Early Printed Books as Material Objects

Early Printed Books as Material Objects
Author: International Federation of Library Associations and Institutions. Rare Books and Manuscripts Section
Publisher: Walter de Gruyter
Total Pages: 381
Release: 2010
Genre: Design
ISBN: 3110253240

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The papers collected in this volume discuss descriptive methods and present conclusions relevant for the history of the book production and reception. Books printed in Europe in the 15th and 16th century still had much in common with manuscripts. They are not mere textual sources, but also material objects whose physical make-up and individual features need to be taken into account in library projects for cataloguing and digitization.

Studying Early Printed Books, 1450-1800

Studying Early Printed Books, 1450-1800
Author: Sarah Werner
Publisher: John Wiley & Sons
Total Pages: 210
Release: 2019-02-26
Genre: Literary Criticism
ISBN: 1119049970

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A comprehensive resource to understanding the hand-press printing of early books Studying Early Printed Books, 1450 - 1800 offers a guide to the fascinating process of how books were printed in the first centuries of the press and shows how the mechanics of making books shapes how we read and understand them. The author offers an insightful overview of how books were made in the hand-press period and then includes an in-depth review of the specific aspects of the printing process. She addresses questions such as: How was paper made? What were different book formats? How did the press work? In addition, the text is filled with illustrative examples that demonstrate how understanding the early processes can be helpful to today’s researchers. Studying Early Printed Books shows the connections between the material form of a book (what it looks like and how it was made), how a book conveys its meaning and how it is used by readers. The author helps readers navigate books by explaining how to tell which parts of a book are the result of early printing practices and which are a result of later changes. The text also offers guidance on: how to approach a book; how to read a catalog record; the difference between using digital facsimiles and books in-hand. This important guide: Reveals how books were made with the advent of the printing press and how they are understood today Offers information on how to use digital reproductions of early printed books as well as how to work in a rare books library Contains a useful glossary and a detailed list of recommended readings Includes a companion website for further research Written for students of book history, materiality of text and history of information, Studying Early Printed Books explores the many aspects of the early printing process of books and explains how their form is understood today.

A Companion to the Early Printed Book in Britain, 1476-1558

A Companion to the Early Printed Book in Britain, 1476-1558
Author: Vincent Gillespie
Publisher: Boydell & Brewer Ltd
Total Pages: 410
Release: 2014
Genre: Business & Economics
ISBN: 1843843633

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First full-scale guide to the origins and development of the early printed book, and the issues associated with it.

Fewer, Better Things

Fewer, Better Things
Author: Glenn Adamson
Publisher: Bloomsbury Publishing USA
Total Pages: 273
Release: 2018-08-07
Genre: Art
ISBN: 1632869667

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From the former director of the Museum of Arts and Design in New York, a timely and passionate case for the role of the well-designed object in the digital age. Curator and scholar Glenn Adamson opens Fewer, Better Things by contrasting his beloved childhood teddy bear to the smartphones and digital tablets children have today. He laments that many children and adults are losing touch with the material objects that have nurtured human development for thousands of years. The objects are still here, but we seem to care less and know less about them. In his presentations to groups, he often asks an audience member what he or she knows about the chair the person is sitting in. Few people know much more than whether it's made of wood, plastic, or metal. If we know little about how things are made, it's hard to remain connected to the world around us. Fewer, Better Things explores the history of craft in its many forms, explaining how raw materials, tools, design, and technique come together to produce beauty and utility in handmade or manufactured items. Whether describing the implements used in a traditional Japanese tea ceremony, the use of woodworking tools, or the use of new fabrication technologies, Adamson writes expertly and lovingly about the aesthetics of objects, and the care and attention that goes into producing them. Reading this wise and elegant book is a truly transformative experience.

The Medieval Manuscript Book

The Medieval Manuscript Book
Author: Michael Johnston
Publisher: Cambridge University Press
Total Pages: 319
Release: 2015-08-10
Genre: History
ISBN: 1107066190

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This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.

