Lettre de Pierre Lucas à R. Brussel, 23 avril 1928
Author | : Pierre Lucas |
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Total Pages | : |
Release | : 1928 |
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ISBN | : |
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Author | : Pierre Lucas |
Publisher | : |
Total Pages | : |
Release | : 1928 |
Genre | : |
ISBN | : |
Author | : Pierre Lucas |
Publisher | : |
Total Pages | : |
Release | : 1928 |
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Author | : Pierre Lucas |
Publisher | : |
Total Pages | : |
Release | : 1928 |
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Author | : Arie Wallert |
Publisher | : Getty Publications |
Total Pages | : 241 |
Release | : 1995-08-24 |
Genre | : Art |
ISBN | : 0892363223 |
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author | : George R. Goldner |
Publisher | : Getty Publications |
Total Pages | : 374 |
Release | : 1992-10-08 |
Genre | : Drawing |
ISBN | : 0892362197 |
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
Author | : Marina Belozerskaya |
Publisher | : Getty Publications |
Total Pages | : 292 |
Release | : 2005-10-01 |
Genre | : Art |
ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author | : Thomas Kren |
Publisher | : Getty Publications |
Total Pages | : 273 |
Release | : 1992-07-16 |
Genre | : Art |
ISBN | : 0892362049 |
Presented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.
Author | : Walter Benjamin |
Publisher | : Harvard University Press |
Total Pages | : 1100 |
Release | : 1999 |
Genre | : History |
ISBN | : 9780674043268 |
Focusing on the arcades of 19th-century Paris--glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources. 46 illustrations.
Author | : Paulo Ribenboim |
Publisher | : Springer Science & Business Media |
Total Pages | : 306 |
Release | : 2012-12-06 |
Genre | : Mathematics |
ISBN | : 1468493426 |
Lecture I The Early History of Fermat's Last Theorem.- 1 The Problem.- 2 Early Attempts.- 3 Kummer's Monumental Theorem.- 4 Regular Primes.- 5 Kummer's Work on Irregular Prime Exponents.- 6 Other Relevant Results.- 7 The Golden Medal and the Wolfskehl Prize.- Lecture II Recent Results.- 1 Stating the Results.- 2 Explanations.- Lecture III B.K. = Before Kummer.- 1 The Pythagorean Equation.- 2 The Biquadratic Equation.- 3 The Cubic Equation.- 4 The Quintic Equation.- 5 Fermat's Equation of Degree Seven.- Lecture IV The Naïve Approach.- 1 The Relations of Barlow and Abel.- 2 Sophie Germain.- 3 Co.
Author | : William Chapin Seitz |
Publisher | : |
Total Pages | : 188 |
Release | : 1961 |
Genre | : Art |
ISBN | : |
"Assemblage art consists of making three-dimensional or two-dimensional artistic compositions by putting together found-objects."--Boundless.