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| Author | : Dina Iordanova |
| Publisher | : Anchor Books |
| Total Pages | : 317 |
| Release | : 2012 |
| Genre | : Film festivals |
| ISBN | : 9780956373052 |
Featuring essays by and interviews with festival programmers, filmmakers, activists, and film scholars, "Film Festivals and Activism" explores the role of film festivals in social justice movements and campaigns.
| Author | : Sonia M. Tascón |
| Publisher | : Springer |
| Total Pages | : 200 |
| Release | : 2015-01-08 |
| Genre | : Performing Arts |
| ISBN | : 1137454245 |
Human rights film festivals have been steadily growing in number in recent years. They are all bound by a common thread, human rights, and yet show distinctly different films. What leads them to be so different, and how is the universalism of human rights made sense by each?
| Author | : Sonia M. Tascón |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Film festivals |
| ISBN | : 9781783206346 |
Film festivals are an ever-growing part of the film industry, but most considerations of them focus almost entirely on their role in the business of filmmaking. This book breaks new ground by bringing scholars from a range of disciplines together with industry professionals to explore the concept of festivals as spaces through an activist lens, as spaces where the sociopolitical identities of communities and individuals are confronted and shaped. Tracing the growth of activist and human rights-focused films from the 1970s to the present, and using case studies from San Francisco, Brazil, Bristol, and elsewhere, the book addresses such contentious topics as whether activist films can achieve humanitarian aims or simply offer "cinema of suffering." Ultimately, the contributors attack the question of just how effective festivals are at producing politically engaged spectators?
| Author | : Sonia M. Tascón |
| Publisher | : |
| Total Pages | : 250 |
| Release | : 2016 |
| Genre | : PERFORMING ARTS |
| ISBN | : 9781783206353 |
Film festivals are an ever-growing part of the film industry, but most considerations of them focus almost entirely on their role in the business of filmmaking. This book breaks new ground by bringing scholars from a range of disciplines together with industry professionals to explore the concept of festivals as spaces through an activist lens, as spaces where the sociopolitical identities of communities and individuals are confronted and shaped. Tracing the growth of activist and human rights-focused films from the 1970s to the present, and using case studies from San Francisco, Brazil, Bristol, and elsewhere, the book addresses such contentious topics as whether activist films can achieve humanitarian aims or simply offer "cinema of suffering." Ultimately, the contributors attack the question of just how effective festivals are at producing politically engaged spectators?
| Author | : Steve Presence |
| Publisher | : Routledge |
| Total Pages | : 357 |
| Release | : 2020-07-15 |
| Genre | : History |
| ISBN | : 1351006363 |
Comprising essays from some of the leading scholars and practitioners in the field, this is the first book to investigate twenty-first century radical film practices across production, distribution and exhibition at a global level. This book explores global radical film culture in all its geographic, political and aesthetic diversity. It is inspired by the work of the Radical Film Network (RFN), an organisation established in 2013 to support the growth and sustainability of politically engaged film culture around the world. Since then, the RFN has grown rapidly, and now consists of almost 200 organisations across four continents, from artists’ studios and production collectives to archives, distributors and film festivals. With this foundation, the book engages with contemporary radical film cultures in Africa, Asia, China, Europe, the Middle East as well as North and South America, and connects key historical moments and traditions with the present day. Topics covered include artists’ film and video, curation, documentary, feminist and queer film cultures, film festivals and screening practices, network-building, policy interventions and video-activism. For students, researchers and practitioners, this fascinating and wide-ranging book sheds new light on the political potential of the moving image and represents the activists and organisations pushing radical film forward in new and exciting directions. For more information about the Radical Film Network, visit www.radicalfilmnetwork.com.
| Author | : Erin Franziska Högerle |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 350 |
| Release | : 2020-10-26 |
| Genre | : Social Science |
| ISBN | : 3110696533 |
Responding to a lack of studies on the film festival’s role in the production of cultural memory, this book explores different parameters through which film festivals shape our reception and memories of films. By focusing on two Asian American film festivals, this book analyzes the frames of memory that festivals create for their films, constructed through and circulated by the various festival media. It further establishes that festival locations—both cities and screening venues—play a significant role in shaping our experience of films. Finally, it shows that festivals produce performances which help guide audiences towards certain readings and direct the film’s role as a memory object. Bringing together film festival studies and memory studies, 'Asian American Film Festivals' offers a mixed-methods approach with which to explore the film festival phenomenon, thus shedding light on the complex dynamics of frames, locations, and performances shaping the festival’s memory practices. It also draws attention to the understudied genre of Asian American film festivals, showing how these festivals actively engage in constructing and performing a minority group’s collective identity and memory.
| Author | : Aida Vallejo |
| Publisher | : Springer Nature |
| Total Pages | : 306 |
| Release | : 2020-05-28 |
| Genre | : Performing Arts |
| ISBN | : 3030173208 |
This book provides the first comprehensive overview of the global landscape of documentary film festivals. Contributors from across the globe offer in-depth analysis of both internationally renowned and more alternative festivals, including Hot Docs (Canada), Nyon (Switcherland), Yamagata (Japan), DocChina, Full Frame (US), Belgrade (former Yugoslavia), Vikalp (India), and DocsBarcelona (Catalonia, Spain), among others. With a special focus on historical and political developments, this first volume draws a map of documentary festivals operating today, and then looks at their origins and evolution. This volume is organized in three sections: the first addresses methodological problems film historians and social scientists face when researching documentary film festivals, the second looks at the historical development of this circuit within the wider frame of history of world and national cinemas, and the third reflects on how politics find their way through festival programs and actions. Curatorial, organizational, industrial and political changes occurred in the festival realm addressed in this book help better understand how these affected documentary production, distribution, curation, exhibition and reception up to this day.
| Author | : Marijke de Valck |
| Publisher | : Springer Nature |
| Total Pages | : 351 |
| Release | : 2023-02-05 |
| Genre | : Performing Arts |
| ISBN | : 3031141717 |
This is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can’t happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times.
| Author | : David R. Coon |
| Publisher | : Rutgers University Press |
| Total Pages | : 243 |
| Release | : 2018-07-11 |
| Genre | : Social Science |
| ISBN | : 0813593735 |
First runner-up for the 2019 John Leo and Dana Heller Award from the Popular Culture Association Surprisingly, Hollywood is still clumsily grappling with its representation of sexual minorities, and LGBTQ filmmakers struggle to find a place in the mainstream movie industry. However, organizations outside the mainstream are making a difference, helping to produce and distribute authentic stories that are both by and for LGBTQ people. Turning the Page introduces readers to three nonprofit organizations that, in very different ways, have each positively transformed the queer media landscape. David R. Coon takes readers inside In the Life Media, whose groundbreaking documentaries on the LGBTQ experience aired for over twenty years on public television stations nationwide. Coon reveals the successes of POWER UP, a nonprofit production company dedicated to mentoring filmmakers who can turn queer stories into fully realized features and short films. Finally, he turns to Three Dollar Bill Cinema, an organization whose film festivals help queer media find an audience and whose filmmaking camps for LGBTQ youth are nurturing the next generation of queer cinema. Combining a close analysis of specific films and video programs with extensive interviews of industry professionals, Turning the Page demonstrates how queer storytelling in visual media has the potential to empower individuals, strengthen communities, and motivate social justice activism.
| Author | : Özge Özdüzen |
| Publisher | : |
| Total Pages | : |
| Release | : 2016 |
| Genre | : |
| ISBN | : |
