Later Victorians and the Moderns (since 1880).
Author | : Bernard D. N. Grebanier |
Publisher | : |
Total Pages | : 1216 |
Release | : 1949 |
Genre | : |
ISBN | : |
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Author | : Bernard D. N. Grebanier |
Publisher | : |
Total Pages | : 1216 |
Release | : 1949 |
Genre | : |
ISBN | : |
Author | : Bernard D. N. Grebanier |
Publisher | : |
Total Pages | : 394 |
Release | : 1949 |
Genre | : |
ISBN | : |
Author | : Laura Marcus |
Publisher | : Oxford Twenty-First Century Ap |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Literary Criticism |
ISBN | : 9780198704393 |
The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensusthey direct their readers to areas of enlivened and unresolved debate.This volume opens up, in new and innovative ways, a range of dimensions, some familiar and some more obscure, of late Victorian and modern literature and culture, primarily in British contexts. Late Victorian into Modern emphasises the in-between: the gradual changeover from one period to the next.The volume examines shared developments, points out continuities rather than ruptures, and explores and exploits an understanding of the late nineteenth to the early twentieth centuries as a cultural moment in which new knowledges were forming with particular speed and intensity. The organisingprinciple of this book is to retain a key focus on literary texts, broadly understood to include familiar categories of genre as well as extra-textual elements such as press and publishing history, performance events and visual culture, while remaining keenly attentive to the inter-relations betweentext and context in the period. Individual chapters explore such topics as Celticism, the New Woman, popular fictions, literatures of empire, aestheticism, periodical culture, political formations, avant-garde poetics, and theatricality.
Author | : David Fowler |
Publisher | : Bloomsbury Publishing |
Total Pages | : 320 |
Release | : 2008-09-30 |
Genre | : History |
ISBN | : 1137045701 |
This book traces the history of youth culture from its origins among the student communities of inter-war Britain to the more familiar world of youth communities and pop culture. Grounded in extensive original research, it explores the individuals, institutions and ideas that have shaped youth culture over much of the twentieth century.
Author | : John Gardiner |
Publisher | : A&C Black |
Total Pages | : 332 |
Release | : 2002-01-01 |
Genre | : History |
ISBN | : 9781852853853 |
Ever since Lytton Strachey mocked Thomas Arnold, Florence Nightingale and General Gordon in Eminent Victorians, the reputation of the Victorians and what they stood for has provoked vigorous debate.
Author | : William Gerber |
Publisher | : Rodopi |
Total Pages | : 312 |
Release | : 1994 |
Genre | : Life |
ISBN | : 9789051836912 |
The book aims to present the wisdom of sages, great thinkers, renowned writers, and philosophers, of many countries and time periods, in their own words, regarding life. The book also aims to place the numerous quotations from these sources in a structured organization, with introductory and explanatory comments and comparisons. Main Topics or Fields - See Organization or Principal Parts.
Author | : Laura Marcus |
Publisher | : |
Total Pages | : |
Release | : 2016 |
Genre | : |
ISBN | : |
Author | : Simon Heffer |
Publisher | : Simon and Schuster |
Total Pages | : 912 |
Release | : 2021-04-06 |
Genre | : History |
ISBN | : 1643136712 |
A richly detailed history of Britain at its imperial zenith, revealing the simmering tensions and explosive rivalries beneath the opulent surface of the late Victorian and Edwardian eras. The popular memory of Britain in the years before the Great War is of a powerful, contented, orderly, and thriving country. Britain commanded a vast empire: she bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamed of and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence can be seen in Edward Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation, and London’s great Edwardian palaces. Yet beneath the surface things were very different In The Age of Decadence, Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis—and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press, and the science fiction of H. G. Wells, but also the nostalgia of A. E. Housman.
Author | : Simon Heffer |
Publisher | : Simon and Schuster |
Total Pages | : 780 |
Release | : 2022-04-05 |
Genre | : History |
ISBN | : 1643139185 |
An ambitious exploration of the making of the Victorian Age—and the Victorian mind—by a master historian. Britain in the 1840s was a country wracked by poverty, unrest, and uncertainty; there were attempts to assassinate the queen and her prime minister; and the ruling class lived in fear of riot and revolution. By the 1880s it was a confident nation of progress and prosperity, transformed not just by industrialization but by new attitudes to politics, education, women, and the working class. That it should have changed so radically was very largely the work of an astonishingly dynamic and high-minded group of people—politicians and philanthropists, writers and thinkers—who in a matter of decades fundamentally remade the country, its institutions and its mindset, and laid the foundations for modern society. High Minds explores this process of transformation as it traces the evolution of British democracy and shows how early laissez-faire attitudes to the fate of the less fortunate turned into campaigns to improve their lives and prospects. The narrative analyzes the birth of new attitudes in education, religion, and science. And High Minds shows how even such aesthetic issues as taste in architecture collided with broader debates about the direction that the country should take. In the process, Simon Heffer looks at the lives and deeds of major politicians; at the intellectual arguments that raged among writers and thinkers such as Matthew Arnold, Thomas Carlyle, and Samuel Butler; and at the "great projects” of the age, from the Great Exhibition to the Albert Memorial. Drawing heavily on previously unpublished documents, he offers a superbly nuanced portrait into life in an extraordinary era, populated by extraordinary people—and show how the Victorians’ pursuit of perfection gave birth to the modern Britain we know today.
Author | : Maria Quirk |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 249 |
Release | : 2019-05-16 |
Genre | : Art |
ISBN | : 1501343076 |
Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.