Fables Choisies, Mises En Vers

Fables Choisies, Mises En Vers
Author: Jean de La Fontaine
Publisher: Palala Press
Total Pages: 208
Release: 2016-04-26
Genre:
ISBN: 9781354677063

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Abstractions of Evidence in the Study of Manuscripts and Early Printed Books

Abstractions of Evidence in the Study of Manuscripts and Early Printed Books
Author: Joseph A. Dane
Publisher: Routledge
Total Pages: 309
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351961152

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In this book, Joseph Dane critiques the use of material evidence in studies of manuscript and printed books by delving into accepted notions about the study of print culture. He questions the institutional and ideological presuppositions that govern medieval studies, descriptive bibliography, and library science. Dane begins by asking what is the relation between material evidence and the abstract statements made about the evidence; ultimately he asks how evidence is to be defined. The goal of this book is to show that evidence from texts and written objects often becomes twisted to support pre-existing arguments; and that generations of bibliographers have created narratives of authorship, printing, reading, and editing that reflect romantic notions of identity, growth, and development. The first part of the book is dedicated to medieval texts and authorship: materials include Everyman, Chaucer's Legend of Good Women, the Anglo-Norman Le Seint Resurrection, and Adam de la Helle's Le Jeu de Robin et Marion. The second half of the book is concerned with abstract notions about books and scholarly definitions about what a book actually is: chapters include studies of basic bibliographical concepts ("Ideal Copy") and the application of such a notion in early editions of Chaucer, the combination of manuscript and printing in the books of Colard Mansion, and finally, examples of the organization of books by an early nineteenth-century book-collector Leander Van Ess. This study is an important contribution to debates about the nature of bibliography and the critical institutions that have shaped its current practice.

What is a Book?

What is a Book?
Author: Joseph A. Dane
Publisher:
Total Pages: 300
Release: 2012
Genre: Design
ISBN:

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Among other issues, Dane addresses such basic questions as: How do students, bibliographers, and collectors discuss these things? And when is it legitimate to generalize on the basis of particular examples? Dane considers each issue in terms of a practical example or question a reader might confront: How do you identify books on the basis of typography? What is the status of paper evidence? How are the various elements on the page defined? What are the implications of the images available in an online database? And, significantly, how does a scholar's personal experience with books challenge or conform to the standard language of book history and bibliography? Dane's accessible and lively tour of the field is a useful guide for all students of book history, from the beginner to the specialist. "Written with wit and acuity, Joseph A. Dane's What Is a Book? extends his project of teaching aspects of book history to the specialist and nonspecialist reader alike.

Early Modern Catholicism and the Printed Book

Early Modern Catholicism and the Printed Book
Author: Justyna Kiliańczyk-Zięba
Publisher: BRILL
Total Pages: 415
Release: 2024-02-12
Genre: History
ISBN: 9004538674

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This collection of essays engages with a variety of aspects of early modern book culture in the 16th-17th centuries, considered in the Catholic context. The contributions reflect on the engagement of institutions and authorities in the process of book production, bringing to the fore the role of networks in this process; show the book as a tool of resistance to the Protestant Reformation; give insight into the content and design of book collections; showcase textual production in the context of cultural appropriation and shed light on the role of the image in the propagation of Catholicism. Together the sixteen contributions demonstrate the diversity of the Catholic book in its forms and functions, in various social and national contexts.

Early Modern English Marginalia

Early Modern English Marginalia
Author: Katherine O. Acheson
Publisher: Material Readings in Early Modern Culture
Total Pages: 301
Release: 2019-01-15
Genre: Books and reading
ISBN: 9780415418850

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Marginalia in early modern and medieval texts - printed, handwritten, drawn, scratched, colored, and pasted in - offer a crazy quilt composed of fragments of how people, as individuals and in groups, interacted with books and manuscripts over often lengthy periods of time. The chapters in this volume build on earlier scholarship that established marginalia as intellectual method (Grafton and Jardine), as records of reading motivated by cultural, social, theological, and personal inclinations (Hackel and Orgel), and as practices inspired by material affordances particular to the book and the pen (Fleming and Sherman). They further the study of the practices of marginalia as a mode - a set of ways in which material opportunities and practices overlap with intellectual, social and personal motivations to make meaning in the world. They introduce us to a set of idiosyncratic examples - erotic images doodled in a medical manuscript, cut - and - pasted additions to printed volumes, a marriage depicted through shared book ownership, for example - and reveal to us in case studies the unique value of marginalia as evidence of phenomena as diverse as religious change, scientific discovery, and the history of the literary canon. They also raise broad historical, cultural, and theoretical questions about the relationship between animal parts and human society, the construction of authorship, the ways in which exchange of words and objects align, the strange, marvelous, metamorphic thing we call the book, and the equally multiplicitous, eccentric, and inscrutable known as the reader.