Remedios Varo
Author | : Remedios Varo |
Publisher | : Ediciones Era |
Total Pages | : 438 |
Release | : 2008 |
Genre | : Surrealism |
ISBN | : 9789684116788 |
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Author | : Remedios Varo |
Publisher | : Ediciones Era |
Total Pages | : 438 |
Release | : 2008 |
Genre | : Surrealism |
ISBN | : 9789684116788 |
Author | : FERNANDO JIMÉNEZ H.-PINZÓN |
Publisher | : Lulu.com |
Total Pages | : 419 |
Release | : 2013-11-24 |
Genre | : Education |
ISBN | : 1291729011 |
Los profundos dinamismos que intervienen en el mecanismo de nuestro deseo y subyacen al desarrollo de nuestra personalidad van siendo sistemáticamente revelados, reconocidos y analizados en este libro. Sigmund Freud fue pionero en la exploración de los "continentes sumergidos de la mente" donde yacen los restos de naufragios existenciales y los tesoros insospechados del alma humana. Los conceptos fundamentales que forman el tejido ideológico del Psicoanálisis, las ideas más controvertidas de las teorías de Freud, como las referentes a la Sexualidad, al Complejo de Edipo, a la Represión, al control de los Instintos, a la Libido, al Placer, al Super-Yo... se van revelando y clarificando en este libro de un modo comprensible, incluso aplicables al propio conocimiento. Siguiendo el símil del psicoanalista Oscar Pfister: "Freud ha ideado un 'microscopio del alma', que permite observar y comprender las raíces de las funciones mentales, y su desarrollo y dinamismo" .
Author | : David F. Richter |
Publisher | : Bucknell University Press |
Total Pages | : 313 |
Release | : 2014-10-15 |
Genre | : Literary Criticism |
ISBN | : 1611485762 |
García Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico García Lorca (1898–1936). In contrast to the idealist and subconscious tenets espoused by surrealist leader André Breton, which focus on the marvelous, automatic creative processes, and sublimated depictions of reality, Lorca’s surrealist impulse follows a trajectory more in line with the theories of French intellectuals such as Georges Bataille (1897–1962), who was expelled from Breton’s authoritative group. Bataille critiques the lofty goals and ideals of Bretonian surrealism in the pages of the cultural and anthropological review Documents (1929–1930) in terms of a dissident surrealist ethno-poetics. This brand of the surreal underscores the prevalence of the bleak or darker aspects of reality: crisis, primitive sacrifice, the death drive, and the violent representation of existence portrayed through formless base matter such as blood, excrement, and fragmented bodies. The present study demonstrates that Bataille’s theoretical and poetic expositions, including those dealing with l’informe (the formless) and the somber emptiness of the void, engage the trauma and anxiety of surrealist expression in Spain, particularly with reference to the anguish, desire, and death that figure so prominently in Spanish texts of the 1920s and 1930s often qualified as “surrealist.” Drawing extensively on the theoretical, cultural, and poetic texts of the period, García Lorca at the Edge of Surrealism offers the first book-length consideration of Bataille’s thinking within the Spanish context, examined through the work of Lorca, a singular proponent of what is here referred to as a dissident Spanish surrealism. By reading Lorca’s “surrealist” texts (including Poetaen Nueva York,Viaje a la luna, and El público) through the Bataillean lens, this volume both amplifies our understanding of the poetry and drama of one of the most important Spanish writers of the twentieth century and expands our perspective of what surrealism in Spain means.
