Serialization and the Novel in Mid-Victorian Magazines

Serialization and the Novel in Mid-Victorian Magazines
Author: Catherine Delafield
Publisher: Routledge
Total Pages: 252
Release: 2016-03-03
Genre: Literary Criticism
ISBN: 1317057007

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Examining the Victorian serial as a text in its own right, Catherine Delafield re-reads five novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins by situating them in the context of periodical publication. She traces the roles of the author and editor in the creation and dissemination of the texts and considers how first publication affected the consumption and reception of the novel through the periodical medium. Delafield contends that a novel in volume form has been separated from its original context, that is, from the pattern of consumption and reception presented by the serial. The novel's later re-publication still bears the imprint of this serialized original, and this book’s investigation into nineteenth-century periodicals both generates new readings of the texts and reinstates those which have been lost in the reprinting process. Delafield's case studies provide evidence of the ways in which Household Words, Cornhill Magazine, Good Words, All the Year Round and Cassell's Magazine were designed for new audiences of novel readers. Serialization and the Novel in Mid-Victorian Magazines addresses the material conditions of production, illustrates the collective and collaborative creation of the serialized novel, and contextualizes a range of texts in the nineteenth-century experience of print.

Getting the Picture

Getting the Picture
Author: Jason E. Hill
Publisher: Routledge
Total Pages: 320
Release: 2020-09-09
Genre: Photography
ISBN: 1000211320

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Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.

Making Pictorial Print

Making Pictorial Print
Author: Alison Hedley
Publisher: University of Toronto Press
Total Pages: 246
Release: 2021-10-01
Genre: Literary Criticism
ISBN: 1487534752

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At the end of the nineteenth century, print media dominated British popular culture, produced in greater variety and on a larger scale than ever before. Within decades, new visual and auditory media had ushered in a mechanized milieu, displacing print from its position at the heart of cultural life. During this period of intense change, illustrated magazines maintained a central position in the media landscape by transforming their letterpress orientation into a visual and multimodal one. Ultimately, this transformation was important for the new media cultures of the twentieth and twenty-first centuries. Making Pictorial Print recovers this chapter in the history of new media, applying concepts from media theory and the digital humanities to analyse four popular late-Victorian magazines – the Illustrated London News, the Graphic, Pearson’s Magazine, and the Strand – and the scrapbook media that appropriated them. Using the concept of media literacy, these case studies demonstrate the ways in which periodical design aesthetics affected the terms of engagement presented to readers, creating opportunities for them to participate in and even contribute to popular culture. Shaped by publishers, advertisers, and readers themselves, the pages of these periodicals document the emergence of modern mass culture as we know it and offer insight into the new media of our digital present.

The Lure of Illustration in the Nineteenth Century

The Lure of Illustration in the Nineteenth Century
Author: L. Brake
Publisher: Springer
Total Pages: 291
Release: 2009-01-15
Genre: Social Science
ISBN: 0230233864

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This volume tackles the subject of illustration, technically, metaphorically and historically in nineteenth-century periodicals, displaying the ubiquity of the visual in the press: the articles cover material illustration, graphics, and design and metaphorical use of images in the letterpress, offering specific examples and theoretical approaches.

The Pleasures of Memory

The Pleasures of Memory
Author: Sarah Winter
Publisher: Fordham Univ Press
Total Pages: 641
Release: 2015-08-03
Genre: Literary Criticism
ISBN: 0823266184

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How did this nineteenth-century novelist change the way we think? “A fine contribution to the sociology of literature . . . Highly recommended.” —Choice What are the sources of the commonly held presumption that reading literature should make people more just, humane, and sophisticated? Looking at literary history in relation to the cultural histories of reading, publishing, and education, The Pleasures of Memory illuminates the ways in which Dickens’s serial fiction shaped not only the popular practice of reading for pleasure and instruction but also the school subject we now know as “English.” Sarah Winter shows how Dickens’s serial fiction instigated specific reading practices by reworking the conventions of religious didactic tracts from which most Victorians learned to read. Incorporating an influential associationist psychology of learning founded on the cumulative functioning of memory, Dickens’s serial novels consistently led readers to reflect on their reading as a form of shared experience. Dickens’s celebrity authorship, Winter argues, represented both a successful marketing program for popular fiction and a cultural politics addressed to a politically unaffiliated, social-activist Victorian readership. As late-nineteenth-century educational reforms consolidated British and American readers into “mass” populations served by state school systems, Dickens’s beloved novels came to embody the socially inclusive and humanizing goals of democratic education.

Thomas Hardy's Short Stories

Thomas Hardy's Short Stories
Author: Juliette Berning Schaefer
Publisher: Routledge
Total Pages: 301
Release: 2016-11-18
Genre: Literary Criticism
ISBN: 1317010418

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Thomas Hardy penned nearly fifty short stories, but in spite of this impressive number, his contributions to the genre have been relatively understudied. Bringing together an international group of scholars, this is the first edited collection devoted solely to Hardy's works of short fiction. The contributors take up topics related to their publication in periodicals, gender and community relationships, and narrative techniques. Taken together, the essays show that Hardy's short stories are important, not only for what they tell us about Hardy as a writer who straddles the divide between the traditionalist and the modernist, but also for how they reflect and inform the period in which he wrote.

Dickens and the Popular Radical Imagination

Dickens and the Popular Radical Imagination
Author: Sally Ledger
Publisher: Cambridge University Press
Total Pages: 19
Release: 2007-03-22
Genre: Literary Criticism
ISBN: 0521845777

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Sally Ledger offers substantial readings of the influences of radical writers on works from Pickwick to Little Dorrit.

Encounters in the Victorian Press

Encounters in the Victorian Press
Author: L. Brake
Publisher: Springer
Total Pages: 277
Release: 2004-11-30
Genre: Literary Criticism
ISBN: 0230522564

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Encounters in the Victorian Periodical Press focuses on the unique characteristic of the Victorian periodical press - its development of encounters between and among readers, editors, and authors. Encounters promoted dialogue among diverse publics, differing by class, gender, professional and political interests, and ethnicity. Through encounters, the press emerged to become a central public space for debates about society, politics, culture, public order, and foreign and imperial affairs. This book captures the richness of these interactions and a variety of voices and opinions.