Listening with the Third Ear
Author | : Theodor Reik |
Publisher | : Macmillan |
Total Pages | : 534 |
Release | : 1983-09 |
Genre | : Biography & Autobiography |
ISBN | : 0374518009 |
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Author | : Theodor Reik |
Publisher | : Macmillan |
Total Pages | : 534 |
Release | : 1983-09 |
Genre | : Biography & Autobiography |
ISBN | : 0374518009 |
Author | : Chris Lonsdale |
Publisher | : The Third Ear |
Total Pages | : 184 |
Release | : 2006 |
Genre | : Language Arts & Disciplines |
ISBN | : 988988870X |
You Can Learn Any Language -- Are you hesitating to learn a new language because you've heard it's difficult? Or are you trying right now but finding it harder than you imagined? What if you could become fluent in a new language in a very short period of time -- just months, or maybe even weeks? You can learn any new language quickly and easily. It doesn't require pain or frustration. It can be fun, exciting and enlightening. Of course, to have this experience you do need to know a few things. You need to find and use your hidden talent -- something we call the Third Ear. The Third Ear takes you step by step along a path to think about language learning in totally new ways. Ways that help you realise you already know how to learn any language. You just needed to be reminded.
Author | : Dave Thompson |
Publisher | : Hal Leonard Corporation |
Total Pages | : 852 |
Release | : 2000 |
Genre | : Music |
ISBN | : 9780879306076 |
Provides profiles of solo performers, bands, producers, and record labels from the alternative rock movement, ranging from the mid-1970s to the present, and includes discographies, album reviews, and photographs.
Author | : Jason Corey |
Publisher | : Taylor & Francis |
Total Pages | : 160 |
Release | : 2016-08-12 |
Genre | : Technology & Engineering |
ISBN | : 1317541057 |
Audio Production and Critical Listening: Technical Ear Training, Second Edition develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. Featuring an accessible writing style, this new edition includes information on objective measurements of sound, technical descriptions of signal processing, and their relationships to subjective impressions of sound. It also includes information on hearing conservation, ear plugs, and listening levels, as well as bias in the listening process. The interactive web browser-based "ear training" software practice modules provide experience identifying various types of signal processes and manipulations. Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train you ears to listen and really "hear" your recordings. This all-new edition has been updated to include: Audio and psychoacoustic theories to inform and expand your critical listening practice. Access to integrated software that promotes listening skills development through audio examples found in actual recording and production work, listening exercises, and tests. Cutting-edge interactive practice modules created to increase your experience. More examples of sound recordings analysis. New outline for progressing through the EQ ear training software module with listening exercises and tips.
Author | : Scott Yanow |
Publisher | : Hal Leonard Corporation |
Total Pages | : 406 |
Release | : 2000 |
Genre | : Music |
ISBN | : 9780879306083 |
Presents a history of bebop from its roots in the late 1930s; describes the musicians, bands, and composers who contributed to this style of jazz; and evaluates key bebop recordings.
Author | : Joachim-Ernst Berendt |
Publisher | : Owl Books |
Total Pages | : 234 |
Release | : 1992 |
Genre | : Psychology |
ISBN | : 9780805020076 |
The author draws on his studies of cultures around the world to demonstrate how dominance of the ear as the primary sense organ for gathering and processing information is directly linked to compassion and peacefulness
Author | : Dave Thompson |
Publisher | : Hal Leonard Corporation |
Total Pages | : 548 |
Release | : 2002 |
Genre | : Music |
ISBN | : 9780879306557 |
Provides a complete historic overview of the sounds of the entire English-speaking Caribbean region, bringing together informative essays on the development of a range of music styles and the industry's top performers. Original.
