Elizabethan Playwrights

Elizabethan Playwrights
Author: Felix Emmanuel Schelling
Publisher:
Total Pages: 362
Release: 1925
Genre: English drama
ISBN:

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Medieval afterlives

Medieval afterlives
Author: Daisy Black
Publisher: Manchester University Press
Total Pages: 410
Release: 2024-05-28
Genre: Literary Criticism
ISBN: 1526172127

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A collection of essays which show how early drama traditions were transformed, recycled, re-used and reformed across time to form new relationships with their audiences. Medieval afterlives brings new insight to the ways in which peoples in the sixteenth century understood, manipulated and responded to the history of their performance spaces, stage technologies, characterisation and popular dramatic tropes. In doing so, this volume advocates for a new understanding of sixteenth-seventeenth century theatre makers as highly aware of the medieval traditions that formed their performance practices, and audiences who recognised and appreciated the recycling of these practices between plays.

Elizabethan Drama, 1558-1642

Elizabethan Drama, 1558-1642
Author: Felix Emmanuel Schelling
Publisher:
Total Pages: 666
Release: 1908
Genre: English drama
ISBN:

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English Drama Before Shakespeare

English Drama Before Shakespeare
Author: Peter Happe
Publisher: Routledge
Total Pages: 304
Release: 2018-10-08
Genre: Literary Criticism
ISBN: 1317871138

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English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.