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| Author | : Sven Lütticken |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Arts and history |
| ISBN | : 9783943365894 |
"Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present."--Page 4 of cover.
| Author | : Edward Porter Alexander |
| Publisher | : Rowman Altamira |
| Total Pages | : 370 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9780759105096 |
In 1979, Edward P. Alexander's Museums in Motion was hailed as a much-needed addition to the museum literature. In combining the history of museums since the eighteenth century with a detailed examination of the function of museums and museum workers in modern society, it served as an essential resource for those seeking to enter to the museum profession and for established professionals looking for an expanded understanding of their own discipline. Now, Mary Alexander has produced a newly revised edition of the classic text, bringing it the twenty-first century with coverage of emerging trends, resources, and challenges. New material also includes a discussion of the children's museum as a distinct type of institution and an exploration of the role computers play in both outreach and traditional in-person visits.
| Author | : Michael Betancourt |
| Publisher | : Wildside Press LLC |
| Total Pages | : 313 |
| Release | : 2020-04-20 |
| Genre | : Art |
| ISBN | : 1479450235 |
Expand your knowledge of the aesthetics, forms and meaning of motion graphics as well as the long-running connections between the American avant-garde film, video art and TV commercials. In 1960 avant-garde animator and inventor John Whitney started a company called "Motion Graphics, Inc." to make animated titles and logos. His new company crystalized a relationship between avant-garde film and commercial broadcast design/film titles. Careful discussion of historical works puts them in context, allowing their reappearance in contemporary motion graphics clear. This book includes a thorough examination of the history of title design from the earliest films through the present, including Walter Anthony, Saul Bass, Maurice Binder, Pablo Ferro, Wayne Fitzgerald, Nina Saxon, and Kyle Cooper. This book also covers early abstract film (the Futurists Bruno Corra and Arnaldo Ginna, Leopold Survage, Walther Ruttmann, Viking Eggeling, Hans Richter, Oskar Fischinger, Mary Ellen Bute, Len Lye and Norman McLaren) and puts the work of visual music pioneers Mary Hallock-Greenewalt and Thomas Wilfred in context. The History of Motion Graphics is the essential textbook and general reference for understanding how and where the field of motion graphic design came from and where it's going.
| Author | : Dale Anderson |
| Publisher | : Routledge |
| Total Pages | : 601 |
| Release | : 2015-07-17 |
| Genre | : Business & Economics |
| ISBN | : 1317470427 |
Designed for readers from grade 6 and up, this lavishly illustrated set provides comprehensive coverage of the history of aviation, including space flight, as well as the science and technology on which it depends. Detailed A-Z entries trace the development of human flight from ancient myths and legends through today's space exploration, highlighting scientific discoveries and innovations that made aviation possible."IFlight and Motion" also celebrates the contributions and achievements of the pioneers and visionaries of air and space flight, from inventors and innovators to pilots, astronauts, and cosmonauts. Detailed illustrated diagrams give readers a general understanding of the mechanics of flight and of the physics and technology involved. The set also highlights key air and spacecrafts that have made a unique mark in the history of flight. It features more than 500 full-color and black-and-white photos and illustrations, and also includes a timeline, a listing of museums and exhibits, further reading lists, a comprehensive glossary, and general and subject indexes.
| Author | : Raymond Fielding |
| Publisher | : Univ of California Press |
| Total Pages | : 276 |
| Release | : 1967 |
| Genre | : Photography |
| ISBN | : 9780520039810 |
| Author | : Scott Bradfield |
| Publisher | : |
| Total Pages | : 196 |
| Release | : 1994-01 |
| Genre | : English fiction |
| ISBN | : 9780330334129 |
| Author | : David D. Nolte |
| Publisher | : Oxford University Press |
| Total Pages | : 384 |
| Release | : 2018-07-12 |
| Genre | : Science |
| ISBN | : 0192528505 |
Galileo Unbound traces the journey that brought us from Galileo's law of free fall to today's geneticists measuring evolutionary drift, entangled quantum particles moving among many worlds, and our lives as trajectories traversing a health space with thousands of dimensions. Remarkably, common themes persist that predict the evolution of species as readily as the orbits of planets or the collapse of stars into black holes. This book tells the history of spaces of expanding dimension and increasing abstraction and how they continue today to give new insight into the physics of complex systems. Galileo published the first modern law of motion, the Law of Fall, that was ideal and simple, laying the foundation upon which Newton built the first theory of dynamics. Early in the twentieth century, geometry became the cause of motion rather than the result when Einstein envisioned the fabric of space-time warped by mass and energy, forcing light rays to bend past the Sun. Possibly more radical was Feynman's dilemma of quantum particles taking all paths at once — setting the stage for the modern fields of quantum field theory and quantum computing. Yet as concepts of motion have evolved, one thing has remained constant, the need to track ever more complex changes and to capture their essence, to find patterns in the chaos as we try to predict and control our world.
