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| Author | : Janet Cardiff |
| Publisher | : Hatje Cantz Pub |
| Total Pages | : 223 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9783775720021 |
A concise retrospective, this publication contains previously unpublished written and visual material, as well as pertinent literature on the oeuvre of Janet Cardiff and George Bures Miller. SPECIALIST
| Author | : Janet Cardiff |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : Site-specific installations (Art) |
| ISBN | : 9780964922129 |
Edited by Julie Courtney. Essay by Richard Torchia. Foreword by Sara Jane Elk. Afterword by Sean Kelley.
| Author | : Janet Cardiff |
| Publisher | : London : Artangel |
| Total Pages | : 71 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9781902201078 |
This book documents Janet Cardiff's 1999 audio project, The Missing voice (Case Study B), and includes the full audio CD as well as images from this exploration of London's inner city. Part urban guide, part fiction, part film noir, her audio walk entwines the listener in a narrative that shifts through time and space. Intimate, even conspirational, Cardiff has created a psychologically absorbing experience for an audience of one at a time. You find yourself transported back in time. What was that sound? Who is speaking to you? Where does reality end, and what's imagined begin? Also included is an extended essay analyzing the artist's career to date. Born in 1957, in Brussels, Canada, Cardiff works and lives in Alberta and has shown internationally in, among others, London, New York, Berlin, and Vienna. Her work has been included in significant group exhibitions, notably Skulptur Projekte Munster, 1997; Present Tense: Nine Artists in the Nineties, at San Francisco Museum of Modern Art; the 1999 Carnegie International; and the Museum as Muse at New York's Museum of Modern Art.
| Author | : Janet Cardiff |
| Publisher | : Walther Konig |
| Total Pages | : 343 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9783883758244 |
This book documents Janet Cardiff's audio walks, the artist providing gallery-goers with walkmans which take them through the walks relying solely on the acoustic guide.
| Author | : George Bures Miller |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
This renowned Canadian duo's audio and video works and installations examine the complexity and vertiginous nature of subjectivity in a technological world, where man is caught between present and the loss of self, between memory and experience, perception and imagination. Cardiff and Miller create interactive pieces in which the visitor is invited to touch, listen, smell and move about freely. This new catalogue presents five of those works, including "Paradise Institute" and "The Forty-Part Motet," as well as three created within the last year, all documented in installation photographs and on a DVD. With an essay from art critic and historian Jorg Heiser.
| Author | : Karen O'Rourke |
| Publisher | : MIT Press |
| Total Pages | : 349 |
| Release | : 2016-02-12 |
| Genre | : Art |
| ISBN | : 0262528959 |
An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS. From Guy Debord in the early 1950s to Richard Long, Janet Cardiff, and Esther Polak more recently, contemporary artists have returned again and again to the walking motif. Today, the convergence of global networks, online databases, and new tools for mobile mapping coincides with a resurgence of interest in walking as an art form. In Walking and Mapping, Karen O'Rourke explores a series of walking/mapping projects by contemporary artists. She offers close readings of these projects—many of which she was able to experience firsthand—and situates them in relation to landmark works from the past half-century. Together, they form a new entity, a dynamic whole greater than the sum of its parts. By alternating close study of selected projects with a broader view of their place in a bigger picture, Walking and Mapping itself maps a complex phenomenon.
| Author | : Janet Cardiff |
| Publisher | : Hatje Cantz |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Artistic collaboration |
| ISBN | : 9783775731775 |
The Murder of Crows, the somber yet fascinating sound installation by the team of Canadian artists Janet Cardiff (*1957) and George Bures Miller (*1960) , evokes semiconscious dream visions, ancient myths, and last but not least Goya's etching The Sleep of Reason Produces Monsters, which shows birds swarming around the head of a sleeping man dreaming. Besides this work, the volume presents selected older projects by the two artists as well as an enlightening text by Carolyn Christov-Bakargiev, artistic director of dOCUMENTA(13). Rounding out this elaborately designed artist's book are an extensive interview with the artists, detailed information about the recording and playback techniques they employ, a DVD and 3D reproductions, and astonishing ornithological and literary texts referring to the title work that illustrate humankind's special relationship with crows.
| Author | : Kynaston McShine |
| Publisher | : ABRAMS |
| Total Pages | : 304 |
| Release | : 1999 |
| Genre | : Architecture |
| ISBN | : 9780810961975 |
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.
| Author | : Rebekah Modrak |
| Publisher | : Taylor & Francis |
| Total Pages | : 555 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0415779197 |
In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history, and technique to bring photographic education up to date with contemporary photographic practice. --
| Author | : Mike Collier |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Installations (Art) |
| ISBN | : 9781906832087 |
Walk On is the first exhibition to examine the astonishingly varied ways in which artists since the 1960s have undertaken a seemingly universal act - taking a walk - as their means to create new types of art.The exhibition (and this accompanying catalogue) offers an as-yet-unwritten history of recent art practice. It proposes that, across all four of the last decades, artists have worked as kinds of explorers, whether making their marks on rural wildernesses or acting as urban expeditionaries.It argues that from land art to conceptual art, and from street photography to the essay-film, much of the important art of our time has been created through an act of walking.Curated with Cynthia Morrison-Bell and artist Mike Collier, Walk On tours the UK in 2013-14 to Northern Gallery for Contemporary Art, Sunderland; mac Birmingham; The Atkinson, Southport; and Plymouth City Museum and Art Gallery.
