Five centuries of Spanish literature
Author | : Linton Lomas Barrett |
Publisher | : |
Total Pages | : 386 |
Release | : 1963 |
Genre | : Spanish language |
ISBN | : |
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Author | : Linton Lomas Barrett |
Publisher | : |
Total Pages | : 386 |
Release | : 1963 |
Genre | : Spanish language |
ISBN | : |
Author | : Linton Lomas Barrett |
Publisher | : |
Total Pages | : 352 |
Release | : 1962 |
Genre | : |
ISBN | : |
Author | : Mary Witham Barrett |
Publisher | : |
Total Pages | : 352 |
Release | : 1968 |
Genre | : Spanish literature |
ISBN | : |
Author | : Linton Lomas Barrett |
Publisher | : |
Total Pages | : 352 |
Release | : 1962 |
Genre | : |
ISBN | : |
Author | : Linton Lomas Barrett |
Publisher | : |
Total Pages | : 352 |
Release | : 1962 |
Genre | : Spanish literature |
ISBN | : |
An anthology of Spanish poetry, drama, fiction, legends, and religious prose from the twelfth to the mid-seventeenth century. Intended for English-speaking students of Spanish. Includes glossary, notes on vocabulary, and brief introductions to the writers.
Author | : Seymour Resnick |
Publisher | : Courier Corporation |
Total Pages | : 482 |
Release | : 2012-10-31 |
Genre | : Foreign Language Study |
ISBN | : 0486122859 |
This rich sampling of Spanish poetry, prose, and drama includes more than seventy selections from the works of more than forty writers, from the anonymous author of the great medieval epic The Poem of the Cid to such 20th-century masters as Miguel de Unamuno. The original Spanish text of each work appears with an excellent English translation on the facing page. The anthology begins with carefully selected passages from such medieval classics as The Book of Good Love by the Archpriest of Hita and Spain's first great prose work, the stories of Count Lucanor by Juan Manuel. Works by writers of the Spanish Renaissance follow, among them poems by the Marqués de Santillana and excerpts from the great dialogue novel La Celestina by Fernando de Rojas. Spain's Golden age, ca. 1550-1650, an era which produced its great writers, is represented by the mystical poems of St. Teresa, passages from Cervantes' Don Quixote and scenes from Tirso de Molina's The Love-Rogue, the drama that introduced the character of Don Juan to the world, along with other well-known works of the period. A cavalcade of stirring poems, plays and prose selections represent Spain's rare literary achievements of the 18th, 19th and 20th centuries. The translations were chosen for their accuracy and fidelity to the originals. Among the translators are Lord Byron, Henry Wadsworth Longfellow, Edward FitzGerald and John Masefield. As a treasury of masterly writing, as a guide for the student who wants to improve his or her language skills and as a compact survey of Spanish literature, this excellent anthology will provide hours of pleasure and fruitful study.
Author | : Seymour Resnick |
Publisher | : Courier Corporation |
Total Pages | : 482 |
Release | : 1994-10-20 |
Genre | : Literary Collections |
ISBN | : 0486282716 |
Anthology of Spanish classical literature with English translations.
