Forbid Them Not : a One Act Scots Play
Author | : Agnes ADAM |
Publisher | : Glasgow : Brown, Son & Ferguson, [19--] |
Total Pages | : 28 |
Release | : 19?? |
Genre | : |
ISBN | : |
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Author | : Agnes ADAM |
Publisher | : Glasgow : Brown, Son & Ferguson, [19--] |
Total Pages | : 28 |
Release | : 19?? |
Genre | : |
ISBN | : |
Author | : Agnes Adam (dramatist.) |
Publisher | : |
Total Pages | : 25 |
Release | : 1970 |
Genre | : |
ISBN | : |
Author | : Agnes Adam |
Publisher | : |
Total Pages | : 28 |
Release | : 1983 |
Genre | : |
ISBN | : |
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 928 |
Release | : 1973 |
Genre | : Drama |
ISBN | : |
Author | : Douglas Gifford |
Publisher | : Edinburgh University Press |
Total Pages | : 741 |
Release | : 2020-03-31 |
Genre | : Literary Criticism |
ISBN | : 0748672664 |
This is the first comprehensive critical analysis of Scottish women's writing from its recoverable beginnings to the present day. Essays cover individual writers - such as Margaret Oliphant, Nan Shepherd, Muriel Spark and Liz Lochhead - as well as groups of writers or kinds of writing - such as women poets and dramatists, or Gaelic writing and the legacy of the Kailyard. In addition to poetry, drama and fiction, a varied body of non-fiction writing is also covered, including diaries, memoirs, biography and autobiography, didactic and polemic writing, and popular and periodical writing for and by women.
Author | : Claire Cochrane |
Publisher | : Taylor & Francis |
Total Pages | : 588 |
Release | : 2024-10-08 |
Genre | : Performing Arts |
ISBN | : 104011461X |
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period. This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, and identity; fixity and mobility; bodies in performance; the materiality of theatre and communities of theatre. This approach highlights the synergies, convergences, and divergences of the theatre landscape in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time. This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers, and scholars across theatre and performance studies, cultural studies, and twentieth-century history.
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 642 |
Release | : 1959 |
Genre | : English imprints |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 642 |
Release | : 1965 |
Genre | : English imprints |
ISBN | : |
Author | : Library of Congress |
Publisher | : |
Total Pages | : 714 |
Release | : 1968 |
Genre | : Catalogs, Union |
ISBN | : |
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 548 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |