Gaze and Voice as Love Objects

Gaze and Voice as Love Objects
Author: Renata Salecl
Publisher: Duke University Press
Total Pages: 272
Release: 1996
Genre: Literary Criticism
ISBN: 9780822318132

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Book examines relationship between love, gaze and the sexes

(Per)Versions of Love and Hate

(Per)Versions of Love and Hate
Author: Renata Salecl
Publisher: Verso
Total Pages: 198
Release: 2000-06-17
Genre: Art
ISBN: 9781859842362

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Why, when we are desperately in love, do we endlessly block union with our love object? Why do we often destroy what we love most? Why do we search out the impossible object? Is it that we desire things because they are unavailable, and therefore, to keep desire alive, we need to prevent its fulfillment? Renata Salecl explores the distributing and complex relationships between love and hate, violence and admiration, libidinal and destructive drives, through an investigation of phenomenon as diverse as the novels The Age of Innocence and The Remains of the Day, classic Hollywood melodramas, the Sirens’ song, Ceaușescu's Rumania and the Russian performance artist Oleg Kulik, who acts like a dog and bites his audience. (Per)Versions of Love and Hate presents a unique and timely intervention in contemporary debates by questioning the legitimacy of the calls for tolerance and respect by multiculturalism and exploring practices such as body-mutilation as symptoms of the radical change that has affected subjectivity in contemporary society.

Theology after Lacan

Theology after Lacan
Author: Clayton Crockett
Publisher: James Clarke & Company
Total Pages: 286
Release: 2015-02-26
Genre: Religion
ISBN: 0227902807

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This groundbreaking volume highlights the continuing relevance of Jacques Lacan (1901-1981), a French psychiatrist and psychoanalyst whose linguistic reworking of Freudian analysis radicalised both psychoanalysis and its approach to theology. The book's fi rst section, Part I: Lacan, Religion, and Others, explores the application of Lacan's thought to the development and phenomena of religion. Part II: Theology and the Other Lacan moves through the physical world and into the metaphysical, probing theological issues and ideas of today's world with curiosity and in the light of Lacan. In both parts I and II, a central place is given to Lacan's exposition of the real, thereby refl ecting the impact of his later work. Topics traverse culture,art, philosophy and politics, as well as providing critical exegesis of Lacan's most gnomic utterances on theology, including The Triumph of Religion. Contributors include some of the most renowned readers and influential academics in their respective fields: Tina Beattie, Lorenzo Chiesa, Clayton Crockett, Creston Davis, Adrian Johnston, Katerina Kolozova, Thomas Lynch, Marcus Pound, Carl Raschke, Kenneth Reinhard, Mario D'Amato, Noelle Vahanian and Slavoj Zizek.

Transversal Enterprises in the Drama of Shakespeare and his Contemporaries

Transversal Enterprises in the Drama of Shakespeare and his Contemporaries
Author: B. Reynolds
Publisher: Springer
Total Pages: 282
Release: 2006-03-01
Genre: Literary Criticism
ISBN: 0230584578

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This study expands on Reynolds' 'transversal poetics' - the theory, methodology, and aesthetics developed in response to the need for an approach that fosters agency, creativity and conscientious scholarship and pedagogy. It offers new readings of plays by, amongst others, Shakespeare, Marlowe, Middleton, Webster and Greene.

Blindness and Writing

Blindness and Writing
Author: Heather Tilley
Publisher: Cambridge University Press
Total Pages: 297
Release: 2018
Genre: Literary Criticism
ISBN: 1107194210

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In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.

The Paradox of Relevance

The Paradox of Relevance
Author: Carol J. Greenhouse
Publisher: University of Pennsylvania Press
Total Pages: 328
Release: 2011-05-05
Genre: Social Science
ISBN: 0812204573

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Selected by Choice magazine as an Outstanding Academic Title Between 1990 and 1996, the U.S. Congress passed market-based reforms in the areas of civil rights, welfare, and immigration in a series of major legislative initiatives. These were announced as curbs on excessive rights and as correctives to a culture of dependency among the urban poor—stock images of racial and cultural minorities that circulated well beyond Congress. But those images did not circulate unchallenged, even after congressional opposition failed. In The Paradox of Relevance, Carol J. Greenhouse provides a political and literary history of the anthropology of U.S. cities in the 1990s, where—below the radar—New Deal liberalism, with its iconic bond between society and security, continued to thrive. The Paradox of Relevance opens in the midst of anthropology's so-called postmodern crisis and the appeal to relevance as a basis for reconciliation and renewal. The search for relevance leads outward to the major federal legislation of the 1990s and the galvanic political tensions between rights- and market-based reforms. Anthropologists' efforts to inform those debates through "relevant" ethnography were highly patterned, revealing the imprint of political tensions in shaping their works' central questions and themes, as well as their organization, narrative techniques, and descriptive practices. In that sense, federal discourse dominates the works' demonstrations of ethnography's relevance; however, the authors simultaneously resist that dominance through innovations in their own literariness—in particular, drawing on diasporic fiction and sociolegal studies where these articulate more agentive meanings of identity and difference. The paradox of relevance emerges with the realization that in the context of the times, affirming the relevance of ethnography as value-neutral science required the textual practices of advocacy and art.

When Opera Meets Film

When Opera Meets Film
Author: Marcia J. Citron
Publisher: Cambridge University Press
Total Pages:
Release: 2010-05-27
Genre: Music
ISBN: 1139489631

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Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.

Georgic Modernity and British Romanticism

Georgic Modernity and British Romanticism
Author: Kevis Goodman
Publisher: Cambridge University Press
Total Pages: 268
Release: 2004-07-29
Genre: Literary Criticism
ISBN: 9780521831680

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Goodman traces connections between Georgic verse and developments in other spheres from the late seventeenth to the early nineteenth centuries.

Contemporary Photography and Theory

Contemporary Photography and Theory
Author: Sally Miller
Publisher: Routledge
Total Pages: 237
Release: 2020-05-26
Genre: Photography
ISBN: 1000181995

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Contemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others. They are the perfect starting point for essays as well being of suitable length for assigned readings, making this the ideal resource for learning about contemporary photography and theory.

Psychoanalytic Perspectives on the Films of Ingmar Bergman

Psychoanalytic Perspectives on the Films of Ingmar Bergman
Author: Vanessa Sinclair
Publisher: Taylor & Francis
Total Pages: 193
Release: 2022-12-01
Genre: Psychology
ISBN: 1000787990

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Psychoanalytic Perspectives on the Films of Ingmar Bergman presents a contemporary Freudian-Lacanian assessment of this classic director. This collection is the first to bring together this unique psychological perspective on Bergman’s work. While Bergman and his films have been written about throughout the decades, until now there has not been a collection anthologizing Freudian-Lacanian perspectives on his work. Vanessa Sinclair brings together an international community of scholars and practicing psychoanalysts – some of whom are also filmmakers – to reflect on Bergman’s films, life, and work in philosophical, historical, and cultural contexts. They assess individual films in depth, compare multiple films, and focus on Bergman’s life and work in a cultural context. This book includes chapters on seminal films including Persona and The Silence. Psychoanalytic Perspectives on the Films of Ingmar Bergman will be essential reading for academics and students of film studies, psychoanalytic theory, and Lacan, and of great interest to psychoanalysts and psychotherapists.