Film and the Nuclear Age

Film and the Nuclear Age
Author: Toni A. Perrine
Publisher: Routledge
Total Pages: 306
Release: 2019-01-22
Genre: History
ISBN: 1317732197

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Just as we generally pay scant attention to the potential dangers of nuclear power and nuclear war, until quite recently, scholars have made limited critical attempts to understand the cultural manifestations of the nuclear status quo. Films that feature nuclear issues most often simplify and trivialize the subject. They also convey a sense of the ambivalence and anxiety that pervades cultural responses to our nuclear capability. The production of popular narrative films with nuclear topics largely conforms to periods of heightened nuclear awareness or fear, such as the fear of fallout from nuclear testing manifested in the atomic creatures in science fiction movies of the late 1950s. By their very numbers, and through a set of recurring stylistic and narrative conventions, nuclear films reflect a deep-seated cultural anxiety. This study includes detailed textual analysis of films that depict nuclear issues including the development and use of the first atomic bombs, nuclear testing and the fear of fallout, nuclear power, the Cold War arms race, loose nukes, and future nuclear war and its aftermath.(Includes bibliographic references, index, filmography, choronology; Illustrated)

The Nuclear Age in Popular Media

The Nuclear Age in Popular Media
Author: Dick van Lente
Publisher: Springer
Total Pages: 284
Release: 2012-10-31
Genre: History
ISBN: 1137086181

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The atomic age was described as one that might soon end in the destruction of human civilization, but from the beginning, utopian images were attached to it as well. This book compares representations of nuclear power in popular media from around the world to to trace divergences, convergences, and exchanges.

Lookout America!

Lookout America!
Author: Kevin Hamilton
Publisher: Interfaces: Studies in Visual Culture
Total Pages: 0
Release: 2019
Genre: Cold War
ISBN: 9781512603279

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"The story of the Cold War era Lookout Mountain Laboratory, or the 1352nd Photographic Group of the United States Air Force, which employed hundreds of Hollywood studio veterans. Engages with issues of the Cold War state and visual culture"--

Duck and Cover - Propaganda for the Atomic Age

Duck and Cover - Propaganda for the Atomic Age
Author: Andreas Schwarz
Publisher: GRIN Verlag
Total Pages: 33
Release: 2012
Genre: Biography & Autobiography
ISBN: 3656100772

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Seminar paper from the year 2010 in the subject American Studies - Miscellaneous, grade: 1,3, Free University of Berlin (John-F.-Kennedy-Institut), language: English, abstract: The dropping of two US nuclear bombs on Japan ended World War II in the Pacific. By then little was known about the pathological implications such an act of war would have on the Japanese civilian victims. The weapons had barely been tested before deployment and the potential consequences of the radioactive fallout were not yet fully understood. The first practical use of the bomb together with all its casualties initiated a future policy of deterrence. It was apparent what can happen if you go to war with a nuclear power. Still, no other nuclear weapon has ever since been deployed as an act of war. In this research paper I will analyze the Duck and Cover propaganda short issued by the Federal Civil Defense Administration in the early 1950s as the primary source. I will focus on the content of the episode, its structural and cinematic means, and its desired and achieved affects toward its target audience. What were the reasons and goals behind this far-fetched and committed civil defense operation? Is it seen as an outspoken domestic act out of moral obligation from the government that comes with the responsibility of being a nuclear power? Was the nuclear fallout - which the film thoroughly neglects as a danger - really not known to the government at this point in time or was this knowledge deliberately held from the public? This last question defines greatly the core meaning of the film in historical terms. Eventually it determines whether Duck and Cover was merely a naïve piece of safety education or just a good excuse for conditioning a whole generation (as well as its parents) to the ideological challenges of the forthcoming decades of the Cold War. This humble paper alone cannot answer all these questions but rather build a basis for extended research on the topic. Sources indicate th

Duck and Cover – Propaganda for the Atomic Age

Duck and Cover – Propaganda for the Atomic Age
Author: Andreas Schwarz
Publisher: GRIN Verlag
Total Pages: 15
Release: 2012-01-13
Genre: Literary Collections
ISBN: 3656100497

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Seminar paper from the year 2010 in the subject American Studies - Miscellaneous, grade: 1,3, Free University of Berlin (John-F.-Kennedy-Institut), language: English, abstract: The dropping of two US nuclear bombs on Japan ended World War II in the Pacific. By then little was known about the pathological implications such an act of war would have on the Japanese civilian victims. The weapons had barely been tested before deployment and the potential consequences of the radioactive fallout were not yet fully understood. The first practical use of the bomb together with all its casualties initiated a future policy of deterrence. It was apparent what can happen if you go to war with a nuclear power. Still, no other nuclear weapon has ever since been deployed as an act of war. In this research paper I will analyze the Duck and Cover propaganda short issued by the Federal Civil Defense Administration in the early 1950s as the primary source. I will focus on the content of the episode, its structural and cinematic means, and its desired and achieved affects toward its target audience. What were the reasons and goals behind this far-fetched and committed civil defense operation? Is it seen as an outspoken domestic act out of moral obligation from the government that comes with the responsibility of being a nuclear power? Was the nuclear fallout – which the film thoroughly neglects as a danger – really not known to the government at this point in time or was this knowledge deliberately held from the public? This last question defines greatly the core meaning of the film in historical terms. Eventually it determines whether Duck and Cover was merely a naïve piece of safety education or just a good excuse for conditioning a whole generation (as well as its parents) to the ideological challenges of the forthcoming decades of the Cold War. This humble paper alone cannot answer all these questions but rather build a basis for extended research on the topic. Sources indicate that in government circles the secondary dangers that emanate from a nuclear blast like radioactive fall-out were at least partially known if not already scientifically proven at the time. The question about the decision to keep such knowledge from the broad public goes beyond the primary analysis this paper can provide.

Apocalypse Then

Apocalypse Then
Author: Mike Bogue
Publisher: McFarland
Total Pages: 314
Release: 2017-09-14
Genre: Performing Arts
ISBN: 1476668418

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The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967--including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)--to show the view from both sides of the Pacific.

Hibakusha Cinema

Hibakusha Cinema
Author: Mick Broderick
Publisher: Routledge
Total Pages: 324
Release: 2013-11-05
Genre: Social Science
ISBN: 1136883258

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First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.

The Perfect Machine

The Perfect Machine
Author: Joyce Nelson
Publisher: Between the Lines
Total Pages: 200
Release: 1987
Genre: Nuclear industry
ISBN:

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