The Economics of the American Theater

The Economics of the American Theater
Author: Thomas Gale Moore
Publisher: Durham, N.C : Duke University Press
Total Pages: 216
Release: 1968
Genre: Performing Arts
ISBN:

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The Business of the Theatre

The Business of the Theatre
Author: Alfred L. Bernheim
Publisher: New York : B. Blom
Total Pages: 240
Release: 1964
Genre: Performing Arts
ISBN:

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Masters' Essays and Doctoral Dissertations

Masters' Essays and Doctoral Dissertations
Author: Columbia University. Graduate Faculties
Publisher:
Total Pages: 212
Release: 1966
Genre: Dissertations, Academic
ISBN:

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Dwight D. Eisenhower

Dwight D. Eisenhower
Author:
Publisher: Rowman & Littlefield Publishers
Total Pages: 384
Release: 1991
Genre: Biography & Autobiography
ISBN:

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Not only the lives of this century's presidents, but also the figures and events that surround them are covered by the works in this series. This particular volume covers the lives and times of Warren G. Harding and Calvin Coolidge. Thousands of books, articles and dissertations are cited and summarised in each of these detailed, accessible bibliographies. The contents are organised by topic to enable researchers to easily focus on broad or narrow areas of interest. The volumes also contain introductions assessing the presidents' places in history and detailed chronologies of their lives. Each chapter begins with an overview of the relevant literature and points out the key sources in different subject areas. All the volumes are indexed by author and subject.

The Cambridge History of American Theatre

The Cambridge History of American Theatre
Author: Don B. Wilmeth
Publisher: Cambridge University Press
Total Pages: 554
Release: 1998-02-28
Genre: Drama
ISBN: 9780521472043

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The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.