Elizabethan Translation and Literary Culture

Elizabethan Translation and Literary Culture
Author: Gabriela Schmidt
Publisher: Walter de Gruyter
Total Pages: 402
Release: 2013-04-30
Genre: Literary Criticism
ISBN: 311031620X

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Reversing F. O. Matthiessen's famous description of translation as “an Elizabethan art”, Elizabethan literature may well be considered “an art of translation‎”. Amidst a climate of intense intercultural and intertextual exchange, the cultural figure of translatio studii had become a formative concept in most European vernacular writing of the period. However, due to the comparatively marginal status of English in European literary culture, it was above all translation in the literal sense that became the dominant mode of applying this concept in late 16th-century England. Translations into English were not only produced on an unprecedented scale, they also became a key site for critical debate where contemporary discussions about authorship, style, and the development of a specifically English literary identity converged. The essays in this volume set out to explore Elizabethan translation as a literary practice and as a crucial influence on English literature. They analyse the competitive balancing of voices and authorities found in these texts and examine the ways in which both translated models and English literary culture were creatively transformed in the process of appropriation.

Elizabethan Publishing and the Makings of Literary Culture

Elizabethan Publishing and the Makings of Literary Culture
Author: Kirk Melnikoff
Publisher: University of Toronto Press
Total Pages: 310
Release: 2018-04-13
Genre: Literary Criticism
ISBN: 1487514948

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Elizabethan Publishing and the Makings of Literary Culture explores the influence of the book trade over English literary culture in the decades following incorporation of the Stationers’ Company in 1557. Through an analysis of the often overlooked contributions of bookmen like Thomas Hacket, Richard Smith, and Paul Linley, Kirk Melnikoff tracks the crucial role that bookselling publishers played in transmitting literary texts into print as well as energizing and shaping a new sphere of vernacular literary activity. The volume provides an overview of the full range of practises that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, reissuing, and specialization. Four case studies together consider links between translation and the travel narrative; bookselling and authorship; re-issuing and the Ovidian narrative poem; and specialization and professional drama. Works considered include Shakespeare’s Hamlet, Thévet’s The New Found World, Constable’s Diana, and Marlowe’s Dido, Queen of Carthage. This exciting new book provides both a complement and a counter to recent studies that have turned back to authors and out to buyers and printing houses as makers of vernacular literary culture in the second half of the sixteenth century.

Translating Shakespeare for the Twenty-First Century

Translating Shakespeare for the Twenty-First Century
Author:
Publisher: BRILL
Total Pages: 277
Release: 2016-08-09
Genre: Literary Criticism
ISBN: 9401201684

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Most of the contributions to Translating Shakespeare for the Twenty-First Century evolve from a practical commitment to the translation of Shakespearean drama and at the same time reveal a sophisticated awareness of recent developments in literary criticism, Shakespeare studies, and the relatively new field of Translation studies. All the essays are sensitive to the criticism to which notions of the original as well as distinctions between the creative and the derivative have been subjected in recent years. Consequently, they endeavour to retrieve translation from its otherwise subordinate status, and advance it as a model for all writing, which is construed, inevitably, as a rewriting. This volume offers a wide range of responses to the theme of Shakespeare and translation as well as Shakespeare in translation. Diversity is ensured both by the authors’ varied academic and cultural backgrounds, and by the different critical standpoints from which they approach their themes – from semiotics to theatre studies, and from gender studies to readings firmly rooted in the practice of translation. Translating Shakespeare for the Twenty-First Century is divided into two complementary sections. The first part deals with the broader insights to be gained from a multilingual and multicultural framework. The second part focuses on Shakespearean translation into the specific language and the culture of Portugal.

