Mad Doctors, Monsters and Mummies
Author | : Denis Gifford |
Publisher | : |
Total Pages | : 108 |
Release | : 1991 |
Genre | : Film posters |
ISBN | : |
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Author | : Denis Gifford |
Publisher | : |
Total Pages | : 108 |
Release | : 1991 |
Genre | : Film posters |
ISBN | : |
Author | : Denis Gifford |
Publisher | : |
Total Pages | : 30 |
Release | : 1991 |
Genre | : Film posters |
ISBN | : 9781872532714 |
Author | : Denis Gifford |
Publisher | : |
Total Pages | : 108 |
Release | : 1991 |
Genre | : Film posters, American |
ISBN | : |
Author | : Robert C. Leitz |
Publisher | : |
Total Pages | : 394 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : |
This work addresses the uncharted domain of science as literature, art and aesthetic expression. The volume looks at science as an artistic genre itself and contains essays on both the exploratory and reflective sides of imaginative science.
Author | : Frank Hoffmann |
Publisher | : Routledge |
Total Pages | : 421 |
Release | : 2015-12-22 |
Genre | : Music |
ISBN | : 1317940415 |
From “Who Put the Bomp (in the Bomp, Bomp, Bomp)?” to a list of all song titles containing the word “werewolf,” Rock Music in American Popular Culture II: More Rock ’n’Roll Resources continues where 1995’s Volume I left off. Using references and illustrations drawn from contemporary lyrics and supported by historical and sociological research on popular cultural subjects, this collection of insightful essays and reviews assesses the involvement of musical imagery in personal issues, in social and political matters, and in key socialization activities. From marriage and sex to public schools and youth culture, readers discover how popular culture can be used to explore American values. As Authors B. Lee Cooper and Wayne S. Haney prove that integrated popular culture is the product of commercial interaction with public interest and values rather than a random phenomena, they entertainingly and knowledgeably cover such topics as: answer songs--interchanges involving social events and lyrical commentaries as explored in response recordings horror films--translations and transformations of literary images and motion picture figures into popular song characters and tales public schools--images of formal educational practices and informal learning processes in popular song lyrics sex--suggestive tales and censorship challenges within the popular music realm war--examinations of persistent military and home front themes featured in wartime recordings Rock Music in American Popular Culture II: More Rock ‘n’Roll Resources is nontechnical, written in a clear and concise fashion, and explores each topic thoroughly, with ample discographic and bibliographic resources provided for additional research. Arranged alphabetically for quick and easy reference to specific topics, the book is equally enjoyable to read straight through. Rock music fans, teachers, popular culture professors, music instructors, public librarians, sound recording archivists, sociologists, social critics, and journalists can all learn something, as the book shows them the cross-pollination of music and social life in the United States.
Author | : William Hughes |
Publisher | : John Wiley & Sons |
Total Pages | : 880 |
Release | : 2015-10-06 |
Genre | : Literary Criticism |
ISBN | : 1119210410 |
The Encylopedia of the Gothic features a series of newly-commissioned essays from experts in Gothic studies that cover all aspects of the Gothic as it is currently taught and researched, along with the development of the genre and its impact on contemporary culture. Comprises over 200 newly commissioned entries written by a stellar cast of over 130 experts in the field Arranged in A-Z format across two fully cross-referenced volumes Represents the definitive reference guide to all aspects of the Gothic Provides comprehensive coverage of relevant authors, national traditions, critical developments, and notable texts that define, shape, and inform the genre Extends beyond a purely literary analysis to explore Gothic elements of film, music, drama, art, and architecture. Explores the development of the genre and its impact on contemporary culture
Author | : R. Reginald |
Publisher | : Detroit : Gale Research |
Total Pages | : 1536 |
Release | : 1992 |
Genre | : Literary Criticism |
ISBN | : |
Science fiction constitutes one of the largest and most widely read genres in literature, and this reference provides bibliographical data on some 20,000 science fiction, fantasy, and horror fiction books, as well as nonfiction monographs about the literature. A companion to Reginald's Science Fiction and Fantasy Literature, 1700-1974 (Gale, 1979), the present volume is alphabetically arranged by approximately 10,000 author names. The entry for each individual work includes title, publisher, date and place published, number of pages, hardbound or paperback format, and type of book (novel, anthology, etc.). Where appropriate, entries also provide translation notes, series information, pseudonyms, and remarks on special features (such as celebrity introductions). Includes indexes of titles, series, awards, and "doubles" (for locating volumes containing two novels). Annotation copyright by Book News, Inc., Portland, OR.
