From Michelangelo to Annibale Carracci

From Michelangelo to Annibale Carracci
Author: Nicholas Turner
Publisher:
Total Pages: 476
Release: 2008
Genre: Architecture
ISBN:

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Helping to delight in the drawings of Caravaggio, Carracci, Michelangelo, Urbino, Tavarone, Vasari, Veronese, and others, this book looks at this key period in the development of drawing in Europe.

From Raphael to Carracci

From Raphael to Carracci
Author: Carlo Gasparri
Publisher:
Total Pages: 490
Release: 2009
Genre: Art
ISBN:

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A Documentary History of Art, Volume 2

A Documentary History of Art, Volume 2
Author: Elizabeth Gilmore Holt
Publisher: Princeton University Press
Total Pages: 434
Release: 1982-10-21
Genre: Art
ISBN: 0691003440

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The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelangelo, the Dialogues of Carducho, or the Discourses of Sir Joshua Reynolds, one discovers the stylistic and philosophical concerns of the artist, while the record of Veronese's trial before the Holy Tribunal, the diary of Bernini's journey in France, the letters of Rubens and Poussin or biographical sketches of Rembrandt and Watteau reveal not only the personalities but also the conditions of the times. These basic and illuminating documents, now again available in paperback, provide an unparalleled opportunity for insight into the art and ideas of the periods the author discusses.

Michelangelo and His Influence

Michelangelo and His Influence
Author: Paul Joannides
Publisher:
Total Pages: 224
Release: 1996
Genre: Art
ISBN:

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The drawings featured in this volume are from the Royal Collection at Windsor Castle. Eighteen sheets are supreme examples of Michelangelo's draftsmanship; fifty are by his contemporaries and successors - including Raphael, Sebastiano del Piombo, Perino del Vaga, Pordenone, and Annibale Carracci - and demonstrate Michelangelo's impact on their technique, style, and imagery. Among the other artists represented are Alessandro Allori, Bartolommeo Ammanati, Baccio.

The Invention of Annibale Carracci

The Invention of Annibale Carracci
Author: Clare Robertson
Publisher:
Total Pages: 430
Release: 2008
Genre: Art
ISBN:

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Annibale Carracci (1560-1609) fu una delle figure chiave (1560-1609) nello sviluppo dell'arte barocca italiana, e tuttavia la sua arte può sembrare problematica per diversi aspetti. Questo volume analizza la sua carriera dagli esordi a Bologna fino alle opere successive a Roma, il cui apice è raggiunto con il suo capolavoro, gli splendidi affreschi della Galleria Farnese. Il volume indaga inoltre il linguaggio religioso fortemente espressivo che sviluppò nelle pale d'altare, adeguate espressioni dei princìpi della Contro-Riforma, e i suoi importanti contributi all'evoluzione del paesaggio classico. Annotation Supplied by Informazioni Editoriali

Annibale Carracci, the Farnese Gallery, Rome

Annibale Carracci, the Farnese Gallery, Rome
Author: Charles Dempsey
Publisher: George Braziller
Total Pages: 112
Release: 1995
Genre: Antiques & Collectibles
ISBN:

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The magnificent frescoes in chapels, town halls, and palaces across Italy together represent one of the greatest achievements of Renaissance art. Commissioned both by private patrons and by the Church, artists such as Giotto, Masaccio, Piero della Francesca, Mantegna, and Annibale Carracci responded with images of matchless beauty. Leading scholars of Renaissance art and culture treat the works selected for this series in their artistic and historical contexts; each cycle is illustrated with a complete set of the highest quality color reproductions.

Caravaggio and His Two Cardinals

Caravaggio and His Two Cardinals
Author: Creighton Gilbert
Publisher: Penn State Press
Total Pages: 347
Release: 1995
Genre: Art
ISBN: 0271013125

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Gilbert devotes separate discussions to the Marquis and to Cardinal Mattei in developing his argument that each of them influenced Caravaggio in different ways. A collector of classical sculpture, the Marquis is connected to the classical mythological themes that are here identified in specific paintings. A study of Cardinal Mattei indicates that he was outstandingly devout, which was true of only a small number of cardinals during the period. Gilbert shows that the artist's two paintings for the Cardinal alter the previous patterns of representing their religious themes, in ways related to Counter-Reformation ideas. Scholars have long searched for the specific religious figure who inspired this quality in Caravaggio's work, resolved here by Gilbert's meticulous scholarship and carefully drawn connections.