Graphic Signs of Identity, Faith, and Power in Late Antiquity and the Early Middle Ages

Graphic Signs of Identity, Faith, and Power in Late Antiquity and the Early Middle Ages
Author: Ildar H. Garipzanov
Publisher: Brepols Publishers
Total Pages: 0
Release: 2017
Genre: Christian art and symbolism
ISBN: 9782503567242

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In this volume, twelve specialists examine the role of graphic signs such as cross signs, christograms, and monograms in the late Roman and post-Roman worlds and the contexts that facilitated their dissemination in diverse media. The essays collected here explore the rise and spread of graphic signs in relation to socio-cultural transformations during Late Antiquity and the early Middle Ages, focusing in particular on evolving perceptions and projections of authority. They ask whether some culturally specific norms and practices of graphic composition and communication can be discerned behind the rising corpus of graphic signs from the fourth to tenth centuries and whether common features can be found in their production and use across various media and contexts. The contributors to this book analyse the uses of graphic signs in quotidian objects, imperial architectural programmes, and a wide range of other media. In doing so, they argue that late antique and early medieval graphic signs were efficacious means to communicate with both the supernatural and earthly worlds, as well as to disseminate visual messages regarding religious identity and faith, and social power.

Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900

Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900
Author: Ildar Garipzanov
Publisher: Oxford University Press
Total Pages: 447
Release: 2018-04-26
Genre: History
ISBN: 0192546627

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Graphic Signs of Authority in Late Antiquity and the Early Middle Ages presents a cultural history of graphic signs and examines how they were employed to communicate secular and divine authority in the late antique Mediterranean and early medieval Europe. Visual materials such as the sign of the cross, christograms, monograms, and other such devices, are examined against the backdrop of the cultural, religious, and socio-political transition from the late Graeco-Roman world to that of medieval Europe. This monograph is a synthetic study of graphic visual evidence from a wide range of material media that have rarely been studied collectively, including various mass-produced items and unique objects of art, architectural monuments and epigraphic inscriptions, as well as manuscripts and charters. This study promises to provide a timely reference tool for historians, art historians, archaeologists, epigraphists, manuscript scholars, and numismatists.

Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900

Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900
Author: Ildar Garipzanov
Publisher: Oxford University Press
Total Pages: 404
Release: 2018-04-20
Genre: History
ISBN: 0192546619

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Graphic Signs of Authority in Late Antiquity and the Early Middle Ages presents a cultural history of graphic signs and examines how they were employed to communicate secular and divine authority in the late antique Mediterranean and early medieval Europe. Visual materials such as the sign of the cross, christograms, monograms, and other such devices, are examined against the backdrop of the cultural, religious, and socio-political transition from the late Graeco-Roman world to that of medieval Europe. This monograph is a synthetic study of graphic visual evidence from a wide range of material media that have rarely been studied collectively, including various mass-produced items and unique objects of art, architectural monuments and epigraphic inscriptions, as well as manuscripts and charters. This study promises to provide a timely reference tool for historians, art historians, archaeologists, epigraphists, manuscript scholars, and numismatists.

The Hidden Language of Graphic Signs

The Hidden Language of Graphic Signs
Author: John Bodel
Publisher: Cambridge University Press
Total Pages: 333
Release: 2021-08-19
Genre: History
ISBN: 1108840612

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This book zeroes in on hidden writing and alternative systems of graphic notation, exploring writings that deflect attention from language.

Prayer and Worship in Eastern Christianities, 5th to 11th Centuries

Prayer and Worship in Eastern Christianities, 5th to 11th Centuries
Author: Brouria Bitton-Ashkelony
Publisher: Taylor & Francis
Total Pages: 331
Release: 2016-10-04
Genre: History
ISBN: 1317076427

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Prayer and Worship in Eastern Christianities, 5th to 11th Centuries forges a new conversation about the diversity of Christianities in the medieval eastern Mediterranean, centered on the history of practice, looking at liturgy, performance, prayer, poetry, and the material culture of worship. It studies prayer and worship in the variety of Christian communities that thrived from late antiquity to the middle ages: Byzantine Orthodoxy, Syrian Orthodoxy, and the Church of the East. Rather than focusing on doctrinal differences and analyzing divergent patterns of thought, the essays address common patterns of worship, individual and collective prayer, hymnography and liturgy, as well as the indigenous theories that undergirded Christian practices. The volume intervenes in standard academic discourses about Christian difference with an exploration of common patterns of celebration, commemoration, and self-discipline. Essays by both established and promising, younger scholars interrogate elements of continuity and change over time – before and after the rise of Islam, both under the control of the Eastern Roman Empire and in the lands of successive caliphates. Groups distinct in their allegiances nevertheless shared a common religious heritage and recognized each other – even in their differences – as kinds of Christianity. A series of chapters explore the theory and practice of prayer from Greco-Roman late antiquity to the Syriac middle ages, highlighting the transmission of monastic discourses about prayer, especially among Syrian and Palestinian ascetic teachers. Another set of essays examines localization of prayer within churches through inscriptions, donations, dedications, and incubation. Other chapters treat the composition and transmission of hymns to adorn the liturgy and articulate the emotions of the Christian calendar, structuring liturgical and eschatological time.

Diagramming Devotion

Diagramming Devotion
Author: Jeffrey F. Hamburger
Publisher: University of Chicago Press
Total Pages: 431
Release: 2020-09-21
Genre: Art
ISBN: 022664295X

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During the European Middle Ages, diagrams provided a critical tool of analysis in cosmological and theological debates. In addition to drawing relationships among diverse areas of human knowledge and experience, diagrams themselves generated such knowledge in the first place. In Diagramming Devotion, Jeffrey F. Hamburger examines two monumental works that are diagrammatic to their core: a famous set of picture poems of unrivaled complexity by the Carolingian monk Hrabanus Maurus, devoted to the praise of the cross, and a virtually unknown commentary on Hrabanus’s work composed almost five hundred years later by the Dominican friar Berthold of Nuremberg. Berthold’s profusely illustrated elaboration of Hrabnus translated his predecessor’s poems into a series of almost one hundred diagrams. By examining Berthold of Nuremberg’s transformation of a Carolingian classic, Hamburger brings modern and medieval visual culture into dialogue, traces important changes in medieval visual culture, and introduces new ways of thinking about diagrams as an enduring visual and conceptual model.

Exploring Written Artefacts

Exploring Written Artefacts
Author: Jörg B. Quenzer
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 1280
Release: 2021-10-25
Genre: Literary Criticism
ISBN: 3110753340

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This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’.

The Languages of Early Medieval Charters

The Languages of Early Medieval Charters
Author:
Publisher: BRILL
Total Pages: 564
Release: 2020-11-23
Genre: Literary Criticism
ISBN: 9004432337

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This is the first major study of the interplay between Latin and Germanic vernaculars in early medieval records, examining the role of language choice in the documentary cultures of the Anglo-Saxon and eastern Frankish worlds.

Christianity, Philosophy, and Roman Power

Christianity, Philosophy, and Roman Power
Author: Lea Niccolai
Publisher: Cambridge University Press
Total Pages: 381
Release: 2023-06
Genre: History
ISBN: 1009299298

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Rethinks Rome's Christianisation as a crisis of knowledge propelled by Constantine, with Emperor Julian as its key interpreter and catalyst.

Inscribing Faith in Late Antiquity

Inscribing Faith in Late Antiquity
Author: Sean V. Leatherbury
Publisher: Routledge
Total Pages: 444
Release: 2019-07-26
Genre: History
ISBN: 1000023338

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Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.