Evam Indrajit [English].
Author | : Badal Sircar |
Publisher | : |
Total Pages | : 60 |
Release | : 1974 |
Genre | : |
ISBN | : |
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Author | : Badal Sircar |
Publisher | : |
Total Pages | : 60 |
Release | : 1974 |
Genre | : |
ISBN | : |
Author | : Nand Kumar |
Publisher | : Sarup & Sons |
Total Pages | : 252 |
Release | : 2003 |
Genre | : Indic drama (English) |
ISBN | : 9788176253536 |
Author | : Badal Sarkar |
Publisher | : Calcutta : Oxford University Press |
Total Pages | : 86 |
Release | : 1974 |
Genre | : Bengali drama |
ISBN | : |
Author | : Natesan Sharda Iyer |
Publisher | : Sarup & Sons |
Total Pages | : 296 |
Release | : 2007 |
Genre | : India |
ISBN | : 9788176258012 |
Author | : Girish Karnad |
Publisher | : Delhi ; New York : Oxford University Press |
Total Pages | : 276 |
Release | : 1989 |
Genre | : Drama |
ISBN | : |
The three modern Indian plays brought together here are established classics, all written around the mid-1960s. Girish Karnad's Tughlaq was originally written in Kannada and explores the psyche of a medieval monarch. Evam Indrajit by Badal Sircar, originally written in Bengali, uses myth to examine some of the dilemmas of the Indian middle classes. Both of these plays are translated into English by Girish Karnad.
Author | : KAUSTAV CHAKRABORTY |
Publisher | : PHI Learning Pvt. Ltd. |
Total Pages | : 442 |
Release | : 2014-10-10 |
Genre | : Literary Criticism |
ISBN | : 8120350553 |
Kaustav Chakraborty (PhD) is Assistant Professor, Department of English, Southfield (formerly Loreto) College, Darjeeling, West Bengal. He has authored one book and also edited a volume of critical essays. Dr. Chakraborty has contributed many articles in reputed national journals and anthologies. This edited volume on Indian Drama in English, including Indian plays in English translation, with contributions from experts specializing on the different playwrights, covers the works of major dramatists who have given a distinctive shape to this enormous mass of creative material. This comprehensive and well-researched text, in its second edition, continues to explore the major Indian playwrights in English. It encompasses works like Rabindranath Tagore’s Red Oleanders; Vijay Tendulkar’s Silence! The Court is in Session, Kanyadaan, The Vultures, and Kamala; Girish Karnad’s Hayavadana, Tughlaq, Naga Mandala, and The Fire and the Rain; Mahasweta Devi’s The Mother of 1084; Mahesh Dattani’s Final Solutions, Tara, Dance Like a Man, and Bravely Fought the Queen; Habib Tanvir’s Charandas Chor; Indira Parthasarathy’s Auranzeb; and Badal Sircar’s Evam Indrajit. The book focuses on different aspects of their plays and shows how the Indian Drama in English, while maintaining its relation with the tradition, has made bold innovations and fruitful experiments in terms of both thematic and technical excellence. New to This Edition The new edition incorporates two new essays on very popular plays of all times—one, Manipuri dramatist Ratan Thiyam’s Chakravyuh, and the second, Maharashtrian playwright, Mahesh Elkunchwar‘s Desire in the Rocks. The essays added give a panoramic view of the plays in succinct style and simple language. The book is intended for the undergraduate and postgraduate students of English literature. Besides, it will also be valuable for those who wish to delve deeper into the plays covered and analyzed in the text.
Author | : Badal Sarkar |
Publisher | : Oxford University Press, USA |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Drama |
ISBN | : 9780198065494 |
Indian History Made Easy is significant in forging a unique relationship between form and content. Using the form of classroom teaching--with teachers instructing students--the playwright covers more than three hundred years of British rule without developing a 'story'.
Author | : Dr. Prafull D. Kulkarni |
Publisher | : Lulu.com |
Total Pages | : 117 |
Release | : |
Genre | : |
ISBN | : 0557709679 |
Author | : VIVEK VISHNUPANT JOSHI |
Publisher | : Lulu.com |
Total Pages | : 46 |
Release | : 2018-04-23 |
Genre | : Reference |
ISBN | : 1387763180 |
The Book attempts to study the plays of Rabindranath Tagore.
Author | : Aditya Balasubramanian |
Publisher | : Princeton University Press |
Total Pages | : 352 |
Release | : 2023-07-18 |
Genre | : Business & Economics |
ISBN | : 0691205248 |
The unknown history of economic conservatism in India after independence Neoliberalism is routinely characterized as an antidemocratic, expert-driven project aimed at insulating markets from politics, devised in the North Atlantic and projected on the rest of the world. Revising this understanding, Toward a Free Economy shows how economic conservatism emerged and was disseminated in a postcolonial society consistent with the logic of democracy. Twelve years after the British left India, a Swatantra (“Freedom”) Party came to life. It encouraged Indians to break with the Indian National Congress Party, which spearheaded the anticolonial nationalist movement and now dominated Indian democracy. Rejecting Congress’s heavy-industrial developmental state and the accompanying rhetoric of socialism, Swatantra promised “free economy” through its project of opposition politics. As it circulated across various genres, “free economy” took on meanings that varied by region and language, caste and class, and won diverse advocates. These articulations, informed by but distinct from neoliberalism, came chiefly from communities in southern and western India as they embraced new forms of entrepreneurial activity. At their core, they connoted anticommunism, unfettered private economic activity, decentralized development, and the defense of private property. Opposition politics encompassed ideas and practice. Swatantra’s leaders imagined a conservative alternative to a progressive dominant party in a two-party system. They communicated ideas and mobilized people around such issues as inflation, taxation, and property. And they made creative use of India’s institutions to bring checks and balances to the political system. Democracy’s persistence in India is uncommon among postcolonial societies. By excavating a perspective of how Indians made and understood their own democracy and economy, Aditya Balasubramanian broadens our picture of neoliberalism, democracy, and the postcolonial world.