Exhibition catalogs of Jean-Baptiste Carpeaux
Author | : Jean Baptiste Carpeaux |
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Total Pages | : |
Release | : 1956 |
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Author | : Jean Baptiste Carpeaux |
Publisher | : |
Total Pages | : |
Release | : 1956 |
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Author | : Draper, James David |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 380 |
Release | : 2014 |
Genre | : Art |
ISBN | : 1588395200 |
"Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.
Author | : Jean Baptiste Carpeaux |
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Total Pages | : 44 |
Release | : 1955 |
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Author | : Jennifer Gordon Lovett |
Publisher | : Sterling and Francine Clark Art Museum |
Total Pages | : 52 |
Release | : 1989 |
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Author | : Elyse Nelson |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 175 |
Release | : 2022-03-07 |
Genre | : Art |
ISBN | : 1588397440 |
A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.
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Total Pages | : 206 |
Release | : 1969 |
Genre | : Art dealers |
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Author | : Wereldtentoonstelling |
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Total Pages | : 296 |
Release | : 1862 |
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The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
Author | : Rhode Island School of Design. Museum of Art |
Publisher | : University of Pennsylvania Press |
Total Pages | : 296 |
Release | : 1991 |
Genre | : Art |
ISBN | : 0911517553 |
This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Author | : Denise Murrell |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : African American models |
ISBN | : 9780300229066 |
An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices. Featuring over 175 illustrations and profiles of several models, Posing Modernity illuminates long-obscured figures and proposes that a history of modernism cannot be complete until it examines the vital role of the black female muse within it. Published in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York Exhibition Schedule: Miriam and Ira D. Wallach Art Gallery, Columbia University, New York (10/24/18-02/10/19) Musée d'Orsay (03/25/19-07/14/19)