Evolving a Theatre of Truth
Author | : Susan G. Hayes |
Publisher | : |
Total Pages | : 204 |
Release | : 2006 |
Genre | : |
ISBN | : |
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Author | : Susan G. Hayes |
Publisher | : |
Total Pages | : 204 |
Release | : 2006 |
Genre | : |
ISBN | : |
Author | : Kirsten E. Shepherd-Barr |
Publisher | : Columbia University Press |
Total Pages | : 397 |
Release | : 2015-03-03 |
Genre | : Performing Arts |
ISBN | : 0231538928 |
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Author | : |
Publisher | : Eberhard Scheiffele |
Total Pages | : 336 |
Release | : 2008-02-26 |
Genre | : Drama |
ISBN | : 1434837432 |
Doctoral Dissertation, University of California, Berkeley, 1995ABSTRACT: Jacob Moreno, MD (1889-1974) is known today as the founder of psychodrama, which he defined as "the science which explores the 'truth' by dramatic methods." This dissertation investigates Moreno primarily as a theatre artist. It starts with a philosophical analysis of the concepts of acting, improvisation and spontaneity and then consolidates the elements of Moreno's theory of the nature and function of theatre, which are dispersed throughout his writings and have never been thoroughly collected in one place. It also examines how Moreno discovered the healing power of drama while he directed his Theatre of Spontaneity in Vienna 1920s and in New York 1930s. The appendix contains Moreno's earliest theatrical text, The Godhead as Comedian, translated for the first time in its entirety from the 1919 German edition. (325 pages, including 19 p. of German and English references, chronology) www.scheiffele.com
Author | : Amanda Stuart Fisher |
Publisher | : Manchester University Press |
Total Pages | : 198 |
Release | : 2020-08-04 |
Genre | : Performing Arts |
ISBN | : 1526145731 |
Providing one of the first critically sustained engagements with the new forms of verbatim and testimonial theatre that emerged in the late 1990s and early 2000s, this book examines what distinguishes verbatim theatre from the more established documentary theatre traditions developed initially by Peter Weiss, Bertolt Brecht and Erwin Piscator. Examining a wide range of verbatim and testimonial plays from around the world, this book looks beyond the discourses of the real that have tended to dominate scholarship in this area and instead argues that this kind of theatre engages in acts of truth telling. Through its analysis of a range of international plays from UK, Germany, America, Australia and South Africa, the book explores theatre’s dramaturgical interrogation of testimony and how the act of witnessing itself is reconfigured when relocated outside of the psychoanalytic frame and positioned as contributing to a decolonisation of testimony.
Author | : Mark Westbrook |
Publisher | : Lulu.com |
Total Pages | : 202 |
Release | : 2013-07-11 |
Genre | : Art |
ISBN | : 1291581162 |
A manual of common sense for actors and those that want to be. "Thank you so much Mark for this fabulous book, I feel elated again and have ditched all the other stuff." JOHNATHON FARREL When you own Truth in Action, you'll: Learn to Develop the Mindset of the Truthful Actor, which means that no matter what skill level you're at, you'll see immediate improvements. Discover how to pull apart any script and grasp the actable parts of it, which means that no matter how good or bad the material is, you'll understand it and you'll have the know-how to translate it into action - the language of the actor. Understand how to connect with your scene partners, which means you'll create great on screen/stage chemistry with your fellow actors. Learn how to transform the ideas and instructions of the director into truthful action. Discover the secrets of truthful acting and how to put them into action, which means you'll create authentic, organic and sincere performances.
Author | : Pannill Camp |
Publisher | : Cambridge University Press |
Total Pages | : 301 |
Release | : 2014-12-04 |
Genre | : Drama |
ISBN | : 1316123960 |
In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day.
Author | : Kenneth Spritz |
Publisher | : Hudson River Museum |
Total Pages | : 124 |
Release | : 1976 |
Genre | : Performing Arts |
ISBN | : 9780890620212 |
Author | : Harry Chaucer |
Publisher | : R&L Education |
Total Pages | : 223 |
Release | : 2012-04-12 |
Genre | : Education |
ISBN | : 1610486749 |
A Creative Approach to the Common Core Standards: The Da Vinci Curriculum challenges educators to design programs that boldly embrace the Common Core State Standards by imaginatively drawing from the genius of great men and women such as Leonardo da Vinci. A central figure in the High Renaissance, Leonardo made extraordinary contributions as a painter, architect, sculptor, scientist, engineer, and futurist. A Creative Approach demonstrates that schools can cultivate genius such as Leonardo’s while insuring that all students realize the core skills that are crucial to all citizens. Chaucer’s Da Vinci Curriculum is relevant to public and independent educators who are creating schools-within-schools, charter schools, renewing schools, or rethinking their own classrooms. A Creative Approach serves as a model of biographical curricula that embraces the standards that Americans share as citizens in a democracy. The text is rich in theory that has been tested in real classrooms. By example, Chaucer demonstrates that high schools can be more demanding, imaginative, engaging, and joyous that most high schools tend to be today. By adapting the Da Vinci Curriculum, all educators can participate in this educational renaissance!
Author | : Ali Kiani |
Publisher | : Rowman & Littlefield |
Total Pages | : 249 |
Release | : 2024-08-06 |
Genre | : Performing Arts |
ISBN | : |
Cultural expressions of the Middle East and North Africa (MENA) region have a rich tradition, communal narratives, and spiritual connectivity. This tapestry, distinct from the secular drama prevalent in Western cultures, is a unique blend of indigenous traditions and Western influences. This book introduces the rich and diverse theatrical practices developed and matured in the region from the nineteenth to twenty-first centuries. The introduction of Western-style theatre in the nineteenth century marked a shift from traditional entertainment forms. In the twentieth century, subjects of colonialism, nationalism, independence, and Islamic ideology have often dominated the theatrical discourse, reflecting the region’s socio-political realities. The book’s final section looks at theatre from a twenty-first global perspective, including the crucial role of the diaspora. This book shows how colonialism, Islamic ideology, politics, war, refugee crisis, and nationalism have permeated MENA’s theatre in the past and have continued to shape it in the present.
Author | : William Hawley Smith |
Publisher | : |
Total Pages | : 182 |
Release | : 1884 |
Genre | : |
ISBN | : |