National Union Catalog

National Union Catalog
Author:
Publisher:
Total Pages: 1032
Release:
Genre: Union catalogs
ISBN:

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Includes entries for maps and atlases.

Idéologies et mentalités

Idéologies et mentalités
Author: Michel Vovelle
Publisher: Gallimard Education
Total Pages: 372
Release: 1992
Genre: History
ISBN:

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Qu'est-ce que le 'populaire', que la 'force d'inertie des structures mentales', que la 'sensibilité', voire que l''inconscient collectif' ? Autant de questions auxquelles trop souvent on répond par des facilités verbales dont on ne saurait plus aujourd'hui se satisfaire. Au fil des travaux de Michel Vovelle, cette histoire très concrète se présente comme une histoire-problème : à quelles causalités obéit l'évolution des mentalités, suivant quels rythmes ? Peut-on raisonnablement parler d'une 'autonomie du mental' comme il est à la mode de le faire ? Cet ouvrage n'est pas, pour autant, un manuel d'histoire des mentalités. C'est un regard porté par un très grand historien sur l'un des chantiers les plus ouverts et sans doute les plus stimulants de l'historiographie actuelle.

World Views and Worldly Wisdom · Visions et expériences du monde

World Views and Worldly Wisdom · Visions et expériences du monde
Author: Jan De Maeyer
Publisher: Leuven University Press
Total Pages: 425
Release: 2016-05-02
Genre: Political Science
ISBN: 9462700745

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The attraction and repulsion between the Roman Catholic Church and modernity in Europe between 1750 and 2000 Emiel Lamberts (1941), professor emeritus of contemporary history at KU Leuven, is an international expert in the political and religious history of Europe in the 19th and 20th centuries. His work and the central themes in his research are the starting point in World Views and Worldly Wisdom. No less than eighteen leading international researchers put different aspects of his work in the spotlight. A recurring theme, however, is the attraction and repulsion between the Roman Catholic Church and modernity in Europe between 1750 and 2000. The ambivalent relationship with modernity is therefore the leitmotiv of the first part of this volume, whereas the second part focuses on the repositioning of the Church and the tensions between religion, ideology and politics. In this way the volume reflects Lamberts’s fascination for the history of political institutions as well as his research on Christian democracy. The contributions address – in a comparative way and from a transatlantic viewpoint – this broad period of time in history, which gave rise to different social movements and different models of society in Belgium and elsewhere. Contributors Winfried Becker (Universität Passau), Bruno Béthouart (Université du Littoral Côte d’Opale), Hans Blom (Universiteit van Amsterdam), Alfredo Canavero (Università degli Studi di Milano), Philippe Chenaux (Pontificia Università Lateranense, Roma), Andrea Ciampani (LUMSA, Roma), Jo Deferme (KU Leuven), Jan De Maeyer (KADOC KU Leuven), Henk De Smaele (Universiteit Antwerpen), Carine Dujardin (KADOC KU Leuven), Jean-Dominique Durand (Université Lyon 3), Michael Gehler (Jean Monnet Chair, Universität Hildesheim - Institut für Neuzeit- und Zeitgeschichtsforschung, Wien), Susana Monreal (Universidad Católica del Uruguay), Patrick Pasture (KU Leuven), Patrick M.W. Taveirne (The Chinese University of Hong Kong), Peter Van Kemseke (Europese Commissie, KU Leuven), Vincent Viaene (Attaché bij het Huis van Koning Filip), Els Witte (Vrije Universiteit Brussel)

Resonant Recoveries

Resonant Recoveries
Author: Jillian C. Rogers
Publisher: Oxford University Press
Total Pages: 401
Release: 2021
Genre: Music
ISBN: 0190658290

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"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--