Formless

Formless
Author: Yve-Alain Bois
Publisher:
Total Pages: 312
Release: 1997
Genre: Art
ISBN:

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Published to accompany exhibition held at the Centre Georges Pompidou, Paris 22/5 - 26/8 1996.

Formless

Formless
Author: Patrick Crowley
Publisher: Peter Lang
Total Pages: 268
Release: 2005
Genre: Art
ISBN: 9783039100569

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The papers in this volume challenge the concept of form and aim to set out, explore and develop different theories and examples of 'the formless'. In so doing, they raise questions of form, and notions of formlessness (as distinct from something called 'the formless'). The starting point for many of the contributors is Georges Bataille's highly influential article entitled 'informe' ('formless'). Here, in a context where art, philosophy and anthropology were merging, Bataille tried to question the idea of formlessness as simply applying to things without form. This book, through a diversity of articles in various domains, asks how and why 'the formless' is such a dominant idea from the nineteenth century onwards and it asks the question: 'what is formless?'

The Formless Self

The Formless Self
Author: Joan Stambaugh
Publisher: SUNY Press
Total Pages: 192
Release: 1999-05-06
Genre: Philosophy
ISBN: 9780791441503

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Bringing together the depth insights of eastern & western traditions, this book places the topic of the self in a new context.

Boring Formless Nonsense

Boring Formless Nonsense
Author: Eldritch Priest
Publisher: Bloomsbury Publishing USA
Total Pages: 336
Release: 2013-02-14
Genre: Music
ISBN: 144112408X

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Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs elbows with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping current debates on failure as an aesthetic category, eldritch Priest shows failure to be a duplicitous concept that traffics in paradox and sustains the conditions for magical thinking and hyperstition. Framing recent experimental composition as a deviant kind of sound art, Priest explores how the affective and formal elements of post-Cagean music couples with contemporary culture's themes of depression, distraction, and disinformation to create an esoteric reality composed of counterfactuals and pseudonymous beings. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music.

Writing of the Formless

Writing of the Formless
Author: Jaime Rodríguez Matos
Publisher: Fordham Univ Press
Total Pages: 248
Release: 2016-12-01
Genre: Political Science
ISBN: 0823274098

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In this book, Jaime Rodríguez Matos proposes the “formless” as a point of departure in thinking through the relationship between politics and time. Thinking through both literary and political writings around the Cuban Revolution, Rodríguez Matos explores the link between abstract symbolic procedures and various political experiments that have sought to give form to a principle of sovereignty based on the category of representation. In doing so, he proposes the formless as the limit of modern and contemporary reflections on the meaning of politics while exploring the philosophical consequences of a formless concept of temporality for the critique of metaphysics. Rodríguez Matos takes the writing and thought of José Lezama Lima as the guiding thread in exploring the possibility of a politicity in which time is imagined beyond the disciplining functions it has had throughout the metaphysical tradition—a time of the absence of time, in which the absence of time no longer means eternity.

Now That You Are Formless

Now That You Are Formless
Author: Helen Hamilton
Publisher: Balboa Press
Total Pages: 41
Release: 2021-02-24
Genre: Religion
ISBN: 1982283203

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Many beings have revelations of our true Self and yet few come to live and move in the world as the Sage does. We must deeply assimilate what it means to be formless and allow that knowledge to pervade our entire consciousness. Questions such as “How can I come to know that I cannot die?” and “How do I live from this place of Truth?” begin to become very important to us. In this book we will look at specific points of contemplation that are designed to help come to know beyond doubt that to be formless means we cannot die, we cannot suffer and we are infinite. This book embodies the process that every awakened being has gone through and will allow you to let go of all doubt and fear. Think of this book as a road map to the awakened state of Being. It is the essence of every Sage’s journey and it will allow you to bring forth the Sage that is in you right now. This book is the answer to every student’s question of “How do I live as this?”

