Legacy of the Imperial Dragons Book of Legends Akira Journal 1

Legacy of the Imperial Dragons Book of Legends Akira Journal 1
Author: A. E. Zaiyear
Publisher: A.E. Zaiyear
Total Pages: 287
Release: 2024-01-18
Genre: Fiction
ISBN:

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Embark on an enchanting journey into the mystical realm with "Legacy of the Imperial Dragons: Book of Legends - Akira Journal 1." In a world teeming with magical entities and ancient prophecies, witness the emergence of a new dragon as Adonai's Imperials seek to understand humanity and maintain the delicate balance of their existence. At the heart of this tale is Akira, a formidable martial artist whose extraordinary skills captivate the attention of Yangyue, a Red Dragon monk. As their destinies intertwine, a unique bond forms, leading Akira to a hidden sanctuary where martial prowess and ancient history collide. In the midst of her exploration, Akira faces the complexities of love and power. Brothers Sinmi and Chu return, adding familial tensions to the intricate web of relationships. The arrival of Jue, the oni-dragon, sets the stage for a riveting saga of desires, betrayals, and the enduring legacy of the Imperial Dragons. As secrets unfold, and loyalties are tested, "Legacy of the Imperial Dragons: Book of Legends - Akira Journal 1" invites readers into a world of captivating alliances and turbulent emotions. Will Akira's resilience withstand the challenges that lie ahead? Can the dragons reconcile their responsibilities with the tumultuous desires that bind them? Written by A.E. Zaiyear, this fantasy masterpiece promises an immersive experience into a world where the legacy of the Imperial Dragons unfolds through the lens of Akira's journal. Dive into the first chapter of this epic series, where passion, power, and destiny collide in a tale that will leave you eagerly anticipating the next enchanting installment.

The Last Samurai

The Last Samurai
Author: Mark Ravina
Publisher: Wiley + ORM
Total Pages: 222
Release: 2011-03-29
Genre: History
ISBN: 1118045564

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The dramatic arc of Saigo Takamori's life, from his humble origins as a lowly samurai, to national leadership, to his death as a rebel leader, has captivated generations of Japanese readers and now Americans as well - his life is the inspiration for a major Hollywood film, The Last Samurai, starring Tom Cruise and Ken Watanabe. In this vibrant new biography, Mark Ravina, professor of history and Director of East Asian Studies at Emory University, explores the facts behind Hollywood storytelling and Japanese legends, and explains the passion and poignancy of Saigo's life. Known both for his scholarly research and his appearances on The History Channel, Ravina recreates the world in which Saigo lived and died, the last days of the samurai. The Last Samurai traces Saigo's life from his early days as a tax clerk in far southwestern Japan, through his rise to national prominence as a fierce imperial loyalist. Saigo was twice exiled for his political activities -- sent to Japan's remote southwestern islands where he fully expected to die. But exile only increased his reputation for loyalty, and in 1864 he was brought back to the capital to help his lord fight for the restoration of the emperor. In 1868, Saigo commanded his lord's forces in the battles which toppled the shogunate and he became and leader in the emperor Meiji's new government. But Saigo found only anguish in national leadership. He understood the need for a modern conscript army but longed for the days of the traditional warrior. Saigo hoped to die in service to the emperor. In 1873, he sought appointment as envoy to Korea, where he planned to demand that the Korean king show deference to the Japanese emperor, drawing his sword, if necessary, top defend imperial honor. Denied this chance to show his courage and loyalty, he retreated to his homeland and spent his last years as a schoolteacher, training samurai boys in frugality, honesty, and courage. In 1876, when the government stripped samurai of their swords, Saigo's followers rose in rebellion and Saigo became their reluctant leader. His insurrection became the bloodiest war Japan had seen in centuries, killing over 12,000 men on both sides and nearly bankrupting the new imperial government. The imperial government denounced Saigo as a rebel and a traitor, but their propaganda could not overcome his fame and in 1889, twelve years after his death, the government relented, pardoned Saigo of all crimes, and posthumously restored him to imperial court rank. In THE LAST SAMURAI, Saigo is as compelling a character as Robert E. Lee was to Americans-a great and noble warrior who followed the dictates of honor and loyalty, even though it meant civil war in a country to which he'd devoted his life. Saigo's life is a fascinating look into Japanese feudal society and a history of a country as it struggled between its long traditions and the dictates of a modern future.

The Teeth and Claws of the Buddha

The Teeth and Claws of the Buddha
Author: Mikael S. Adolphson
Publisher: University of Hawaii Press
Total Pages: 234
Release: 2007-02-28
Genre: History
ISBN: 0824831233

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Japan’s monastic warriors have fared poorly in comparison to the samurai, both in terms of historical reputation and representations in popular culture. Often maligned and criticized for their involvement in politics and other secular matters, they have been seen as figures separate from the larger military class. However, as Mikael Adolphson reveals in his comprehensive and authoritative examination of the social origins of the monastic forces, political conditions, and warfare practices of the Heian (794–1185) and Kamakura (1185–1333) eras, these "monk-warriors"(sôhei) were in reality inseparable from the warrior class. Their negative image, Adolphson argues, is a construct that grew out of artistic sources critical of the established temples from the fourteenth century on. In deconstructing the sôhei image and looking for clues as to the characteristics, role, and meaning of the monastic forces, The Teeth and Claws of the Buddha highlights the importance of historical circumstances; it also points to the fallacies of allowing later, especially modern, notions of religion to exert undue influence on interpretations of the past. It further suggests that, rather than constituting a separate category of violence, religious violence needs to be understood in its political, social, military, and ideological contexts.

