Exhibit CAA
Author | : James Grosjean |
Publisher | : South Side Advantage Press LLC |
Total Pages | : 669 |
Release | : 2007 |
Genre | : Blackjack (Game) |
ISBN | : 9780979006142 |
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Author | : James Grosjean |
Publisher | : South Side Advantage Press LLC |
Total Pages | : 669 |
Release | : 2007 |
Genre | : Blackjack (Game) |
ISBN | : 9780979006142 |
Author | : Studio Museum in Harlem |
Publisher | : |
Total Pages | : 128 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
Author | : Jeffrey Deitch |
Publisher | : Skira |
Total Pages | : 322 |
Release | : 2011 |
Genre | : Art |
ISBN | : 0847836177 |
A catalog of an exhibition that surveys the history of international graffiti and street art.
Author | : Vivien Green Fryd |
Publisher | : University of Chicago Press |
Total Pages | : 326 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780226266541 |
Between the two world wars, middle-class America experienced a "marriage crisis" that filled the pages of the popular press. Divorce rates were rising, birthrates falling, and women were entering the increasingly industrialized and urbanized workforce in larger numbers than ever before, while Victorian morals and manners began to break down in the wake of the first sexual revolution. Vivien Green Fryd argues that this crisis played a crucial role in the lives and works of two of America's most familiar and beloved artists, Georgia O'Keeffe (1887-1986) and Edward Hopper (1882-1967). Combining biographical study of their marriages with formal and iconographical analysis of their works, Fryd shows how both artists expressed the pleasures and perils of their relationships in their paintings. Hopper's many representations of Victorian homes in sunny, tranquil landscapes, for instance, take on new meanings when viewed in the context of the artist's own tumultuous marriage with Jo and the widespread middle-class fears that the new urban, multidwelling homes would contribute to the breakdown of the family. Fryd also persuasively interprets the many paintings of skulls and crosses that O'Keeffe produced in New Mexico as embodying themes of death and rebirth in response to her husband Alfred Stieglitz's long-term affair with Dorothy Norman. Art and the Crisis of Marriage provides both a penetrating reappraisal of the interconnections between Georgia O'Keeffe's and Edward Hopper's lives and works, as well as a vivid portrait of how new understandings of family, gender, and sexuality transformed American society between the wars in ways that continue to shape it today.
Author | : Joan Marter |
Publisher | : Yale University Press |
Total Pages | : 217 |
Release | : 2016-01-01 |
Genre | : Art |
ISBN | : 0300208421 |
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Author | : United States. Congress. House. Committee on Government Operations. Legal and Monetary Affairs Subcommittee |
Publisher | : |
Total Pages | : 1494 |
Release | : 1957 |
Genre | : Aeronautics and state |
ISBN | : |
Author | : Kathleen Bickford Berzock |
Publisher | : Princeton University Press |
Total Pages | : 313 |
Release | : 2019-02-26 |
Genre | : Art |
ISBN | : 069118268X |
Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.
Author | : Jennifer Jane Marshall |
Publisher | : University of Chicago Press |
Total Pages | : 237 |
Release | : 2019-01-23 |
Genre | : Art |
ISBN | : 0226507173 |
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this extraordinarily popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Author | : |
Publisher | : Cardoza Publishing |
Total Pages | : 369 |
Release | : |
Genre | : Games & Activities |
ISBN | : 1580424252 |
Long considered the underground bible for beating the game, Blackbelt in Blackjack has already earned players millions and millions of dollars. Newly revised and updated, this step-by-step blueprint for beating the casinos reveals exclusive tips and tricks used by the pros-including shuffle tracking, team play, multiple deck camouflage techniques, betting strategies for beginning and advanced players, and much more. Twenty-one power-packed chapters, plus a complete course on beating blackjack: the devastating red seven count, the high-low count, the zen count, the true count, and so much more. 328 pages
Author | : Kerry James Marshall |
Publisher | : Thames & Hudson |
Total Pages | : 0 |
Release | : 2015 |
Genre | : African American art |
ISBN | : 9781941701089 |
With a career spanning almost three decades, Kerry James Marshall is well known for his complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land- and seascapes, all of which synthesize different traditions and genres while seeking to counter stereotypical representations of black people in society. Working across various mediums, from paintings to comic-style drawings to sculptural installations, photographs, and videos, the artist conflates actual and imagined events from African-American history, integrating a range of stylistic influences to address the limited historiography of black art. Produced on the occasion of Marshall's first exhibition at David Zwirner in London and designed by JNL Design in Chicago, Look See features beautiful reproductions of every painting on view in the show - all of them brand-new compositions - as well as numerous details and preparatory drawings, installation photographs and new scholarship by Robert Storr and Hamza Walker. As suggested by the show's title, these portraits use the etymological differences between looking and seeing as their point of departure, featuring subjects whose dissociated stares seem as defiant as they are mystifying. In keeping with his signature approach, Marshall has painted his figures in strikingly opaque black pigments, both fashioning and abstracting their presences in order to assimilate the limitations and contradictions of style, subject, and chronology inherent in art-historical narratives written from a white, Western perspective. Taken all together, the range of materials included in Look See constitutes a vibrant and comprehensive portrait of Marshall's original and ever-evolving practice.