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| Author | : David Pearson |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 2005 |
| Genre | : Crafts & Hobbies |
| ISBN | : |
"This second printing of David Pearson's English Bookbinding Styles 1450-1800 includes a new introduction and a number of additional references and relevant points that have come to light since the book was first published in 2005."--Publisher's web site.
| Author | : Stuart Bennett |
| Publisher | : New Castle, Del. : Oak Knoll Press |
| Total Pages | : 184 |
| Release | : 2004 |
| Genre | : Crafts & Hobbies |
| ISBN | : |
"Stuart Bennett's landmark study is the first illustrated guide to a complex and controversial subject. In 1930, in The Evolution of Publishers' Binding Styles, Michael Sadleir declared that "the bookseller-publisher of the decades from 1730 to 1770 issued his books either in loose quires, or stitched, or at most in a plain paper wrapper." This view is still generally accepted. Bennett, however, presents new documentary and visual evidence that books were predominantly sold ready-bound in sheep, calf, and goat as well as boards and wrappers. Over two hundred color illustrations show what these bindings looked like, and how their styles evolved."--BOOK JACKET.
| Author | : David Robert Stanley Pearson |
| Publisher | : |
| Total Pages | : 221 |
| Release | : 2014 |
| Genre | : |
| ISBN | : |
| Author | : Andrea Krupp |
| Publisher | : |
| Total Pages | : 108 |
| Release | : 2008 |
| Genre | : Crafts & Hobbies |
| ISBN | : |
This is an expanded version of Andrea Krupp's article & includes a full catalogue of bookcloth grains with illustrations in a large format & in colour. The essay covers the introduction of bookcloth & the early decades of its use, discusses bookcloth grain nomenclature & concludes with detailed observations on several cloth grain patterns.
| Author | : Jeannine Stein |
| Publisher | : Quarry Books |
| Total Pages | : 144 |
| Release | : 2011-06-01 |
| Genre | : Crafts & Hobbies |
| ISBN | : 1610580214 |
Each project in this book combines bookbinding with a specific craft such as quilting, jewelry making, or polymer clay, and offer levels of expertise: basic, novice, and expert. Illustrated step-by-step instructions and photographs demonstrate how to construct the cover pages, and a unique binding technique, easy enough for a beginner to master. Each project also features two other versions with the same binding geared to those with more or less experience. The novice version is for those who have no knowledge of the craft and want shortcuts, but love the look. For the quilter's book, for example, vintage quilt pieces become the covers so all that's needing in the binding. Or if you're interested in wool felting use an old sweater. This offers great opportunities for upcycling. The expert version is for those who have a great deal of knowledge and proficiency of a certain craft - the master art quilter, for example. For this version, an expert guest artist has created the cover and the author has created the binding. This offers yet another creative opportunity - the collaborative project. Since crafters often get involved with round-robins and other shared endeavors, this will show them yet another way to combine their skills. No other craft book offers the possibilities and challenges that Adventures in Bookbinding does. Readers will return to it again and again to find inspiration and ideas.
| Author | : Joseph William Zaehnsdorf |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 1890 |
| Genre | : Bookbinding |
| ISBN | : |
| Author | : Douglas Cockerell |
| Publisher | : Courier Corporation |
| Total Pages | : 354 |
| Release | : 2005-07-26 |
| Genre | : Crafts & Hobbies |
| ISBN | : 0486440397 |
Considered by many bookbinders and librarians to be the clearest and most valuable exposition of hand bookbinding in English, this volume concisely covers virtually every aspect of the craft — from folding and collating pages, trimming and gilding edges, to preparing covers, designing and inlaying on leather, and creating clasps and ties.
| Author | : Joseph W. Zaehnsdorf |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019-06-21 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9780359743087 |
Professional bookbinder Joseph W. Zaehnsdorf offers his step-by-step guide on how to properly bind books, the materials required, and the period styles to choose from - with more than 70 illustrations. Designed for beginners who hold no more than a sparing knowledge of tool work, this guide offers a complete demonstration on how to properly bind a book. Readers are taken through the preparatory stages, through the acquisition of the right equipment, to the practical elements of trimming, beating, pasting and gluing binding to a book. A variety of period patterning styles are shown, their origins ranging from the Medieval/Renaissance period, to the Enlightenment and the modern eras. Although written for amateurs, early editions of Zaehnsdorf's guidebook met high demand among professional bookbinders and hobbyists alike. The uniform high quality of his guidance, enhanced by numerous practical pointers imbued by the decades the author spent binding books, resulted in wide appreciation.
| Author | : Simon Eliot |
| Publisher | : John Wiley & Sons |
| Total Pages | : 617 |
| Release | : 2011-08-24 |
| Genre | : Literary Criticism |
| ISBN | : 1444356585 |
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.
| Author | : Hannah Farber |
| Publisher | : UNC Press Books |
| Total Pages | : 350 |
| Release | : 2021-10-28 |
| Genre | : History |
| ISBN | : 1469663643 |
Unassuming but formidable, American maritime insurers used their position at the pinnacle of global trade to shape the new nation. The international information they gathered and the capital they generated enabled them to play central roles in state building and economic development. During the Revolution, they helped the U.S. negotiate foreign loans, sell state debts, and establish a single national bank. Afterward, they increased their influence by lending money to the federal government and to its citizens. Even as federal and state governments began to encroach on their domain, maritime insurers adapted, preserving their autonomy and authority through extensive involvement in the formation of commercial law. Leveraging their claims to unmatched expertise, they operated free from government interference while simultaneously embedding themselves into the nation's institutional fabric. By the early nineteenth century, insurers were no longer just risk assessors. They were nation builders and market makers. Deeply and imaginatively researched, Underwriters of the United States uses marine insurers to reveal a startlingly original story of risk, money, and power in the founding era.