The Tale of Genji

The Tale of Genji
Author: John T. Carpenter
Publisher: Metropolitan Museum of Art
Total Pages: 371
Release: 2019-03-04
Genre: Art
ISBN: 1588396657

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With its vivid descriptions of courtly society, gardens, and architecture in early eleventh-century Japan, The Tale of Genji—recognized as the world’s first novel—has captivated audiences around the globe and inspired artistic traditions for one thousand years. Its female author, Murasaki Shikibu, was a diarist, a renowned poet, and, as a tutor to the young empress, the ultimate palace insider; her monumental work of fiction offers entry into an elaborate, mysterious world of court romance, political intrigue, elite customs, and religious life. This handsomely designed and illustrated book explores the outstanding art associated with Genji through in-depth essays and discussions of more than one hundred works. The Tale of Genji has influenced all forms of Japanese artistic expression, from intimately scaled albums to boldly designed hanging scrolls and screen paintings, lacquer boxes, incense burners, games, palanquins for transporting young brides to their new homes, and even contemporary manga. The authors, both art historians and Genji scholars, discuss the tale’s transmission and reception over the centuries; illuminate its place within the history of Japanese literature and calligraphy; highlight its key episodes and characters; and explore its wide-ranging influence on Japanese culture, design, and aesthetics into the modern era. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

The British National Bibliography

The British National Bibliography
Author: Arthur James Wells
Publisher:
Total Pages: 1884
Release: 2006
Genre: Bibliography, National
ISBN:

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A Storm of Witchcraft

A Storm of Witchcraft
Author: Emerson W. Baker
Publisher: Pivotal Moments in American Hi
Total Pages: 415
Release: 2015
Genre: History
ISBN: 019989034X

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Presents an historical analysis of the Salem witch trials, examining the factors that may have led to the mass hysteria, including a possible occurrence of ergot poisoning, a frontier war in Maine, and local political rivalries.

Global History with Chinese Characteristics

Global History with Chinese Characteristics
Author: Manuel Perez-Garcia
Publisher: Springer Nature
Total Pages: 272
Release: 2020-11-02
Genre: History
ISBN: 9811578656

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This open access book considers a pivotal era in Chinese history from a global perspective. This book’s insight into Chinese and international history offers timely and challenging perspectives on initiatives like “Chinese characteristics”, “The New Silk Road” and “One Belt, One Road” in broad historical context. Global History with Chinese Characteristics analyses the feeble state capacity of Qing China questioning the so-called “High Qing” (shèng qīng 盛清) era’s economic prosperity as the political system was set into a “power paradox” or “supremacy dilemma”. This is a new thesis introduced by the author demonstrating that interventionist states entail weak governance. Macao and Marseille as a new case study aims to compare Mediterranean and South China markets to provide new insights into both modern eras’ rising trade networks, non-official institutions and interventionist impulses of autocratic states such as China’s Qing and Spain’s Bourbon empires.

Imagining the Global

Imagining the Global
Author: Fabienne Darling-Wolf
Publisher: University of Michigan Press
Total Pages: 201
Release: 2014-12-22
Genre: Social Science
ISBN: 0472900153

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Based on a series of case studies of globally distributed media and their reception in different parts of the world, Imagining the Global reflects on what contemporary global culture can teach us about transnational cultural dynamics in the 21st century. A focused multisited cultural analysis that reflects on the symbiotic relationship between the local, the national, and the global, it also explores how individuals’ consumption of global media shapes their imagination of both faraway places and their own local lives. Chosen for their continuing influence, historical relationships, and different geopolitical positions, the case sites of France, Japan, and the United States provide opportunities to move beyond common dichotomies between East and West, or United States and “the rest.” From a theoretical point of view, Imagining the Global endeavors to answer the question of how one locale can help us understand another locale. Drawing from a wealth of primary sources—several years of fieldwork; extensive participant observation; more than 80 formal interviews with some 160 media consumers (and occasionally producers) in France, Japan, and the United States; and analyses of media in different languages—author Fabienne Darling-Wolf considers how global culture intersects with other significant identity factors, including gender, race, class, and geography. Imagining the Global investigates who gets to participate in and who gets excluded from global media representation, as well as how and why the distinction matters.

The Dragon in China and Japan

The Dragon in China and Japan
Author: Marinus Willem de Visser
Publisher:
Total Pages: 264
Release: 1913
Genre: Buddhism
ISBN:

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The Anime Machine

The Anime Machine
Author: Thomas Lamarre
Publisher: U of Minnesota Press
Total Pages: 713
Release: 2013-11-30
Genre: Performing Arts
ISBN: 145291477X

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Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media. The Anime Machine defines the visual characteristics of anime and the meanings generated by those specifically “animetic” effects—the multiplanar image, the distributive field of vision, exploded projection, modulation, and other techniques of character animation—through close analysis of major films and television series, studios, animators, and directors, as well as Japanese theories of animation. Lamarre first addresses the technology of anime: the cells on which the images are drawn, the animation stand at which the animator works, the layers of drawings in a frame, the techniques of drawing and blurring lines, how characters are made to move. He then examines foundational works of anime, including the films and television series of Miyazaki Hayao and Anno Hideaki, the multimedia art of Murakami Takashi, and CLAMP’s manga and anime adaptations, to illuminate the profound connections between animators, characters, spectators, and technology. Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the “animetic machine” encourages a specific approach to thinking about technology and opens new ways for understanding our place in the technologized world around us.