London Theatres and Music Halls, 1850-1950

London Theatres and Music Halls, 1850-1950
Author: Diana Howard
Publisher: American Library Association
Total Pages: 316
Release: 1970
Genre: Performing Arts
ISBN:

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Naturalism and Symbolism in European Theatre 1850-1918

Naturalism and Symbolism in European Theatre 1850-1918
Author: Claude Schumacher
Publisher: Cambridge University Press
Total Pages: 568
Release: 1996-09-26
Genre: Drama
ISBN: 9780521230148

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This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.

British Music Hall

British Music Hall
Author: Richard Anthony Baker
Publisher: Pen and Sword
Total Pages: 304
Release: 2014-05-31
Genre: History
ISBN: 1783831189

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The music hall ...had no place for reticence; it was downright, it shouted, it made noise, it enjoyed itself and made the people enjoy themselves as well.' W.J. MACQUEEN POPE??Music Hall lies at the root of all modern popular entertainment. With stars such as Marie Lloyd, Harry Lauder and Dan Leno, it reached its glorious, brassy height between 1890 and the First World War. In the first book on this subject for many years, Richard Anthony Baker whisks us off on a colourful and nostalgic tour of the rise and fall of British music hall.??At the beginning of the nineteenth century people sang traditional songs in taverns for entertainment. This was so popular that rooms started to be added to inns for shows to be staged, and, before long, songs were being specially composed and purpose-built theatres were springing up everywhere. ??Britain's working class had, for the first time, its own form of public entertainment and its own breed of stars. The colour and vitality attracted serious writers and artists, as well as the future Edward VII, and music hall became simultaneously the haunt of the working classes and the avant-garde.??Including stories of a clergyman who wrote music-hall sketches, a hall in Glasgow where luckless entertainers were pulled off stage by a long hooked pole, and Cockney dictionaries that helped Americans understand touring British performers, this book is a hugely engaging slice of social history, rich in humour, tragedy and bathos.??As featured on BBC Radio Lincolnshire and in the Sunderland Echo.

Twentieth-Century British Theatre

Twentieth-Century British Theatre
Author: Claire Cochrane
Publisher: Cambridge University Press
Total Pages: 365
Release: 2011-10-27
Genre: Drama
ISBN: 1139502131

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In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the hub of world-wide imperial interests and after one hundred years had seen unprecedented demographic, economic and industrial change. Cochrane analyses the dominance of London theatre, but redresses the balance in favour of the hitherto marginalised majority experience in the English regions and the other component nations of the British political construct. Developments arising from demographic change are outlined, especially those relating to the rapid expansion of migrant communities representing multiple ethnicities. Presenting fresh historiographic perspectives on twentieth-century British theatre, the book breaks down the traditionally accepted binary oppositions between different sectors, showing a broader spectrum of theatre practice.

The Victorian Music Hall

The Victorian Music Hall
Author: Dagmar Kift
Publisher: Cambridge University Press
Total Pages: 266
Release: 1996-10-24
Genre: Drama
ISBN: 9780521474726

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With the exception of the occasional local case study, music-hall history has until now been presented as the history of the London halls. This book attempts to redress the balance by setting music-hall history within a national perspective. Kift also sheds a new light on the roles of managements, performers and audiences. For example, the author confutes the commonly held assumption that most women in the halls were prostitutes and shows them to have been working women accompanied by workmates of both sexes or by their families. She argues that before the 1890s the halls catered predominantly to working-class and lower middle-class audiences of men and women of all ages and were instrumental in giving them a strong and self-confident identity. The hall's ability to sustain a distinct class-awareness was one of their greatest strengths - but this factor was also at the root of many of the controversies which surrounded them. These controversies are at the centre of the book and Kift treats them as test cases for social relations which provide fresh insights into nineteenth-century British society and politics.

Historical Dictionary of British Theatre

Historical Dictionary of British Theatre
Author: Darryll Grantley
Publisher: Scarecrow Press
Total Pages: 549
Release: 2013-10-10
Genre: Performing Arts
ISBN: 0810880288

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British theatre has a greater tradition than any other, having started all the way back in 1311 and still going strong today. But that is too much for one book to cover, so this volume deals with early theatre and has a cut-off date in 1899. Still, this is almost six centuries, centuries during which British theatre not only developed but produced some of the greatest playwrights of all time and anywhere, including obviously Shakespeare but also Marlowe and Shaw. And they wrote some of the finest plays ever, which are known around the world. So there is plenty for this book to cover, just with the playwrights, plays and actors, but it also has information on stagecraft and theatres, as well as the historical and political background. This book has over 1,183 entries in the dictionary section, these being mainly on playwrights and plays, but others as well including managers and critics, and also on specific theatres, legislative acts and some technical jargon. Then there are entries on the different genres, from comedy to tragedy and everything in between. Inevitably, the chronology is quite long as it has a long period to cover and the introduction provides the necessary overview. The Historical Dictionary of Early British Theatre concludes with a pretty massive bibliography. That will be of use to particularly assiduous researchers, but this book itself is a good place to start any research since it covers periods that are far less well-known and documented, and ordinary theatre-goers will also find useful information.

Popular Culture and Custom in Nineteenth-Century England

Popular Culture and Custom in Nineteenth-Century England
Author: Robert D. Storch
Publisher: Routledge
Total Pages: 226
Release: 2016-06-17
Genre: History
ISBN: 1317215214

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First published in 1982, this book is concerned with the tensions between continuity and change in customs, rituals, beliefs of artisans, factory workers and sections of the lower middle classes in the nineteenth century. It explores a range of factors which contributed to changes in custom, including the effects of urbanisation, conflict over the use of public land, new conceptions of public order, the decline of the oral tradition and the growth of a new recreational nexus in the larger cities. Drawing on material from all parts of the British Isles, the book demonstrates the enormous variety and diversity of popular tradition. This book will be of interest to those studying Victorian history.

Blockbusters of Victorian Theater, 1850-1910

Blockbusters of Victorian Theater, 1850-1910
Author: Paul Fryer
Publisher: McFarland
Total Pages: 220
Release: 2023-11-23
Genre: Performing Arts
ISBN: 147668166X

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This edited collection of essays details a wide-ranging selection of some of the most sensationally successful theatre productions of the long Victorian era, the real "blockbusters" of the age. Ranging from the world of operetta and music hall to spectacular drama and sensational melodrama, the productions included provide the reader with definitive proof that the phenomenon of the "smash hit" show is not restricted to modern Broadway. This is a world that encompassed the ground-breaking stage technology of Ben Hur, the wide political impact of Uncle Tom's Cabin and the sheer creative originality of L'Enfant Prodigue. Supporting the "star" system, productions featured some of the greatest names of the period - Sir Henry Irving, Sir Johnston Forbes Robertson, James O'Neill and Dion Boucicault. This was the very dawning of a new media age, which saw many of the productions transfer to the new world of silent cinema for the very first time