Author | : Margaret Greer |
Publisher | : Penn State Press |
Total Pages | : 486 |
Release | : 2011-11-30 |
Genre | : Literary Criticism |
ISBN | : 0271041218 |
María de Zayas y Sotomayor (1590–1650?) published two collections of novellas, Novelas amorosas y exemplares (1637) and Desengaños amorosos (1647), which were immensely popular in her day. During the nineteenth and early twentieth centuries, Victorian and bourgeois sensibilities exiled her “scandalous” works to the outer fringes of serious literature. Over the last two decades, however, she has gained an enthusiastic and ever-expanding readership, drawing intense critical attention and achieving canonical status as a major figure of the Spanish Golden Age. In this first comprehensive study of Zayas’s prose, Margaret R. Greer explores the relationship between narration and desire, analyzing both the “desire for readers” displayed by Zayas in her Prologue and the sexual desire that drives the telling within the novellas themselves. Greer examines Zayas’s narrative strategies through the twin lenses of feminist and psychoanalytic theory. She devotes close attention to the weight of Renaissance literary traditions and the role of Zayas’s own cultural context in shaping her work. She discusses Zayas’s biography and the reception of her publications; her advocacy of women’s rights; her conflictive loyalty to an aristocratic, patriarchal order; her crafting of feminine tales of desire; and her erasure of the frontiers between the natural and supernatural, indeed, between love and death itself. In so doing, Greer offers an expansive analysis of this recently rediscovered Golden Age writer.
Author | : María Gema Salvador Sánchez |
Publisher | : Lulu.com |
Total Pages | : 287 |
Release | : 2014-02-25 |
Genre | : Fiction |
ISBN | : 131204912X |
Gabriel es un soñador. Un joven poeta con un apellido ilustre. Su oficio de letrado le adentra en un universo lleno de magia y aventuras justo cuando empieza a cansarse de la realidad. Además debe descubrir un enigma en el que se ve envuelta su propia vida. Y tiene poco tiempo.
Author | : Evelyn Raymond |
Publisher | : Library of Alexandria |
Total Pages | : 148 |
Release | : 2019-11-11 |
Genre | : Fiction |
ISBN | : 1465530703 |
“My head is in the United States and my feet are in Mexico!” cried Carlos sprawling at ease upon the sun-warmed grass. Whereupon Carlota, not to be outdone in anything, promptly rolled her plump little person over the sward until its length lay along a lime-line running due east and west across the plain. Her yellow curls touched her twin’s yet her body formed a right angle to his. Then she remarked: “Pooh! I’m better than that! My heart is in my own country and my—my— What is it that’s on the other side of you from your heart, brother?” “I don’t know. Maybe gizzard.” Carlota sat up, amazed and indignant. “Girls don’t have gizzards, Carlos Manuel. Only chickens and geeses and things like those. You haven’t paid attention when my father teached you.” Carlos laughed; so merrily and noisily that old Marta came to the door of the adobe house to see what was the fun. Nobody knew the housekeeper’s real age, it was so very great. None could remember things so far back as she, but she had ceased to count the years long, long ago, why not? What matter, if she still had the heart of a child, yes? Certainly, neither Carlos nor Carlota cared. To them she had never changed, either in appearance or kindness, and they found no birthdays worth remembering except their own. These only, probably, because of the gifts andfiestas then made upon the whole rancho. “Perhaps, I didn’t, little sister, but neither did you, or you’d never have said ‘geeses’ nor ‘teached’.” “Both of us was wrong, weren’t we?” returned the girl, with as fine a disregard of grammar as of ill temper. “We’ll be more ’tentive when our father comes home, won’t we? When will that be, Carlos?” It was a perplexing question, and the boy put it aside, as he put all difficulties, until a more convenient season. Crossing his arms above his head, he gazed unblinkingly upward into the brilliant sky, proposing: “Let’s find things in the clouds, Carlota. I see a ship, I do, truly. It’s