Forrest Bess

Forrest Bess
Author: Chuck Smith
Publisher: powerHouse Books
Total Pages: 172
Release: 2013-06-11
Genre: Art
ISBN: 1576876756
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Painter, fisherman, pseudo-hermaphrodite—Forrest Bess lived his life in obscurity at an isolated bait camp off the east coast of Texas. From 1949 through 1967, Bess showed at the Betty Parsons Gallery in New York City, alongside superstar artists such as Jackson Pollock and Mark Rothko. Rediscovered after his death in 1977, Bess's small visionary paintings are now prized by museums and collectors for their primal beauty, and can fetch over $200,000 apiece. Bess's treasured canvases were only part of a grander theory—based on alchemy, Jungian philosophy, and aboriginal rituals—that proposed that hermaphrodism was the key to immortality. As an artist, Bess could never equivocate, and in 1960 he underwent an operation to become a pseudo-hermaphrodite. For the first time ever in print, Forrest Bess: Key to the Riddle combines the beauty of Bess's art with the drama and tragedy of his personal life. Using Bess's own hauntingly sincere words (in letters to Betty Parsons, Meyer Schapiro, and others) the book traces the life and logic of this forgotten artist and explains how a love of beauty and a desire for wholeness lead Bess to self-surgery and, ultimately, a mental hospital. Forrest Bess: Key to the Riddle is a fascinating look at one of America's most notorious cult visionaries—a man who truly believed that art could save his life.

FORRSET BESS PB

FORRSET BESS PB
Author: John Doe
Publisher:
Total Pages: 56
Release: 2019-02
Genre:
ISBN: 9780956798855
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Published on the occasion of the first Forrest Bess solo exhibition in the United Kingdom at Stuart Shave/Modern Art, London (3 October - 1 December 2018).This catalogue includes a broad selection of paintings dating from 1948-1970 and representing all four of the decades that define the 'visionary' period for which Bess has come to be known.Accompanying the works is a new essay by Professor Mark Turner, King's College London, on Bess's life, his theories and art.Frequently relegated to the peripheries of art history, both as a Texas native and a rarely understood queer man, Bess might nevertheless be re-located at the heart of American Modernism.Between 1949 and 1967 he showed at least five times at Betty Parsons' New York gallery, on the same walls that debuted Barnett Newman, Richard Tuttle, Ellsworth Kelly, and other focal figures of twentieth-century abstraction.Simultaneously he engaged in correspondence with sociologists, psychotherapists, art historians, and even NASA, to communicate a series of radical medico-mystical theories he had devised that were, he believed, of critical importance to Mankind.

Midcentury Modern Art in Texas

Midcentury Modern Art in Texas
Author: Katie Robinson Edwards
Publisher: University of Texas Press
Total Pages: 393
Release: 2014-07-01
Genre: Art
ISBN: 0292756593
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Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.

Forrest Bess

Forrest Bess
Author: Forrest Bess
Publisher:
Total Pages: 66
Release: 1988
Genre: Painting, American
ISBN:
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The Mind's Eye

