Krazy Kat, A Jazz Pantomime for Piano

Krazy Kat, A Jazz Pantomime for Piano
Author: John Alden Carpenter
Publisher: Courier Corporation
Total Pages: 98
Release: 2013-04-17
Genre: Music
ISBN: 0486272605

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This is the first single-volume publication of the out-of-print original and revised versions of a unique jazz pantomime, arranged for piano. Based on the comic strip Krazy Kat, the score features the cartoonist's original illustrations.

Krazy Kat; a jazz pantomime. Music by John Alden Carpenter, based on the Krazy Kat newspaper cartoons of George Herriman; specially illustrated by Geo. Herriman and arranged for pianoforte by the composer

Krazy Kat; a jazz pantomime. Music by John Alden Carpenter, based on the Krazy Kat newspaper cartoons of George Herriman; specially illustrated by Geo. Herriman and arranged for pianoforte by the composer
Author: John Alden Carpenter
Publisher:
Total Pages: 0
Release: 1922
Genre:
ISBN:

Download Krazy Kat; a jazz pantomime. Music by John Alden Carpenter, based on the Krazy Kat newspaper cartoons of George Herriman; specially illustrated by Geo. Herriman and arranged for pianoforte by the composer Book in PDF, Epub and Kindle

Krazy Kat

Krazy Kat
Author: John Alden Carpenter
Publisher:
Total Pages: 52
Release: 1948
Genre: Pantomimes with music
ISBN:

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Artful Breakdowns

Artful Breakdowns
Author: Georgiana Banita
Publisher: Univ. Press of Mississippi
Total Pages: 250
Release: 2023-03-02
Genre: Literary Criticism
ISBN: 1496837525

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Contributions by Georgiana Banita, Colin Beineke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick Lawrence, Philip Smith, and Kent Worcester A carefully curated, wide-ranging edited volume tracing Art Spiegelman’s exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman’s astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the illustrations to the Jazz Age poem “The Wild Party,” and his response to the September 11 terrorist attacks to his iconic cover art for the New Yorker, his children’s books, and various cross-media collaborations. The twelve chapters cut across Spiegelman’s career to document continuities and ruptures that the intense focus on Maus has obscured, yielding an array of original readings. Spiegelman’s predilection for collage, improvisation, and the potent protest of silence shows his allegiance to modernist art. His cultural critique and anticapitalist, antimilitary positions shed light on his vocal public persona, while his deft intertextual strategies of mixing media archives, from comics to photography and film, amplify the poignance of his works. Developing new approaches to Spiegelman’s comics—such as the publication history of Maus, the history of immigration and xenophobia, and the cartoonist’s elevation of children’s comics—the collection leaves no doubt that despite the accolades his accessible comics have garnered, we have yet to grasp the full range of Spiegelman’s achievements in the realm of comics and beyond.

Monthly Bulletin. New Series

Monthly Bulletin. New Series
Author: St. Louis Public Library
Publisher:
Total Pages: 790
Release: 1923
Genre:
ISBN:

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Monthly Bulletin

Monthly Bulletin
Author: St. Louis Public Library
Publisher:
Total Pages: 362
Release: 1923
Genre:
ISBN:

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"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-

Bulletin [1908-23]

Bulletin [1908-23]
Author: Boston Public Library
Publisher:
Total Pages: 496
Release: 1922
Genre:
ISBN:

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I Call Myself an Artist

I Call Myself an Artist
Author: Charles Johnson
Publisher: Indiana University Press
Total Pages: 448
Release: 1999
Genre: Biography & Autobiography
ISBN: 9780253335418

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This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.