just like the pictures in the books. All its sails are set and flying. Oh! can’t you see? Right there? There! It’s moving northward fast—fast! It might be the ship in which our father will come home.” He meant to comfort her, but Carlota would not look up. She could not. The sunbeams made prisms of the teardrops on her lashes and blinded her. She buried her face in the grass to escape these tiny “rainbows,” and all at once fell to sobbing bitterly. Carlos hated that. He hated anything dark or unhappy. He sat up and patted his sister’s shoulder, soothingly, entreating: “There, don’t! Don’t, girlie. Our father wouldn’t like it if he should come home now, this minute, and find you crying.” The words were magic. Carlota sprang to her feet and earnestly peered into the distance, crying: “Is he? Do you see him, brother? Do you?” Carlos, also, leaped up and threw his arm about her waist: “I didn’t say that, did I? I only said ‘if.’” “I don’t like ‘ifs,’” sobbed Carlota. “Oh, Carlota, don’t cry. You shall not. If you do I will go away myself, to the northwest, to find my father.” “Oh! let’s!” “I said ‘I.’ Not you. Girls never go anywhere, because they always cry. If it hadn’t been for that my father might have taken me with him. You see, he couldn’t take you, on account of it; and he couldn’t leave you at home with only Marta and the men, for then—that would make more tears. So I had to stay to take care of you, and I do think, if I were a girl, the very first thing I would do—I wouldn’t cry. Criers never have real good times, I guess.” This was logic, and from Carlos, whom Carlota idolized only less than their absent father, most convincing. She winked very fast and drew her sleeve across her eyes, to dry the drops which would not be shaken off.
Author | : Laura Llevadot (ed.) |
Publisher | : Editorial UOC |
Total Pages | : 187 |
Release | : 2016-05-30 |
Genre | : Philosophy |
ISBN | : 8491161899 |
La tragedia de Sófocles Antígona ha sido objeto de innumerables versiones, interpretaciones y traducciones a lo largo de la historia de la cultura occidental. La acción de la joven hija de Edipo que entierra a su hermano Polinices a pesar de la expresa prohibición real, la rebeldía de una mujer que arrastra consigo la turbulenta historia de su linaje, ha permitido replantear cuestiones esenciales de la existencia humana todavía vigentes. Antígona alumbra aún hoy problemas tales como la cuestión del derecho al duelo –allí donde hay todavía muertos sin enterrar o desaparecidos a los que no les ha sido restituida su dignidad simbólica–, experiencias como la muerte del otro, así como la decisión de la muerte propia consentida, la cuestión tan debatida hoy en torno a la fraternidad como cimiento de lo común, y aun la temática del género que las filosofías feministas de la diferencia se hanpropuesto repensar a partir de esta obstinada figura. Los textos que constituyen el presente volumen tratan de dar cuenta de las diversas aproximaciones que la tragedia de Antígona ha suscitado.
Author | : David William Foster |
Publisher | : Taylor & Francis |
Total Pages | : 460 |
Release | : 1997 |
Genre | : Modernism (Literature) |
ISBN | : 9780815326793 |
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
Author | : Pablo Cieslik |
Publisher | : Pablo Guillermo Cieslik |
Total Pages | : 27 |
Release | : 2023-07-20 |
Genre | : Humor |
ISBN | : 3757933575 |
"1n1" von Pablo Guillermo Cieslik ist eine faszinierende Reise durch die mystischen Bereiche des Dschungels und die tiefgreifenden spirituellen Praktiken, die er beherbergt. Dieses illustrierte Buch ist nicht nur ein Reisebericht, sondern ein tiefer Einblick in die transformative Kraft von Ritualen und Initiationen. Die Erzählung ist ein Zeugnis für die Widerstandsfähigkeit des menschlichen Geistes und seine ewige Suche nach Erleuchtung. Die lebendigen Illustrationen fügen eine Schicht von Tiefe und Intrigen hinzu und machen "1n1" zu einer fesselnden Lektüre für diejenigen, die auf der Suche nach Weisheit und persönlicher Transformation sind. Es ist eine Erinnerung daran, dass die Reise genauso wichtig ist wie das Ziel und dass jede Erfahrung, ob gut oder schlecht, uns näher zu unserem wahren Selbst führt.