Download Hollywood Horror full books in PDF, epub, and Kindle. Read online free Hollywood Horror ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Mark A. Vieira |
| Publisher | : Harry N. Abrams |
| Total Pages | : 0 |
| Release | : 2003-11-01 |
| Genre | : Performing Arts |
| ISBN | : 9780810945357 |
Celebrating one of the most popular cinematic genres, "Hollywood Horror" is an entertaining pictorial history of the classic American horror film from the silent era to the early 1970s, populated with vampires, monsters, mummies, zombies, and psychopaths.
| Author | : Alexandra West |
| Publisher | : McFarland |
| Total Pages | : 196 |
| Release | : 2018-06-08 |
| Genre | : Performing Arts |
| ISBN | : 1476670641 |
Many critics and fans refer to the 1990s as the decade that horror forgot, with few notable entries in the genre. Yet horror went mainstream in the '90s by speaking to the anxieties of American youth during one of the country's most prosperous eras. No longer were films made on low budgets and dependent on devotees for success. Horror found its way onto magazine covers, fashion ads and CD soundtrack covers. "Girl power" feminism and a growing distaste for consumerism defined an audience that both embraced and rejected the commercial appeal of these films. This in-depth study examines the youth subculture and politics of the era, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997), Idle Hands (1999) and Cherry Falls (2000).
| Author | : William Paul |
| Publisher | : |
| Total Pages | : 558 |
| Release | : 1994 |
| Genre | : Performing Arts |
| ISBN | : |
An examination of an extremely popular box office genre - the gross-out movie - Laughing Screaming is a serious study of this unashamedly lowbrow product.
| Author | : Ellen Datlow |
| Publisher | : Anchor |
| Total Pages | : 320 |
| Release | : 2020-06-02 |
| Genre | : Fiction |
| ISBN | : 0525565760 |
Legendary genre editor Ellen Datlow brings together eighteen dark and terrifying original stories inspired by cinema and television. A BLUMHOUSE BOOKS HORROR ORIGINAL. From the secret reels of a notoriously cursed cinematic masterpiece to the debauched livestreams of modern movie junkies who will do anything for clicks, Final Cuts brings together new and terrifying stories inspired by the many screens we can't peel our eyes away from. Inspired by the rich golden age of the film and television industries as well as the new media present, this new anthology reveals what evils hide behind the scenes and between the frames of our favorite medium. With original stories from a diverse list of some of the best-known names in horror, Final Cuts will haunt you long after the credits roll. NEW STORIES FROM: Josh Malerman, Chris Golden, Stephen Graham Jones, Garth Nix, Laird Barron, Kelley Armstrong, John Langan, Richard Kadrey, Paul Cornell, Lisa Morton, AC Wise, Dale Bailey, Jeffrey Ford, Cassandra Khaw, Nathan Ballingrud, Gemma Files, Usman T. Malik, and Brian Hodge.
| Author | : Reynold Humphries |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 2006 |
| Genre | : Performing Arts |
| ISBN | : |
By addressing these elements, The Hollywood Horror Film, 1931-1941 will be of interest not only to scholars of film but also to those of political and cultural studies, as well as psychoanalysts and philosophers."--BOOK JACKET.
| Author | : Tim Snelson |
| Publisher | : Rutgers University Press |
| Total Pages | : 173 |
| Release | : 2014-11-15 |
| Genre | : Performing Arts |
| ISBN | : 0813575281 |
Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.
| Author | : Yuichi Sin |
| Publisher | : Bookbaby |
| Total Pages | : 236 |
| Release | : 2021-04-09 |
| Genre | : Fiction |
| ISBN | : 109836452X |
Hollywood's a bitch. She'll eat you alive. Jack Cunningham, OTOH, prefers you carefully butchered, thoroughly de-boned, lightly seasoned, pan-fried or grilled, medium well-done, thank you very much. People come to Tinseltown for many reasons—to act, write, make movies, make music. Some just come to die. Jack learns the hard way it takes talent, luck and perseverance. So he becomes an agent instead. A killer agent. And zeros in on one special client...actress Rayna Rourke. Why wouldn't she be interested? Jack's young and handsome, with a love of glitz and glamour she's willing to overlook for the sake of her career. He drags her up the food chain, literally, exploiting the flaws of LA's entitled locals, creating his own rich cuisine from a cookbook of old movies, self-help baloney, imagination and failed dreams. The secret ingredient? It's not love. If you run into Jack, you might just survive, as long as you... DON'T GIVE INTO FEAR...
| Author | : H. Marshall Leicester |
| Publisher | : McFarland |
| Total Pages | : 278 |
| Release | : 2024-06-27 |
| Genre | : Performing Arts |
| ISBN | : 1476651957 |
Using the Hollywood studio system (1931-1960) as a historical center, this book performs close readings of classic horror films (such as Frankenstein and Cat People) while asking the following three questions: What about this movie is weird? What does this movie think ought to scare you? If there weren't monsters in this movie, what would be wrong with these people's lives? These questions guide readers toward the uniqueness of horror films in relation to the way they are classified and the feeling of "horror" that they offer. The horror genre is a collection of culturally-shared elements--words, images, or themes used to signify or evoke horror, because they have been used that way before. Instead of treating movies as examples of the horror genre through how they evoke feelings from viewers, this book locates the meaning of horror within individual films and shows how movies make their own genealogies and complicate their own scares in an evolution of the genre. It argues that classic horror movies are forms of reception of--and resistance to--the ideas of horror that were current in their historical period. Working historically, the author traces movies' interactions with their precursors and co-conspirators to show how they are the agents of historical changes in the genre and in what we take to be horror.
| Author | : William Paul |
| Publisher | : Columbia University Press |
| Total Pages | : 558 |
| Release | : 1994 |
| Genre | : Performing Arts |
| ISBN | : 9780231084642 |
An examination of an extremely popular box office genre - the gross-out movie - Laughing Screaming is a serious study of this unashamedly lowbrow product.
| Author | : Tom Johnson |
| Publisher | : McFarland |
| Total Pages | : 222 |
| Release | : 2006-07-05 |
| Genre | : Performing Arts |
| ISBN | : 0786427310 |
As Dracula (1931) and Frankenstein (1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywood's horror movies. The issue most often used to limit the showing of horror films was their "unsuitability" to children. With that in mind, the BBFC developed specific film codes--the "A" (for adults) and the "H" (for horrific), both of which restricted viewing to those 16 or older--and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywood's golden age of horror.