The Firm and the Formless

The Firm and the Formless
Author: Hans Mol
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 112
Release: 1982-12-01
Genre: Religion
ISBN: 0889206783

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This volume is woven around the idea that wholeness (the firm) and fragmentation (risking formlessness) alternate in human affairs. This theme is applied to the history and the present condition of Australian Aboriginals. Their religion is seen as a way to bolster a precarious identity and to affirm order in an existence which would otherwise become formless. It deals with totemism as a form of ordering a variety of often conflicting identities. The author describes the modern predicament of Aborigines in Australian society and concludes that their revitalization will occur only when they manage to make economic self-sufficiency subordinate to a viable and firm view of existence. He critically integrates into his analyses and interpretations the positions of such well-known scholars as Frazer, Durkheim, Freud, Lévi-Strauss, Radcliffe-Brown, Eliade, and Stanner. The volume will be of interest to students of sociology, anthropology, and religion.

The Formless Empire

The Formless Empire
Author: Christopher Mott
Publisher: Westholme Publishing
Total Pages: 0
Release: 2015
Genre: History
ISBN: 9781594162213

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The Role of Nomadic Culture in the Evolution of Non-Western Power Politics Central Asia, a vast region extending from eastern Russia and across Kazakhstan, Uzbekistan, Turkmenistan, Afghanistan, Tajikistan, Kyrgystan, Mongolia, and western China, has its own tradition of foreign policy rooted in the ancient nomadic culture of many of its peoples as well as the region's distinctive geography. From the thundering hooves of Mongol or Cossack cavalry across the steppes to the clanking of tanks on parade in Moscow or Beijing, elements of this system still cast a shadow on the region at the heart of Earth's largest continent. By tracing the evolution of Central Asian warfare and diplomacy through a series of historical examples, ranging from the ancient Xiongnu people and medieval Mongol Empire to the fall of the Soviet Union, historian Christopher Mott argues that the original system of informal relationships, indirect rule, and rapid military movement did not entirely fade from the region with the eclipse of the nomadic powers during the Middle Ages. In fact, many states like China, Iran, and Russia had already been influenced by nomadic people, and in so doing adapted their own diplomatic and military policies accordingly. The Formless Empire: A Short History of Diplomacy and Warfare in Central Asia is an engaging study of the nature of non-Western imperialism and great-power strategy. In addition, the book demonstrates that regional histories can show us the variety of political possibilities in the past and how they were adapted to changing circumstances--a point made even more important by the rapid changes facing global security and new forms of empire building. "Christopher Mott's extremely erudite and wide-ranging examination of the history of Central Asia shows us that we have been far too narrow-minded and Eurocentric in thinking about power and how the global system changes historically. Given the current interest in 'caliphates' we need to reflect on the history of the areas of the world that dance to a different historical drum than we do in the West." --Andrew John Williams, author of France, Britain, and the United States in the Twentieth Century

Formless Formation:

Formless Formation:
Author: Sandra Ruiz
Publisher: Minor Compositions
Total Pages: 200
Release: 2021-05-27
Genre: Aesthetics
ISBN: 9781570273797

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Formless Formation is an experimental project conceived and co-authored by two performance theorists working in critical aesthetics and political thought. The book is an insurgent revolt, walking side by side with plural and planetary anticolonial forces organizing against debt, expropriative extractive capital, environmental catastrophe, and the militarized policing of people and borders. It is in direct conversation with all Indigenous, Black, Brown, ecological, queer, diasporic movements and struggles against capitalist predatory formations across time and space. Through shared resonances across differing aesthetic life-worlds and solidarities that bypass the nation-state, Ruiz and Vourloumis bring to the forefront performative and aesthetic practices and methods that address current and future social organizing.

Formless Furniture

Formless Furniture
Author: Peter Noever
Publisher: Hatje Cantz Pub
Total Pages: 133
Release: 2008
Genre: Design
ISBN: 9783775722476

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In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material," however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A. Andersen's experimental polyurethane Portrait of My Mother's Chesterfield Chair of 1964 and Zanotta's famous Sacco beanbag chair of 1968. Edited by Peter Noever, Director of Vienna's MAK museum of applied and contemporary art, this volume is the first to concentrate on formlessness in furniture design. Featuring work from the 1960s through today by such revolutionary figures as Frank Gehry, Gaetano Pesce, Ron Arad and Karim Rashid, it illuminates connections between the historical avant-garde and the applied arts, and tracks the various manifestations of design formlessness to have emerged over the past half century--from Robert Dean's 1967 Sea Urchin chair to today's computer-assisted "blobjects.""