Author | : Christine Beaule |
Publisher | : University of Arizona Press |
Total Pages | : 320 |
Release | : 2020-05-05 |
Genre | : Social Science |
ISBN | : 0816541388 |
The Spanish Empire was a complex web of places and peoples. Through an expansive range of essays that look at Africa, the Americas, Asia, the Caribbean, and the Pacific, this volume brings a broad range of regions into conversation. The contributors focus on nuanced, comparative exploration of the processes and practices of creating, maintaining, and transforming cultural place making within pluralistic Spanish colonial communities. The Global Spanish Empire argues that patterned variability is necessary in reconstructing Indigenous cultural persistence in colonial settings. The volume’s eleven case studies include regions often neglected in the archaeology of Spanish colonialism. The time span under investigation is extensive as well, transcending the entirety of the Spanish Empire, from early impacts in West Africa to Texas during the 1800s. The contributors examine the making of a social place within a social or physical landscape. They discuss the appearance of hybrid material culture, the incorporation of foreign goods into local material traditions, the continuation of local traditions, and archaeological evidence of opportunistic social climbing. In some cases, these changes in material culture are ways to maintain aspects of traditional culture rather than signifiers of new cultural practices. The Global Spanish Empire tackles broad questions about Indigenous cultural persistence, pluralism, and place making using a global comparative perspective grounded in the shared experience of Spanish colonialism. Contributors Stephen Acabado Grace Barretto-Tesoro James M. Bayman Christine D. Beaule Christopher R. DeCorse Boyd M. Dixon John G. Douglass William R. Fowler Martin Gibbs Corinne L. Hofman Hannah G. Hoover Stacie M. King Kevin Lane Laura Matthew Sandra Montón-Subías Natalia Moragas Segura Michelle M. Pigott Christopher B. Rodning David Roe Roberto Valcárcel Rojas Steve A. Tomka Jorge Ulloa Hung Juliet Wiersema
Author | : Eduardo Galeano |
Publisher | : NYU Press |
Total Pages | : 335 |
Release | : 1997 |
Genre | : History |
ISBN | : 0853459908 |
[In this book, the author's] analysis of the effects and causes of capitalist underdevelopment in Latin America present [an] account of ... Latin American history. [The author] shows how foreign companies reaped huge profits through their operations in Latin America. He explains the politics of the Latin American bourgeoisies and their subservience to foreign powers, and how they interacted to create increasingly unequal capitalist societies in Latin America.-Back cover.
Author | : James Fitzmaurice-Kelly |
Publisher | : Library of Alexandria |
Total Pages | : 312 |
Release | : 2020-09-28 |
Genre | : Fiction |
ISBN | : 146561463X |
Just as a portrait discloses the artist’s opinion of his sitter, so the choice of a hero is an involuntary piece of self-revelation. As man fashions his idols in his own image, we are in a fair way to understand him, if we know what he admires: and, as it is with individual units, so is it with races. National heroes symbolise the ambitions, the foibles, the general temper and radical qualities of those who have set them up as exemplars. But there are two sides to every character, and Spain has two national heroes known all the world over: the practical Cid and the idealistic Don Quixote, one of them an historical figure, and the other the child of a great man’s fancy. Perhaps to the majority of mankind the offspring of Cervantes’s poetic imagination is more vividly present than the authentic warrior who headed many a desperate charge. It is the singular privilege of genius to substitute its own intense conceptions for the unromantic facts, and to create out of nothing beings that seem more vital than men of flesh and blood. Don Quixote has become a part of the visible universe, while most of us behold the Cid, not as he really was, but as Corneille portrayed him more than five centuries after his death. It may not be amiss to bring him back to earth by recalling the ascertainable incidents in his adventurous career. So marked are the differences between the Cid of history and the Cid of legend that, early in the nineteenth century his very existence was called in question by the sceptical Jesuit Masdeu, an historian who delighted in paradox. Masdeu’s doubts were reiterated by Samuel Dunham in his History of Spain and Portugal, and by Dunham’s translator, Antonio María de Alcalá Galiano, a writer of repute in his own day. Alcalá Galiano’s incredulity caused him some personal inconvenience, for—as his kinsman, the celebrated novelist Juan Valera, records—he was threatened with an action at law by a Spanish gentleman who piqued himself on his descent from the Cid, and was not disposed to see his alleged ancestor put aside as a fabulous creature like the Phœnix. These negations, more or less sophistical, are the follies of the learned, and they have their match in the assertions of another school that sought to reconcile divergent views by assuming the existence of two Cids, each with a wife called Jimena, and each with a war-horse called Babieca. This generous process of duplicating everybody and everything has not found favour. Cervantes expresses his view through the canon in Don Quixote:—‘That there was a Cid, as well as a Bernardo del Carpio, is beyond doubt; but that they did the deeds which they are said to have done, I take to be very doubtful.’ Few of us would care to be so affirmative as the canon with respect to Bernardo del Carpio, but he is perfectly right as regards the Cid.