Exhibition Catalogs, 1886-1909: 1908-1909
Author | : Grolier Club |
Publisher | : |
Total Pages | : 314 |
Release | : 1908 |
Genre | : Art |
ISBN | : |
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Author | : Grolier Club |
Publisher | : |
Total Pages | : 314 |
Release | : 1908 |
Genre | : Art |
ISBN | : |
Author | : Grolier Club |
Publisher | : |
Total Pages | : |
Release | : 1886 |
Genre | : Art |
ISBN | : |
Author | : Grolier Club |
Publisher | : |
Total Pages | : 550 |
Release | : 1904 |
Genre | : Art |
ISBN | : |
Author | : Grolier Club |
Publisher | : |
Total Pages | : |
Release | : 1899 |
Genre | : Art |
ISBN | : |
Author | : Grolier Club |
Publisher | : |
Total Pages | : |
Release | : 1892 |
Genre | : Art |
ISBN | : |
Author | : Grolier Club |
Publisher | : |
Total Pages | : 420 |
Release | : 1886 |
Genre | : Art |
ISBN | : |
Author | : Grolier Club |
Publisher | : |
Total Pages | : 394 |
Release | : 1895 |
Genre | : Art |
ISBN | : |
Author | : Grolier Club |
Publisher | : |
Total Pages | : 104 |
Release | : 1917 |
Genre | : |
ISBN | : |
Author | : American Art Association, Anderson Galleries (Firm) |
Publisher | : |
Total Pages | : 472 |
Release | : 1909 |
Genre | : |
ISBN | : |
Author | : Hendrik Petrus Berlage |
Publisher | : Getty Publications |
Total Pages | : 350 |
Release | : 1996-01-01 |
Genre | : Architecture |
ISBN | : 0892363339 |
Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.