The Mind's Eye
Author: Jeremy Frommer
Publisher: powerHouse Books
Total Pages: 228
Release: 2014-05-13
Genre: Art
ISBN: 1576877302
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Omni was a jewel among popular science magazines of its era (1978–1998). Science Digest, Science News, Scientific America, and Discover may have all been selling well to armchair scientists, but Omni masterfully blended cutting edge science news and science fiction, flashy graphic design, a touch of sex, and the images of a generation of artists completely free and unburdened by the disciplines of the masters. Created by the legendary Bob Guccione, better known for founding Penthouse than perhaps any of the other facets of his inspired career in business, art, and literature, Guccione handpicked the artists and illustrators that contributed to the Omni legacy—they in turn created works ignited by passion and intellect, two of Guccione's principal ideals. The Mind's Eye: The Art of Omni is the very first publication to celebrate in stunning detail the exceptional science fiction imagery of this era in an oversized format. The Mind's Eye contains 185 images from contributing Omni artists including John Berkey, Chris Moore, H.R. Giger, Rafal Olbinski, Rallé, Tsuneo Sanda, Hajime Sorayama, Robert McCall, and Colin Hay among many more, along with quotes from artists, contributors, writers, and critics. Omni lived in a time well before the digital revolution. The images you see on these pages have taken years to track down and brought the editors in touch with many esteemed artists, amazing photographers and dusty storage lockers. Their quest is far from over; you'll notice an almost decade-long gap in the material, the contents of which were either lost or destroyed. Efforts to search throughout the universe for any images will continue and will be shared with the world at the all-things-Omni website, omnireboot.com. Stay tuned... Collected in book form for the first time ever, the striking art from this extraordinary magazine will delight fans who remember seeing the work years ago and newcomers interested in the unique aesthetic of this genre's biggest artists. "Omni was a magazine about the future. From 1978 to 1998 Omni blew minds by regularly featuring extensive Q&As with some of the top scientists of the 20th century—E.O. Wilson, Francis Crick, Jonas Salk—tales of the paranormal, and some of the most important science fiction to ever see magazine publication: William Gibson's genre-defining stories 'Burning Chrome' and 'Johnny Mnemonic,' Orson Scott Card's 'Unaccompanied Sonata,' novellas by Harlan Ellison and George R. R. Martin, 'Thanksgiving,' a postapocalyptic tale by Joyce Carol Oates—even William S. Burroughs graced its pages." —Vice magazine, Motherboard "Omni is not a science magazine. It is a magazine about the future...Omni was sui generis. Although there were plenty of science magazines over the years...Omni was the first magazine to slant all its pieces toward the future. It was fun to read and gorgeous to look at." —Ben Bova, six-time Hugo award winner

Metal Cats

Metal Cats
Author: Alexandra Crockett
Publisher: powerHouse Books
Total Pages: 140
Release: 2014-05-13
Genre: Humor
ISBN: 1576877299
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Skulls and Siamese. Corpse paint and Persians. Baphomet, pentagrams, blood, and tabbies! Metal Cats combines two amazing subjects: the extreme personalities of the hardcore metal music scene and their adorable kitties. These incredibly cute and fluffy felines have been photographed with their loving owners in and around the dark abodes of musicians, fans, and promoters of metal including members of the bands Black Goat, Thrones, Isis, Lightning Swords of Death, Book of Black Earth, Skarp, Harassor, Akimbo, Aldebaran, Atriarch, Oak, Ghoul, Ludicra, Holy Grail, Xasthur, Cattle Decapitation, Murder Construct, Exhumed, Morbid Angel, Municipal Waste, Skeletonwitch, Gypsyhawk, Nausea, Phobia, and Napalm Death. Metal isn't all dark and disturbing, violent and misanthropic. Metal Cats is proof that while the music may be brutal, the people in the scene are softies for their pets just like you and me... A portion of the proceeds from this book and a series of benefit shows held along the West Coast will go towards one no-kill shelter in each of the four main cities visited.

Bamboo in Japan

Bamboo in Japan
Author: Nancy Moore Bess
Publisher: Kodansha International
Total Pages: 338
Release: 2001-05-18
Genre: Reference
ISBN: 9784770025104
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This is a fully illustrated guide to the art, craft and design of bamboo, as demonstrated by the Japanese. It demonstrates how to use inexpensive materials to create sophisticated effects in the home and garden. A list of bamboo collections, gardens and research sources is included. For centuries, bamboo has fascinated legions of craftspeople, plant lovers and devotees of the handcrafted object. And nowhere is bamboo used more elegantly and distinctly than in Japan. Its presence touches every part of daily life-art, crafts, design, literature, and food. Its beauty

