Kongressbericht Oberwölz/Steiermark 2004

Kongressbericht Oberwölz/Steiermark 2004
Author: Internationale Gesellschaft zur Erforschung und Förderung der Blasmusik. Kongress
Publisher:
Total Pages: 396
Release: 2006
Genre: Band music
ISBN:

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Brass Bands of the British Isles 1800-2018 - a historical directory

Brass Bands of the British Isles 1800-2018 - a historical directory
Author: Gavin Holman
Publisher: Gavin Holman
Total Pages:
Release:
Genre:
ISBN:

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Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county

Six marches

Six marches
Author: John Philip Sousa
Publisher: A-R Editions, Inc.
Total Pages: 212
Release: 2010-01-01
Genre: Music
ISBN: 9780895796752

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The marches of John Philip Sousa (1854-1932) remain staples of the band repertoire, but our knowledge of Sousa¿s music rests largely on modern editions designed for school (rather than professional) bands, or on reprintings of the original editions, which because of their small size and rushed publication contain countless inconsistencies and omissions. This volume contains full band scores for six Sousa marches, each prepared from the first printing of the band parts and informed by Sousa¿s holograph and the original performance materials. The six marches¿The Washington Post (1889), The Liberty Bell (1893), El Capitan (1896), The Stars and Stripes Forever (1896), Sabre and Spurs (1918), and George Washington Bicentennial (1930)¿span Sousa¿s career, from his tenure as leader of the United States Marine Band (1880-92) to his years conducting his own, commercial ensemble (1892-1932). Also included in the volume is an essay reexamining Sousa¿s biography, source materials, performance practice, and place in American culture.

Sourcebook for Wind Band and Instrumental Music

Sourcebook for Wind Band and Instrumental Music
Author: Russ Girsberger
Publisher: Hal Leonard Corporation
Total Pages: 358
Release: 2014-11-01
Genre: Music
ISBN: 1574631802

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(Meredith Music Resource). This sourcebook was created to aid directors and teachers in finding the information they need and expand their general knowledge. The resources were selected from hundreds of published and on-line sources found in journals, magazines, music company catalogs and publications, numerous websites, doctoral dissertations, graduate theses, encyclopedias, various databases, and a great many books. Information was also solicited from outstanding college/university/school wind band directors and instrumental teachers. The information is arranged in four sections: Section 1 General Resources About Music Section 2 Specific Resources Section 3 Use of Literature Section 4 Library Staffing and Management

Chamber Music

Chamber Music
Author: John H Baron
Publisher: Routledge
Total Pages: 797
Release: 2010-06-10
Genre: Art
ISBN: 1135848289

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Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.

Local Fusions

Local Fusions
Author: Barbara Rose Lange
Publisher: Oxford University Press
Total Pages: 257
Release: 2018-07-09
Genre: Music
ISBN: 0190907258

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In Local Fusions, author Barbara Rose Lange explores musical life in Hungary, Slovakia, and Austria between the end of the Cold War and the world financial crisis of 2008. With case studies from Budapest, Bratislava, and Vienna, the book looks at the ways that artists generated social commentary and tried new ways of working together as the political and economic atmosphere shifted during this time. Drawn from a variety of sources, the case studies illustrate how young musicians redefined a Central European history of elevating the arts by fusing poetry, local folk music, and other vernacular music with jazz, Asian music, art music, and electronic dance music. Their projects rejected exclusion based on ethnic background or gender prevalent in Central Europe's present far-right political movements, and instead embraced diverse modes of expression. Through this, the musicians asserted woman power, broadened masculinities, and declared affinity with regional minorities such as the Romani people.

Paul Hindemith

Paul Hindemith
Author: Stephen Luttmann
Publisher: Routledge
Total Pages: 578
Release: 2013-01-11
Genre: Music
ISBN: 1135848416

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Paul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides electronic resources.

Gioachino Rossini

Gioachino Rossini
Author: Denise P. Gallo
Publisher: Routledge
Total Pages: 417
Release: 2010
Genre: Music
ISBN: 0415994578

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Giochino Rossini: A Research and Information Guide is an annotated bibliography concerning both the nature of primary ands secondary sources related to this composer.

A History of the Music for Wind Band

A History of the Music for Wind Band
Author: Leon J. Bly
Publisher: LIT Verlag Münster
Total Pages: 1188
Release: 2024-07
Genre:
ISBN: 364391654X

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The book provides a historical survey of the wind band’s music and denotes how historical and cultural developments have influenced it over the course of time. Although the modern wind band developed first in the 19th century, it has its roots in the wind music of ancient times, and music survives that has been composed since the Middle Ages. Therefore, this book covers the music from that time to the present, including the dance music of the Renaissance, the Harmoniemusik of the Classical Period, and the nationalistic music of the Romantic Period, as well as the major wind band repertoire developed after 1900.

Persecution, Collaboration, Resistance

Persecution, Collaboration, Resistance
Author: Ina Rupprecht
Publisher: Waxmann Verlag
Total Pages: 184
Release: 2020-09-25
Genre: Music
ISBN: 3830991304

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When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the ‘Reichskommissariat Norwegen’ responsible for culture and therein music together with the Norwegian puppet regime’s department for culture implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation. Including Norway into the international discourse on ‘Music and Nazism’, the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.