Films Deliver
Author | : Peter P. Schillaci |
Publisher | : |
Total Pages | : 358 |
Release | : 1970 |
Genre | : Education |
ISBN | : |
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Author | : Peter P. Schillaci |
Publisher | : |
Total Pages | : 358 |
Release | : 1970 |
Genre | : Education |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 76 |
Release | : 1973 |
Genre | : |
ISBN | : |
Author | : Christopher Hauke |
Publisher | : Routledge |
Total Pages | : 280 |
Release | : 2021-12-16 |
Genre | : Psychology |
ISBN | : 1317711041 |
Jung and Film brings together some of the best new writing from both sides of the Atlantic, introducing the use of Jungian ideas in film analyis. Illustrated with examinations of seminal films including Pulp Fiction, Blade Runner, and 2001 - A Space Odyssey, Chris Hauke and Ian Alister, along with an excellent array of contributors, look at how Jungian ideas can help us understand films and the genres to which they belong. The book also includes a glossary to help readers with Jungian terminology. Taking a fresh look at an ever-changing medium, Jung and Film is essential reading for academics and students of analytical psychology, as well as film, media and cultural studies.
Author | : Ben Yennie |
Publisher | : Ben Yennie |
Total Pages | : 214 |
Release | : 2016-08-31 |
Genre | : |
ISBN | : 9780692771860 |
The first and so far only book on Film Markets. A Film Market is the best place a filmmaker can go to get traditional, non-DIY Distribution. The first edition of this book was used as a text at more than ten film schools in the US, and the book has an endorsement from the host of the #1 Filmmaking podcast on iTunes, and advice from 8 distributors.
Author | : Chuck Tryon |
Publisher | : Rutgers University Press |
Total Pages | : 226 |
Release | : 2013-07-18 |
Genre | : Performing Arts |
ISBN | : 0813561116 |
The movie industry is changing rapidly, due in part to the adoption of digital technologies. Distributors now send films to theaters electronically. Consumers can purchase or rent movies instantly online and then watch them on their high-definition televisions, their laptops, or even their cell phones. Meanwhile, social media technologies allow independent filmmakers to raise money and sell their movies directly to the public. All of these changes contribute to an “on-demand culture,” a shift that is radically altering film culture and contributing to a much more personalized viewing experience. Chuck Tryon offers a compelling introduction to a world in which movies have become digital files. He navigates the complexities of digital delivery to show how new modes of access—online streaming services like YouTube or Netflix, digital downloads at iTunes, the popular Redbox DVD kiosks in grocery stores, and movie theaters offering digital projection of such 3-D movies as Avatar—are redefining how audiences obtain and consume motion picture entertainment. Tryon also tracks the reinvention of independent movies and film festivals by enterprising artists who have built their own fundraising and distribution models online. Unique in its focus on the effects of digital technologies on movie distribution, On-Demand Culture offers a corrective to address the rapid changes in the film industry now that movies are available at the click of a button.
Author | : |
Publisher | : |
Total Pages | : 1110 |
Release | : 1921 |
Genre | : Law reports, digests, etc |
ISBN | : |
"Cases argued and determined in the Court of Appeals, Supreme and lower courts of record of New York State, with key number annotations." (varies)
Author | : David MacDougall |
Publisher | : Princeton University Press |
Total Pages | : 334 |
Release | : 1998-12-27 |
Genre | : Performing Arts |
ISBN | : 9780691012346 |
David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.
Author | : |
Publisher | : |
Total Pages | : 1632 |
Release | : 1916 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1580 |
Release | : 1911 |
Genre | : Cinematography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 80 |
Release | : 1943-09-25 |
Genre | : |
ISBN | : |
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.