Shakespeare And The Language Of Translation Only

Shakespeare And The Language Of Translation Only
Author: A. J. Hoenselaars
Publisher: Bloomsbury Arden Shakespeare
Total Pages: 368
Release: 2004-04-29
Genre: Drama
ISBN:

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Shakespeare's international status as a literary icon is largely based on his masterful use of the English language, yet beyond Britain his plays and poems are read and performed mainly in translation. Shakespeare and the Language of Translation addresses this apparent contradiction and is the first major survey of its kind. Covering the many ways in which the translation of Shakespeare's works is practised and studied from Bulgaria to Japan, South Africa to Germany, it also discusses the translation of Macbeth into Scots and of Romeo and Juliet into British Sign Language. The collection places renderings of Shakespeare's works aimed at the page and the stage, in their multiple cultural contexts, including gender, race and nation, as well as personal and postcolonial politics.Shakespeare's impact on nations and cultures all around the world is increasingly a focus for study and debate. As a result, the international performance of Shakespeare and Shakespeare in translation have become areas of growing popularity for both under- and postgraduate study, for which this book provides a valuable companion.'This volume expertly describes the richness and strangeness that literary translation brings to world culture. It should be obligatory reading for Shakespeare scholars and literary-translation scholars alike' - Francis Jones, MLR

Shakespeare and the Language of Translation

Shakespeare and the Language of Translation
Author: Ton Hoenselaars
Publisher: A&C Black
Total Pages: 372
Release: 2014-05-13
Genre: Drama
ISBN: 1408179717

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Shakespeare's international status as a literary icon is largely based on his masterful use of the English language, yet beyond Britain his plays and poems are read and performed mainly in translation. Shakespeare and the Language of Translation addresses this apparent contradiction and is the first major survey of its kind. Covering the many ways in which the translation of Shakespeare's works is practised and studied from Bulgaria to Japan, South Africa to Germany, it also discusses the translation of Macbeth into Scots and of Romeo and Juliet into British Sign Language. The collection places renderings of Shakespeare's works aimed at the page and the stage in their multiple cultural contexts, including gender, race and nation, as well as personal and postcolonial politics. Shakespeare's impact on nations and cultures all around the world is increasingly a focus for study and debate. As a result, the international performance of Shakespeare and Shakespeare in translation have become areas of growing popularity for both under- and post-graduate study, for which this book provides a valuable companion.

Loss and the Literary Culture of Shakespeare's Time

Loss and the Literary Culture of Shakespeare's Time
Author: Roslyn L. Knutson
Publisher:
Total Pages: 266
Release: 2020
Genre: British literature
ISBN: 9783030368685

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As early modernists with an interest in the literary culture of Shakespeare's time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early modern literary culture is complete without acknowledgment of these lacunae, and although lost drama has become a topic of increasing interest in Shakespeare studies, it is important to recognize that loss is not restricted to play-texts alone. Loss and the Literary Culture of Shakespeare's Time broadens the scope of the scholarly conversation about loss beyond drama and beyond London. It aims to develop further models and techniques for thinking about lost plays, but also of other kinds of lost early modern works, and even lost persons associated with literary and theatrical circles. Chapters examine textual corruption, oral preservation, quantitative analysis, translation, and experiments in "verbatim theater", plus much more.

Loss and the Literary Culture of Shakespeare’s Time

Loss and the Literary Culture of Shakespeare’s Time
Author: Roslyn L. Knutson
Publisher: Springer Nature
Total Pages: 271
Release: 2020-03-26
Genre: Literary Criticism
ISBN: 303036867X

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As early modernists with an interest in the literary culture of Shakespeare’s time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early modern literary culture is complete without acknowledgment of these lacunae, and although lost drama has become a topic of increasing interest in Shakespeare studies, it is important to recognize that loss is not restricted to play-texts alone. Loss and the Literary Culture of Shakespeare’s Time broadens the scope of the scholarly conversation about loss beyond drama and beyond London. It aims to develop further models and techniques for thinking about lost plays, but also of other kinds of lost early modern works, and even lost persons associated with literary and theatrical circles. Chapters examine textual corruption, oral preservation, quantitative analysis, translation, and experiments in “verbatim theater”, plus much more.