Author | : Kanta Kochhar-Lindgren |
Publisher | : |
Total Pages | : 224 |
Release | : 2006 |
Genre | : Language Arts & Disciplines |
ISBN | : |
This engrossing studyinvestigates the connections between hearing and deafness in experimental, Deaf, and multicultural theater. Author Kanta Kochhar-Lindgren focuses on how to articulate a Deaf aesthetic and how to grasp the meaning of moments of "deafness" in theater works that do not simply reinscribe a hearing bias back into one's analysis. She employs a model using a device for cross-sensory listening across domains of sound, silence, and the moving body in performance that she calls the "third ear." Kochhar-Lindgren then charts a genealogy of the theater of the third ear from the mid-1800s to the 1960s in examples ranging from Denis Diderot, the Symbolists, the Dadaists, Antonin Artaud, and others. She also analyzes the work of playwright Robert Wilson, the National Theatre of the Deaf, and Asian American director Ping Chong. She shows how the model of the third ear can address not only deaf performance but also multicultural performance, by analyzing the Seattle dance troupe Ragamala's 2001 production of Transposed Heads, which melded classical South Indian use of mudras, or hand gestures, and ASL signing. The shift in attention limned in Hearing Difference leads to a different understanding of the body, intersubjectivity, communication, and cross-cultural relations, confirming it as a critically important contribution to contemporary Deaf studies.
Author | : Nichole T. Rustin |
Publisher | : Duke University Press |
Total Pages | : 474 |
Release | : 2008-11-07 |
Genre | : Music |
ISBN | : 0822389223 |
In jazz circles, players and listeners with “big ears” hear and engage complexity in the moment, as it unfolds. Taking gender as part of the intricate, unpredictable action in jazz culture, this interdisciplinary collection explores the terrain opened up by listening, with big ears, for gender in jazz. Essays range from a reflection on the female boogie-woogie pianists who played at Café Society in New York during the 1930s and 1940s to interpretations of how the jazzman is represented in Dorothy Baker’s novel Young Man with a Horn (1938) and Michael Curtiz’s film adaptation (1950). Taken together, the essays enrich the field of jazz studies by showing how gender dynamics have shaped the production, reception, and criticism of jazz culture. Scholars of music, ethnomusicology, American studies, literature, anthropology, and cultural studies approach the question of gender in jazz from multiple perspectives. One contributor scrutinizes the tendency of jazz historiography to treat singing as subordinate to the predominantly male domain of instrumental music, while another reflects on her doubly inappropriate position as a female trumpet player and a white jazz musician and scholar. Other essays explore the composer George Russell’s Lydian Chromatic Concept as a critique of mid-twentieth-century discourses of embodiment, madness, and black masculinity; performances of “female hysteria” by Les Diaboliques, a feminist improvising trio; and the BBC radio broadcasts of Ivy Benson and Her Ladies’ Dance Orchestra during the Second World War. By incorporating gender analysis into jazz studies, Big Ears transforms ideas of who counts as a subject of study and even of what counts as jazz. Contributors: Christina Baade, Jayna Brown, Farah Jasmine Griffin, Monica Hairston, Kristin McGee, Tracy McMullen, Ingrid Monson, Lara Pellegrinelli, Eric Porter, Nichole T. Rustin, Ursel Schlicht, Julie Dawn Smith, Jeffrey Taylor, Sherrie Tucker, João H. Costa Vargas
Author | : Ran Blake |
Publisher | : |
Total Pages | : 118 |
Release | : 2010 |
Genre | : Improvisation (Music) |
ISBN | : 9780557609123 |
Many music books are designed to help better understand written music and theory, but "Primacy of the Ear" focuses on the development of the ear."Primacy" outlines pianist and MacArthur Fellow Ran Blake's approach to growing the ear and explains how musical memory is the key to becoming a more potent musician and shaping a personal musical style.Included are the legendary "ear-robics" exercises, developed by Ran over the course of 30 years as head of the Contemporary Improvisation Department at New England Conservatory of Music.Also covered: The Auteur Theory and how it translates into music making, developing and differentiating between the conscious and subconscious mind, listening and musical memory, how to learn from your musical heroes without being consumed by them, developing and using repertoire, and how to record your music most effectively.Primacy of the Ear is Ran Blake's genius distilled--his teaching and musical philosophy in one volume. Co-written by Jason Rogers.