French Baroque Music from Beaujoyeulx to Rameau

French Baroque Music from Beaujoyeulx to Rameau
Author: James R. Anthony
Publisher: Hal Leonard Corporation
Total Pages: 604
Release: 1997
Genre: Music
ISBN: 9781574670219

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First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.

Jean-Baptiste Lully and the Music of the French Baroque

Jean-Baptiste Lully and the Music of the French Baroque
Author: James R. Anthony
Publisher: Cambridge University Press
Total Pages: 360
Release: 1989-02-09
Genre: Biography & Autobiography
ISBN: 9780521352635

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This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.

The New Grove French Baroque Masters

The New Grove French Baroque Masters
Author: James R. Anthony
Publisher: W. W. Norton
Total Pages: 318
Release: 1986
Genre: Composers
ISBN: 9780393303520

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The New Grove French Baroque Masters

The New Grove French Baroque Masters
Author: James Anthony
Publisher: W. W. Norton
Total Pages: 318
Release: 1997-06-01
Genre: Biography & Autobiography
ISBN: 9780393303568

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Giovanni Battista Lulli, a young Florentine who settled in Paris, intrigued his way into all the major musical appointments at the court of Louis XIV and--as Jean-Baptiste Lully--created the essentials of what we recognize as French music of the late 17th and early 18th centuries. No one dared to rival Lully as a composer of operas or ballet. But in the chapels, the two most gifted French choral composers of the age, Marc-Antoine Charpentier and Michel-Richard de Lalande, brought French sacred music to a new peak of excellence. The leading instrumental composer around Louis XIV's court was Francois Couperin-le-Grand, master of the keyboard miniature. All these traditions were drawn together in the next generation by Jean-Philippe Rameau, theorist, 'philosophe,' and supreme master of the lyric tragedy. Book jacket.

French Baroque Opera: A Reader

French Baroque Opera: A Reader
Author: Caroline Wood
Publisher: Routledge
Total Pages: 221
Release: 2017-07-14
Genre: Music
ISBN: 1317132750

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From the outset, French opera generated an enormous diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period during the past two decades. This book presents a wide-ranging and informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, it provides an often entertaining insight into Lully’s once-proud Royal Academy of Music and the colourful characters who surrounded it. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English. Readers will find this new, updated edition easier to use with its revised and expanded translations, supplementary explanatory content and new illustrations.

French Baroque Opera

French Baroque Opera
Author: Caroline Wood
Publisher: Ashgate Publishing
Total Pages: 184
Release: 2000
Genre: Music
ISBN:

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Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, this book provides an often entertaining insight into Lully's once-proud Royal Academy of Music.

Companion to Baroque Music

Companion to Baroque Music
Author: Julie Anne Sadie
Publisher: OUP Oxford
Total Pages: 586
Release: 1998
Genre: Music
ISBN: 0198167040

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Not just Bach and Handel, but Vivaldi and Monteverdi, Couperin and Rameau, Purcell and Schutz are familiar and loved figures of the baroque era. This survey offers perspectives on these men, and the times in which they lived. to all those who are attracted by the music of that crucial century and a half, 1600-1750, which we call the Baroque era.

The Cambridge Companion to French Music

The Cambridge Companion to French Music
Author: Simon Trezise
Publisher: Cambridge University Press
Total Pages: 441
Release: 2015-02-19
Genre: Music
ISBN: 0521877946

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This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.

Eighteenth-Century Keyboard Music

Eighteenth-Century Keyboard Music
Author: Robert Marshall
Publisher: Routledge
Total Pages: 431
Release: 2004-03-01
Genre: Music
ISBN: 1135887756

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First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Politics of Musical Identity

The Politics of Musical Identity
Author: Annegret Fauser
Publisher: Routledge
Total Pages: 458
Release: 2017-07-05
Genre: Music
ISBN: 1351541471

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This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond.