Emotions in Ancient and Medieval Philosophy

Emotions in Ancient and Medieval Philosophy
Author: Simo Knuuttila
Publisher: Oxford University Press
Total Pages: 352
Release: 2004
Genre: History
ISBN: 0199266387

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The first part of the book covers the theories of the emotions of Plato and Aristotle and later ancient views from Stoicism to Neoplatonism (Ch. 1) and their reception and transformation by early Christian thinkers from Clement and Origen to Gregory of Nyssa, Cassian and Augustine (Ch. 2). The basic ancient alternatives were the compositional theories of Plato and Aristotle and their followers and the Stoic judgement theory. These were associated with different conceptions of philosophical therapy. Ancient theories were employed in early Christian discussions of sin, Christian love, mystical union, and other forms of spiritual experience. The most influential theological themes were the monastic idea of supernaturally caused feelings and Augustine's analysis of the relations between the emotions and the will. The first part of Ch. 3 deals with the twelfth-century reception of ancient themes through monastic, theological, medical, and philosophical literature. The subject of the second part is the theory of emotions in Avicenna's faculty psychology, which, to a great extent, dominated the philosophical discussion of emotions in early thirteenth century. This approach was combined with Aristotelian ideas in later thirteenth century, particularly in Thomas Aquinas' extensive taxonomical theory. The increasing interest in psychological voluntarism led many Franciscan authors to abandon the traditional view that emotions belong only to the lower psychosomatic level. John Duns Scotus, William Ockham and their followers argued that there are also emotions of the will. Chapter 4 is about these new issues introduced in early fourteenth-century discussions, with some remarks on their influence on early modern thought.

Emotions in Ancient and Medieval Philosophy

Emotions in Ancient and Medieval Philosophy
Author: Simo Knuuttila
Publisher: Clarendon Press
Total Pages: 352
Release: 2004-07-08
Genre: Philosophy
ISBN: 0191532835

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Emotions are the focus of intense debate both in contemporary philosophy and psychology and increasingly also in the history of ideas. Simo Knuuttila presents a comprehensive survey of philosophical theories of emotion from Plato to Renaissance times, combining rigorous philosophical analysis with careful historical reconstruction. The first part of the book covers the conceptions of Plato and Aristotle and later ancient views from Stoicism to Neoplatonism and, in addition, their reception and transformation by early Christian thinkers from Clement and Origen to Augustine and Cassian. Knuuttila then proceeds to a discussion of ancient themes in medieval thought, and of new medieval conceptions, codified in the so-called faculty psychology from Avicenna to Aquinas, in thirteenth century taxonomies, and in the voluntarist approach of Duns Scotus, William Ockham, and their followers. Philosophers, classicists, historians of philosophy, historians of psychology, and anyone interested in emotion will find much to stimulate them in this fascinating book.

Emotions in Ancient and Medieval Philosophy

Emotions in Ancient and Medieval Philosophy
Author: Simo Knuuttila
Publisher: Oxford University Press on Demand
Total Pages: 341
Release: 2006
Genre: Philosophy
ISBN: 019920411X

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Emotions are the focus of intense debate both in contemporary philosophy and psychology and increasingly also in the history of ideas. Simo Knuuttila's book is the first comprehensive survey of philosophical theories of emotions from Plato to Renaissance times, combining careful historical reconstruction with rigorous philosophical analysis. Philosophers, classicists, historians of philosophy, historians of psychology, and anyone interested in emotion will find much to stimulate them in this fascinating book.

Emotion and Cognitive Life in Medieval and Early Modern Philosophy

Emotion and Cognitive Life in Medieval and Early Modern Philosophy
Author: Martin Pickavé
Publisher: Oxford University Press
Total Pages: 296
Release: 2012-10-04
Genre: Philosophy
ISBN: 0199579911

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This volume explores emotion in medieval and early modern thought, and opens a contemporary debate on the way emotions figure in our cognitive lives. Thirteen original essays explore the key themes of emotion within the mind; the intentionality of emotions; emotions and action; and the role of emotion in self-understanding and social situations.

Emotion and Cognitive Life in Medieval and Early Modern Philosophy

Emotion and Cognitive Life in Medieval and Early Modern Philosophy
Author: Martin Pickavé
Publisher: OUP Oxford
Total Pages: 296
Release: 2012-10-04
Genre: Philosophy
ISBN: 0191655473

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This volume offers a much needed shift of focus in the study of emotion in the history of philosophy. Discussion has tended to focus on the moral relevance of emotions, and (except in ancient philosophy) the role of emotions in cognitive life has received little attention. Thirteen new essays investigate the continuities between medieval and early modern thinking about the emotions, and open up a contemporary debate on the relationship between emotions, cognition, and reason, and the way emotions figure in our own cognitive lives. A team of leading philosophers of the medieval, renaissance, and early modern periods explore these ideas from the point of view of four key themes: the situation of emotions within the human mind; the intentionality of emotions and their role in cognition; emotions and action; the role of emotion in self-understanding and the social situation of individuals.

Thinking about the Emotions

Thinking about the Emotions
Author: Alix Cohen
Publisher: Oxford University Press
Total Pages: 332
Release: 2017
Genre: Philosophy
ISBN: 0198766858

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Leading philosophers offer a rich survey of the development of our understanding of the emotions, discussing major thinkers from antiquity to the 20th century. Thinking about the Emotions is a fascinating and illuminating study of how philosophers have grappled with this intriguing part of our nature as beings who feel as well as think and act.

Thinking Through Feeling

Thinking Through Feeling
Author: Anastasia Philippa Scrutton
Publisher: Bloomsbury Publishing USA
Total Pages: 362
Release: 2011-10-06
Genre: Religion
ISBN: 144114577X

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Contemporary debates on God's emotionality are divided between two extremes. Impassibilists deny God's emotionality on the basis of God's omniscience, omnipotence and incorporeality. Passibilists seem to break with tradition by affirming divine emotionality, often focusing on the idea that God suffers with us. Contemporary philosophy of emotion reflects this divide. Some philosophers argue that emotions are voluntary and intelligent mental events, making them potentially compatible with omniscience and omnipotence. Others claim that emotions are involuntary and basically physiological, rendering them inconsistent with traditional divine attributes. Thinking Through Feeling: God, Emotion and Passibility creates a three-way conversation between the debate in theology, contemporary philosophy of emotion, and pre-modern (particularly Augustinian and Thomist) conceptions of human affective experience. It also provides an exploration of the intelligence and value of the emotions of compassion, anger and jealousy.

The Emotions of the Ancient Greeks

The Emotions of the Ancient Greeks
Author: David Konstan
Publisher: University of Toronto Press
Total Pages: 441
Release: 2007-12-22
Genre: Literary Criticism
ISBN: 1442691182

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It is generally assumed that whatever else has changed about the human condition since the dawn of civilization, basic human emotions - love, fear, anger, envy, shame - have remained constant. David Konstan, however, argues that the emotions of the ancient Greeks were in some significant respects different from our own, and that recognizing these differences is important to understanding ancient Greek literature and culture. With The Emotions of the Ancient Greeks, Konstan reexamines the traditional assumption that the Greek terms designating the emotions correspond more or less to those of today. Beneath the similarities, there are striking discrepancies. References to Greek 'anger' or 'love' or 'envy,' for example, commonly neglect the fact that the Greeks themselves did not use these terms, but rather words in their own language, such as orgê and philia and phthonos, which do not translate neatly into our modern emotional vocabulary. Konstan argues that classical representations and analyses of the emotions correspond to a world of intense competition for status, and focused on the attitudes, motives, and actions of others rather than on chance or natural events as the elicitors of emotion. Konstan makes use of Greek emotional concepts to interpret various works of classical literature, including epic, drama, history, and oratory. Moreover, he illustrates how the Greeks' conception of emotions has something to tell us about our own views, whether about the nature of particular emotions or of the category of emotion itself.

The Emotions in Early Chinese Philosophy

The Emotions in Early Chinese Philosophy
Author: Curie Virág
Publisher: Oxford University Press
Total Pages: 241
Release: 2017
Genre: Philosophy
ISBN: 0190498811

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This book traces the genealogy of early Chinese conceptions of emotions, as part of a broader inquiry into evolving conceptions of self, cosmos and the political order. It seeks to explain what was at stake in early philosophical debates over emotions and why the mainstream conception of emotions became authoritative.

Philosophy, Music and Emotion

Philosophy, Music and Emotion
Author: Madell Geoffrey Madell
Publisher: Edinburgh University Press
Total Pages: 162
Release: 2019-08-05
Genre: Emotions in music
ISBN: 1474470629

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Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it means to say that music 'expresses emotion'. Geoffrey Madell maintains that most current accounts of musical expressiveness are fundamentally misguided. He attributes this fact to the influence of a famous argument of the nineteenth-century critic Hanslick, and also to the dominant 'cognitivist' approach to the nature of emotion, which sees the essence of emotion to be the entertaining of evaluative judgements and beliefs of a certain sort, an account very much in accord with Hanslick's position. Such an approach results either in the unpersuasive view that musical expressiveness is somehow akin to human expressive gesture, or in the view that music arouses feelings which have no specific object and, unavoidably, no necessary connection with the music.The book argues that the 'cognitivist' account of the nature of emotion is quite false and that it needs to be replaced with a conception of emotions as states of feeling towards - states of intentional feeling - whose objects are often evaluatively characterised states of affairs; however, in the context of the emotions that are aroused by music these objects are always musical events or states. Central to this bold analysis of emotion is a new account of two closely connected mental states, those of desire and of pleasure, and of what role these states have in human motivation and value.