Author | : Brian J. Frost |
Publisher | : |
Total Pages | : 258 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : |
Few historical relics have exerted such a hold on our imaginations as the mummy. In 1834, Thomas J. Pettigrew's A History of Egyptian Mummies was the first scholarly work wholly devoted to the subject, providing, for its time, a remarkable analysis of the different mummification techniques used by the ancient embalmers. Such volumes of serious nonfiction have been supplemented over the years by additional works, both scholarly and otherwise, as well as works of fiction that incorporate and expand upon mummy lore. Indeed, the popular concept of the mummy as a malevolent monster dates back to the nineteenth century, when stories about mummies rising from the dead to terrify the living first captured the imagination of the reading public and set the revivified corpse on the path to becoming a major horror icon. In The Essential Guide to Mummy Literature, Brian J. Frost provides the first in-depth survey and bibliography of works of fiction featuring mummies. In this comprehensive volume, Frost traces the development of the mummy story, paying particular attention to works by Victorian authors and pulp fiction writers, as well as stories from the American pulp magazines. The annotated bibliography provides synopses of all the key works of fiction in the mummy canon, as well as others not so well known. Full publication details for each entry, with plot summaries of more than 500 works of fiction and abridged descriptions of 250 nonfiction books, are provided. Additionally, a filmography is included, along with listings of young adult novels, children's storybooks, and reference works for both adults and children. Well-organized and comprehensive, The Essential Guide to Mummy Literature will appeal to devotees of the horror genre and students of popular literature, as well as researchers and librarians.
Author | : Ben Raiche |
Publisher | : Author House |
Total Pages | : 333 |
Release | : 2014-11-04 |
Genre | : Education |
ISBN | : 1496947045 |
"If you have read either of my past books you have been introduced to a positive thinking person, who loves life. I do not possess a desire to influence nor create any attitude not contributing to having a nice day for anyone. The persona and mentally developed attitudes of Ben Raiche have encompassed many and varied areas entertainment and occupations. I have been employed as a pickle maker, a hide piler, a dead animal truck driver, A soldier, A scientific engineer, A nuclear weapons test engineer, A balloon test pilot, a musician, A Governmental staff Executive and many more. My travels have been extensive, in that I have been everywhere I had any desire to visit. My intent related to publishing my innermost thoughts has allowed me to commiserate with persons I do not know. My love of people has included thoughts of extended respectful responsibility. I might say I love people. If you would like to be included, so be it!!! Friends do not take up valuable space in my life, and there is always room for one more. Have A Nice Day..."
Author | : Annalee Newitz |
Publisher | : Duke University Press |
Total Pages | : 233 |
Release | : 2006-07-17 |
Genre | : Social Science |
ISBN | : 0822387859 |
In Pretend We’re Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the unfettered lust for profit, fictional monsters act out the problems with an economic system that seems designed to eat people whole. Newitz looks at representations of serial killers, mad doctors, the undead, cyborgs, and unfortunates mutated by their involvement with the mass media industry. Whether considering the serial killer who turns murder into a kind of labor by mass producing dead bodies, or the hack writers and bloodthirsty actresses trapped inside Hollywood’s profit-mad storytelling machine, she reveals that each creature has its own tale to tell about how a freewheeling market economy turns human beings into monstrosities. Newitz tracks the monsters spawned by capitalism through b movies, Hollywood blockbusters, pulp fiction, and American literary classics, looking at their manifestations in works such as Norman Mailer’s “true life novel” The Executioner’s Song; the short stories of Isaac Asimov and H. P. Lovecraft; the cyberpunk novels of William Gibson and Marge Piercy; true-crime books about the serial killers Ted Bundy and Jeffrey Dahmer; and movies including Modern Times (1936), Donovan’s Brain (1953), Night of the Living Dead (1968), RoboCop (1987), The Silence of the Lambs (1991), and Artificial Intelligence: AI (2001). Newitz shows that as literature and film tell it, the story of American capitalism since the late nineteenth century is a tale of body-mangling, soul-crushing horror.