Common: The Development of Literary Culture in Sixteenth-Century England

Common: The Development of Literary Culture in Sixteenth-Century England
Author: Neil Rhodes
Publisher: Oxford University Press
Total Pages: 360
Release: 2018-04-13
Genre: Literary Criticism
ISBN: 0191009261

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This volume explores the development of literary culture in sixteenth-century England as a whole and seeks to explain the relationship between the Reformation and the literary renaissance of the Elizabethan period. Its central theme is the 'common' in its double sense of something shared and something base, and it argues that making common the work of God is at the heart of the English Reformation just as making common the literature of antiquity and of early modern Europe is at the heart of the English Renaissance. Its central question is 'why was the Renaissance in England so late?' That question is addressed in terms of the relationship between Humanism and Protestantism and the tensions between democracy and the imagination which persist throughout the century. Part One establishes a social dimension for literary culture in the period by exploring the associations of 'commonwealth' and related terms. It addresses the role of Greek in the period before and during the Reformation in disturbing the old binary of elite Latin and common English. It also argues that the Reformation principle of making common is coupled with a hostility towards fiction, which has the effect of closing down the humanist renaissance of the earlier decades. Part Two presents translation as the link between Reformation and Renaissance, and the final part discusses the Elizabethan literary renaissance and deals in turn with poetry, short prose fiction, and the drama written for the common stage.

India's Shakespeare

India's Shakespeare
Author: Poonam Trivedi
Publisher: University of Delaware Press
Total Pages: 316
Release: 2005
Genre: Drama
ISBN: 9780874138818

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This is a collection on the diverse aspects of the interaction between Shakespeare and India, a process embedded in the contradictions of colonialism - of simultaneous submission and resistance. The essays, grouped around the key issues of translation, interpretation, and performance, deal with how the plays were taught, translated, and adapted, as well as the literary, social, and political implications of this absorption into the cultural fabric of India. They also look at the other side, what India meant to Shakespeare. Further, they document how the performance of Shakespeare both colonized and catalyzed Indian theater - being staged in English in schools, in translation in various parts of the country, through acculturation into indigenous theater forms and Hindi cinema. The book highlights, and thus rereads, not just one of the longest and most widespread interactions between a Western author and the East but also part of the colonial and postcolonial history of India. Poonam Trivedi is a Reader in English at Indraprastha College, University of Delhi. Now retired, Dennis Bartholomeusz was Reader in English literature at Monash University in Melbourne.

Early Modern Cultures of Translation

Early Modern Cultures of Translation
Author: Karen Newman
Publisher: University of Pennsylvania Press
Total Pages: 365
Release: 2015-07-23
Genre: Literary Criticism
ISBN: 0812291808

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"Would there have been a Renaissance without translation?" Karen Newman and Jane Tylus ask in their Introduction to this wide-ranging group of essays on the uses of translation in an era formative for the modern age. The early modern period saw cross-cultural translation on a massive scale. Humanists negotiated status by means of their literary skills as translators of culturally prestigious Greek and Latin texts, as teachers of those same languages, and as purveyors of the new technologies for the dissemination of writing. Indeed, with the emergence of new vernaculars and new literatures came a sense of the necessary interactions of languages in a moment that can truly be defined as "after Babel." As they take their starting point from a wide range of primary sources—the poems of Louise Labé, the first Catalan dictionary, early printed versions of the Ptolemy world map, the King James Bible, and Roger Williams's Key to the Language of America—the contributors to this volume provide a sense of the political, religious, and cultural stakes for translators, their patrons, and their readers. They also vividly show how the very instabilities engendered by unprecedented linguistic and technological change resulted in a far more capacious understanding of translation than what we have today. A genuinely interdisciplinary volume, Early Modern Cultures of Translation looks both east and west while at the same time telling a story that continues to the present about the slow, uncertain rise of English as a major European and, eventually, world language. Contributors: Gordon Braden, Peter Burke, Anne Coldiron, Line Cottegnies, Margaret Ferguson, Edith Grossman, Ann Rosalind Jones, Lázló Kontler, Jacques Lezra, Carla Nappi, Karen Newman, Katharina N. Piechocki, Sarah Rivett, Naomi Tadmor, Jane Tylus.