| Author | : Barbara Tversky |
| Publisher | : Basic Books |
| Total Pages | : 384 |
| Release | : 2019-05-21 |
| Genre | : Psychology |
| ISBN | : 0465093078 |
An eminent psychologist offers a major new theory of human cognition: movement, not language, is the foundation of thought When we try to think about how we think, we can't help but think of words. Indeed, some have called language the stuff of thought. But pictures are remembered far better than words, and describing faces, scenes, and events defies words. Anytime you take a shortcut or play chess or basketball or rearrange your furniture in your mind, you've done something remarkable: abstract thinking without words. In Mind in Motion, psychologist Barbara Tversky shows that spatial cognition isn't just a peripheral aspect of thought, but its very foundation, enabling us to draw meaning from our bodies and their actions in the world. Our actions in real space get turned into mental actions on thought, often spouting spontaneously from our bodies as gestures. Spatial thinking underlies creating and using maps, assembling furniture, devising football strategies, designing airports, understanding the flow of people, traffic, water, and ideas. Spatial thinking even underlies the structure and meaning of language: why we say we push ideas forward or tear them apart, why we're feeling up or have grown far apart. Like Thinking, Fast and Slow before it, Mind in Motion gives us a new way to think about how--and where--thinking takes place.
| Author | : Robert Kronenburg |
| Publisher | : Routledge |
| Total Pages | : 468 |
| Release | : 2013-08-15 |
| Genre | : Architecture |
| ISBN | : 1136704523 |
The idea that architecture can be portable is one that grabs the imagination of both designers and the people who use it, perhaps because it so often forecasts a dynamic and creative solution to the complex problems of our contemporary mobile society, while at the same time dealing with issues of practicality, economy and sustainability. Architecture in Motion examines the development of portable, transportable, demountable and temporary architecture from prehistory to the present day. From familiar vernacular models such as the tent, mobile home and houseboat, to ambitious developments in military and construction engineering, all aspects of portable building are considered. Building on his earlier works Portable Architecture and Houses in Motion, Robert Kronenburg compares traditional forms of building, current commercial products and the work of innovative designers, and examines key contemporary portable buildings to reveal surprising, exciting and imaginative examples. He explores the philosophical and technological issues raised by these experimental and futuristic prototypes. By understanding the nature of transitory architecture, a new ecologically aware design strategy can be developed to prioritise buildings that 'tread lightly on the earth' and still convey the sense of identity and community necessary for an established responsible society. This book provides a unique insight into this pivotal field of design.
| Author | : Laura A. Frahm |
| Publisher | : MIT Press |
| Total Pages | : 429 |
| Release | : 2022-07-19 |
| Genre | : Art |
| ISBN | : 0262045184 |
The first comprehensive history in English of film at the Bauhaus, exploring practices that experimented with film as an adaptable, elastic “polymedium.” With Design in Motion, Laura Frahm proposes an alternate history of the Bauhaus—one in which visual media, and film in particular, are crucial to the Bauhaus’s visionary pursuit of integrating art and technology. In the first comprehensive examination in English of film at the Bauhaus, Frahm shows that experimentation with film spanned a range of Bauhaus practices, from textiles and typography to stage and exhibition design. Indeed, Bauhausler deployed film as an adaptable, elastic “polymedium,” malleable in shape and form, unfolding and refracting into multiple material, aesthetic, and philosophical directions. Frahm shows how the encounter with film imbued the Bauhaus of the 1920s and early 1930s with a flexible notion of design, infusing painting with temporal concepts, sculptures with moving forms, photographs with sequential aesthetics, architectural designs with a choreography of movement. Frahm considers, among other things, student works that explored light and the transparent features of celluloid and cellophane; weaving practices that incorporate cellophane; experimental films, social documentaries, and critical reportage by Bauhaus women; and the proliferation of film strips in posters, book covers, and other typographic work. Viewing the Bauhaus’s engagement with film through a media-theoretic lens, Frahm shows how film became a medium for “design in motion.” Movement and process, rather than stability and fixity, become the defining characteristics of Bauhaus educational, aesthetic, and philosophical ethos.
