of rationality, perhaps involving a return to some infantile or bestial condition, schizophrenia, according to Sass, is better understood as, in a sense, a disease of hyperrationality, with detachment from action, emotions, and the body and entrapment in forms of acute self-consciousness and heightened awareness. Sass refuses to romanticize the schizophrenic as a heroic rebel, mystic, or passionate Wildman, arguing instead that this condition echoes many of the most alienating aspects of modern life. In an epilogue and appendix, he considers whether modern culture might actively contribute to the genesis or shaping of schizophrenic forms of pathology, and he discusses the possible role of abnormalities of the brain."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Madness and Modernity

Madness and Modernity
Author: Gemma Blackshaw
Publisher: Gower Publishing Company, Limited
Total Pages: 176
Release: 2009
Genre: Art
ISBN:

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With its focus on a specific place and time (Vienna in 1900) and on a specific theme (madness), Madness and Modernity sets out to explore artistic, social and psychological themes which provide insights into the madness-modernity nexus that manifested itself in Vienna at the turn of the twentieth century.

Learning from Madness

Learning from Madness
Author: Kaira M. Cabañas
Publisher: University of Chicago Press
Total Pages: 245
Release: 2018-09-21
Genre: Art
ISBN: 022655631X

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Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the “art of the insane” that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much wider appreciation among the curators of major institutions of modern art in Brazil, where pieces are included in important exhibitions and collections. Kaira M. Cabañas shows that at the center of this advocacy stood such significant proponents as psychiatrists Osório César and Nise da Silveira, who championed treatments that included painting and drawing studios; and the art critic Mário Pedrosa, who penned Gestaltist theses on aesthetic response. Cabañas examines the lasting influence of this unique era of Brazilian modernism, and how the afterlife of this “outsider art” continues to raise important questions. How do we respect the experiences of the mad as their work is viewed through the lens of global art? Why is this art reappearing now that definitions of global contemporary art are being contested? Learning from Madness offers an invigorating series of case studies that track the parallels between psychiatric patients’ work in Western Europe and its reception by influential artists there, to an analogous but altogether distinct situation in Brazil.

Mind, Modernity, Madness

Mind, Modernity, Madness
Author: Liah Greenfeld
Publisher: Harvard University Press
Total Pages: 685
Release: 2013-04-01
Genre: Social Science
ISBN: 0674074408

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A leading interpreter of modernity argues that our culture of limitless self-fulfillment is making millions mentally ill. Training her analytic eye on manic depression and schizophrenia, Liah Greenfeld, in the culminating volume of her trilogy on nationalism, traces these dysfunctions to society’s overburdening demands for self-realization.

The Paradoxes of Delusion

The Paradoxes of Delusion
Author: Louis A. Sass
Publisher: Cornell University Press
Total Pages: 195
Release: 2018-08-06
Genre: Psychology
ISBN: 1501732560

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Insanity—in clinical practice as in the popular imagination—is seen as a state of believing things that are not true and perceiving things that do not exist. Most schizophrenics, however, do not act as if they mistake their delusions for reality. In a work of uncommon insight and empathy, Louis A. Sass shatters conventional thinking about insanity by juxtaposing the narratives of delusional schizophrenics with the philosophical writings of Ludwig Wittgenstein.

Paranoid Modernism

Paranoid Modernism
Author: David Trotter
Publisher: OUP Oxford
Total Pages: 374
Release: 2001
Genre: Literary Criticism
ISBN: 9780198187554

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The early twentieth century notoriously saw an unprecedented wave of experiment in the arts. So intense was this activity that one can without exaggeration speak of a will to experiment (to 'make it new'). Where did that will to experiment come from? Why did it so insistently take the forms ittook? Looking specifically at Modernism in England, David Trotter seeks answers in the careers of three novelists writing in the first decades of the century: Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis. The context he proposes for their work is that of contemporary understandings of thefunction and value of expertise, and of the dilemmas peculiar to those possessing it. There is a certain madness about the expert's pursuit of expertise, and about his or her disappointment if expertise fails to yield adequate social recognition. The early psychiatric literature identified thismadness as paranoia, and the textbooks and case-histories find an uncanny echo in Modernist fiction. In the obstinacy of their will to experiment, Ford, Lawrence, and Lewis wrote about, and lived, paranoia. To understand that obstinacy in its professional and psychiatric contexts is to approach froma new and unexpected angle the preoccupations with gender and with the politics of culture which currently characterize the study of Modernism. The energies it shook loose in their writing are energies which, evading absorption into the 'postmodern', continue to shape Western society and culture tothis day.