Norman Ives: Constructions and Reconstructions

Norman Ives: Constructions and Reconstructions
Author: John T. Hill
Publisher:
Total Pages: 312
Release: 2020-11-24
Genre:
ISBN: 9781576879771
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This first comprehensive account of a mid-century master covers the multi-faceted career of a fine artist, graphic designer, teacher, and publisher. It reflects Norman Ives's timeless relevance in the visual arts. Constructions & Reconstructions is an overview of Norman Ives's multifaceted career. Ives was a gifted artist better known for his graphic design. His talents extended well beyond the field of design. Much of this seamless transi- tion came from Ives's mastery of form, common to both endeavors. Ives's paintings and collages are collected by major museums: The 1967 Whitney Annual exhibition of American painting, the Guggenheim Museum, Yale University Art Gallery and various others. Norman Ives holds a secure place in the history of American Mid-Century Modern canon as one of a band of artists using letterforms as art. Ives's design and art appeared to be outliers of the percolating type-as-art movement popularized by Robert Indiana's LOVE sculptures. Type-related art has since become ubiquitous in painting and sculpture, as well as other massive architectural "type works." Ives's work fits squarely into this genre having roots in the early 20th-century Modern movement. Ives's was part of a period representing a high point in the teachings of graphic design. This began with Josef Albers's restructuring of the Yale University Art School. Ives was both a student of Albers and his teaching colleague, then later, his publisher. Taking Albers's lead, this curriculum helped reformulate graphic design in its evolution from commercial art. Norman Ives was a member of AGI, along with fellow faculty members Herbert Matter, Armin Hofmann, Paul Rand, and Bradbury Thompson.) Ives's recognition in two major fields of the visual arts makes him worthy of being called master, in any period. In the history of art, there are many examples of works that rise to the level rightfully called timeless: Corinthian helmets, Heraldry, Greek sculpture, Kurt Schwitters's collages, and the work of Josef Albers. The book itself is a work of art, a comprehensive account of the spirit and genius of Norman Ives. It has been long in the making. After studying with Ives, the book's author John T. Hill then taught with Ives at Yale's School of Fine Arts. This book introduces unseen master works, showcasing the brilliant variety and vitality of the work. It fully delineates his stock in trade--letterforms--which became "his lyrical strokes, their construction and reconstruction defining his work."

Outliers and American Vanguard Art

Outliers and American Vanguard Art
Author: Lynne Cooke
Publisher: University of Chicago Press
Total Pages: 396
Release: 2018
Genre: Art and society
ISBN: 9780226522272
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Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher.

Dear Mr. Picasso

Dear Mr. Picasso
Author: Fred Baldwin
Publisher: Schilt Publishing
Total Pages: 0
Release: 2019
Genre: Documentary photography
ISBN: 9789053309186
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Fred Baldwin's life took a turn in the direction of the extraordinary when he decided to interview and photograph Pablo Picasso. In his last year of college, he delivered a letter with own drawings to the artist. This made Picasso laugh and open the door. Baldwin's life changed. He followed his dream, used his imagination, overcame fear, and acted - now he could accomplish anything. What followed were picture stories about reindeer migrations, a day and a night with the Ku Klux Klan, Nobel Prize coverage, cod fishing in Arctic Norway, polar bear expeditions. Then underwater images of the fight of hooked Marlin in Mexico - an homage to Hemingway. In 1963, Baldwin joined the Civil Rights Movement, photographing Martin Luther King. A two-year stint as Peace Corps director in Borneo was followed by more photojournalism in India and Afghanistan. This account takes the reader to high adventure worldwide, but also to disaster and failure. This illustrated love affair with freedom shows how a camera became a passport to the world.0Fred Baldwin was born in 1928 in Switzerland. After earning his B.A. degree from Columbia College, New York in 1956, he began a freelance photography career which continued until 1987. Baldwin worked for LIFE, National Geographic, GEO, STERN, Esquire, Sports Illustrated, Smithsonian Magazine, Newsweek, the New York Times and others.