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| Author | : Sonia M. Tascón |
| Publisher | : Springer |
| Total Pages | : 200 |
| Release | : 2015-01-08 |
| Genre | : Performing Arts |
| ISBN | : 1137454245 |
Human rights film festivals have been steadily growing in number in recent years. They are all bound by a common thread, human rights, and yet show distinctly different films. What leads them to be so different, and how is the universalism of human rights made sense by each?
| Author | : Human Rights Watch (Organization) |
| Publisher | : |
| Total Pages | : |
| Release | : 1991 |
| Genre | : Independent films |
| ISBN | : |
| Author | : Dina Iordanova |
| Publisher | : Anchor Books |
| Total Pages | : 317 |
| Release | : 2012 |
| Genre | : Film festivals |
| ISBN | : 9780956373052 |
Featuring essays by and interviews with festival programmers, filmmakers, activists, and film scholars, "Film Festivals and Activism" explores the role of film festivals in social justice movements and campaigns.
| Author | : Cindy Hing-Yuk Wong |
| Publisher | : Rutgers University Press |
| Total Pages | : 333 |
| Release | : 2011-08-29 |
| Genre | : Performing Arts |
| ISBN | : 0813551102 |
Movies, stars, auteurs, critics, and the sheer excitement of cinema come together in film festivals as quintessential constellations of art, business, and glamour. Yet, how well do we actually understand the forces and meanings that these events embody? Film Festivals offers the first comprehensive overview of the history, people, films, and multiple functions of the festival world. From Sundance to Hong Kong, from the glitter of Cannes to edgier festivals that challenge boundaries or foster LGBTQ cultural production, film festivals celebrate art, promote business, bring cinema to diverse audiences, and raise key issues about how we see our world. Cindy Hing-Yuk Wong situates festivals within changing global practices of film, including their important ties to both Hollywood and independent cinema. She explores how these events have become central in the construction of cinema knowledge as well as the behind-the-scene mechanics of finance, distribution, and evaluation. By linking general structures and connections to specific films and auteurs, Wong addresses the components and creation of film festivals that continue to reshape filmmaking as art and business.
| Author | : Mariana Cunha |
| Publisher | : Springer |
| Total Pages | : 262 |
| Release | : 2018-09-11 |
| Genre | : Performing Arts |
| ISBN | : 3319962086 |
This edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts. Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women’s rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema’s role in social transformation.
| Author | : Alexandra-Maria Colta |
| Publisher | : |
| Total Pages | : |
| Release | : 2019 |
| Genre | : |
| ISBN | : |
| Author | : Tereza Porybná |
| Publisher | : |
| Total Pages | : 235 |
| Release | : 2009 |
| Genre | : Film festivals |
| ISBN | : 9788086961644 |
| Author | : Sonia M. Tascón |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Film festivals |
| ISBN | : 9781783206346 |
Film festivals are an ever-growing part of the film industry, but most considerations of them focus almost entirely on their role in the business of filmmaking. This book breaks new ground by bringing scholars from a range of disciplines together with industry professionals to explore the concept of festivals as spaces through an activist lens, as spaces where the sociopolitical identities of communities and individuals are confronted and shaped. Tracing the growth of activist and human rights-focused films from the 1970s to the present, and using case studies from San Francisco, Brazil, Bristol, and elsewhere, the book addresses such contentious topics as whether activist films can achieve humanitarian aims or simply offer "cinema of suffering." Ultimately, the contributors attack the question of just how effective festivals are at producing politically engaged spectators?
| Author | : María-Paz Peirano |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 363 |
| Release | : 2017-03-07 |
| Genre | : Performing Arts |
| ISBN | : 144387471X |
This collection explores the intersections between anthropology and film festival studies. Film and anthropology scholars map ethnographic film festivals and ethnographic approaches to festivals worldwide. The book provides a historical reconstruction of most of the main festivals exhibiting ethnographic film, considering the parallel evolution of programming and organisational practices across the globe. It also addresses the great value and challenges of ethnographic research tools for studying the wide-ranging field of film festivals. This volume is the first to collect long-term experiences of curating and exhibiting ethnographic film, as well as new approaches to the understanding of film festival practices. Its contributions reflect on curatorial practices within visual anthropology and their implications for ethnographic filmmaking, and they shed light on problems of cultural translation, funding, festival audiences and the institutionalisation of ethnographic cinema. The book offers a novel perspective on film festivals as showcases for cinema, socio-cultural hubs and distribution nodes. Aimed at anthropologists, media scholars, festival organisers and documentary film professionals, it offers a starting point for the study of ethnographic film exhibition within its cultural and social contexts.
| Author | : Sonia M. Tascón |
| Publisher | : |
| Total Pages | : 250 |
| Release | : 2016 |
| Genre | : PERFORMING ARTS |
| ISBN | : 9781783206353 |
Film festivals are an ever-growing part of the film industry, but most considerations of them focus almost entirely on their role in the business of filmmaking. This book breaks new ground by bringing scholars from a range of disciplines together with industry professionals to explore the concept of festivals as spaces through an activist lens, as spaces where the sociopolitical identities of communities and individuals are confronted and shaped. Tracing the growth of activist and human rights-focused films from the 1970s to the present, and using case studies from San Francisco, Brazil, Bristol, and elsewhere, the book addresses such contentious topics as whether activist films can achieve humanitarian aims or simply offer "cinema of suffering." Ultimately, the contributors attack the question of just how effective festivals are at producing politically engaged spectators?
