Driving With Music: Cognitive-Behavioural Implications

Driving With Music: Cognitive-Behavioural Implications
Author: Warren Brodsky
Publisher: CRC Press
Total Pages: 398
Release: 2017-03-02
Genre: Computers
ISBN: 1317147812

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This book, the first full-length text on the subject, explores the everyday use of music listening while driving a car. It presents the relationship between cars and music in an effort to understand how music behaviour in the car can either enhance driver safety or place the driver at increased risk of accidents. A great deal of work has been done to investigate and reduce driver distraction and inattention, but this book is the first to focus on in-cabin aural backgrounds of music as a contributing factor to human error and traffic violations. Driving With Music begins by outlining the automobile, its relationship to society, and the juxtaposition of music with the automobile as a complete package. It then highlights concepts from the fields of music perception and cognition, and, within this framework, looks at the functional use of background music in our everyday lives. Driver music behaviours - both adaptive and maladaptive - are explored, with the focus on contradictions and ill-effects of in-car music listening. To conclude, implications, applications and countermeasures are suggested.

Psychology of Music

Psychology of Music
Author: Siu-Lan Tan
Publisher: Psychology Press
Total Pages: 751
Release: 2010-03-31
Genre: Psychology
ISBN: 1136997040

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Why are some disturbances of air molecules heard as 'noise' while others are perceived as music? What happens at the level of the sound wave, the ear, and the brain when we perform or listen to music? How do musical abilities emerge and develop, and become refined as one acquires musical expertise? And what gives music its deep emotional significance and its power to influence social behavior, across vastly different cultural contexts? These are some of the primary questions defining the field called 'the psychology of music' and driving the present volume. This book provides an introduction to classic and current studies in the psychology of music, combining a comprehensive summary with critical assessments of existing research. The volume captures the interdisciplinary breadth of the field, while covering central topics in depth. Part One explores sound and music at an acoustic level, explaining auditory events with respect to the workings of the ear and brain. Part Two focuses on perception and cognition of melody, rhythm, and formal structure. Part Three examines the emergence and development of musical skills, and turns to the most practical aspects of psychology of music: music practice and performance. Finally, Part Four broadens the discussion to the question of meaning in music, with respect to its social, emotional, philosophical, and cultural significance. Throughout, both behavioral and neuroscientific perspectives are developed. This book will be invaluable to undergraduate and postgraduate students in the fields of psychology and music, and will appeal to anyone else who is interested in the psychology of music.

Music and Mind in Everyday Life

Music and Mind in Everyday Life
Author: Eric Clarke
Publisher: Oxford University Press
Total Pages: 222
Release: 2010
Genre: Education
ISBN: 0198525575

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What is it that makes people want to live their lives to the sound of music, and why do so many of our most private experiences and most public spectacles incorporate - or even depend on - music? 'Music and Mind in Everyday Life' uses psychology to understand musical behaviour and experience.

Understanding Driving

Understanding Driving
Author: John A. Groeger
Publisher: Routledge
Total Pages: 272
Release: 2013-02-01
Genre: Psychology
ISBN: 1134690975

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This book closely examines what is involved in driving. It identifies the aspects of perception, attention, learning, memory, decision making and action control which are drawn upon in order to enable us to drive, and the brain systems involved. It attempts to show how studying tasks such as driving can help to understand how these fundamental aspects of cognition combine to facilitate performance in complex everyday tasks. In doing so it shows how a very broad range of laboratory based findings can be applied, and that through our attempts to apply this knowledge to complex everyday tasks, we gain, in return, a greater understanding of fundamental aspects of human cognition.

Dialogues in Music Therapy and Music Neuroscience: Collaborative Understanding Driving Clinical Advances

Dialogues in Music Therapy and Music Neuroscience: Collaborative Understanding Driving Clinical Advances
Author: Julian O'Kelly
Publisher: Frontiers Media SA
Total Pages: 181
Release: 2017-06-30
Genre: Music
ISBN: 2889451372

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Music is a complex, dynamic stimulus with an un-paralleled ability to stimulate a global network of neural activity involved in attention, emotion, memory, communication, motor co-ordination and cognition. As such, it provides neuroscience with a highly effective tool to develop our understanding of brain function, connectivity and plasticity. Increasingly sophisticated neuroimaging technologies have enabled the expanding field of music neuroscience to reveal how musical experience, perception and cognition may support neuroplasticity, with important implications for the rehabilitation and assessment of those with acquired brain injuries and neurodegenerative conditions. Other studies have indicated the potential for music to support arousal, attention and emotional regulation, suggesting therapeutic applications for conditions including ADHD, PTSD, autism, learning disorders and mood disorders. In common with neuroscience, the music therapy profession has advanced significantly in the past 20 years. Various interventions designed to address functional deficits and health care needs have been developed, alongside standardised behavioural assessments. Historically, music therapy has drawn its evidence base from a number of contrasting theoretical frameworks. Clinicians are now turning to neuroscience, which offers a unifying knowledge base and frame of reference to understand and measure therapeutic interventions from a biomedical perspective. Conversely, neuroscience is becoming more enriched by learning about the neural effects of ‘real world’ clinical applications in music therapy. While neuroscientific imaging methods may provide biomarking evidence for the efficacy of music therapy interventions it also offers important tools to describe time-locked interactive therapy processes and feeds into the emerging field of social neuroscience. Music therapy is bound to the process of creating and experiencing music together in improvisation, listening and reflection. Thus the situated cognition and experience of music developing over time and in differing contexts is of interest in time series data. We encouraged researchers to submit papers illustrating the mutual benefits of dialogue between music therapy and other disciplines important to this field, particularly neuroscience, neurophysiology, and neuropsychology. The current eBook consists of the peer reviewed responses to our call for papers.

Human Factors of Visual and Cognitive Performance in Driving

Human Factors of Visual and Cognitive Performance in Driving
Author: Candida Castro
Publisher: CRC Press
Total Pages: 298
Release: 2008-11-21
Genre: Technology & Engineering
ISBN: 142005533X

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Human error is involved in more than 90 percent of traffic accidents, and of those accidents, most are associated with visual distractions, or looking-but-failing-to-see errors. Human Factors of Visual and Cognitive Performance in Driving gathers knowledge from a human factors psychology standpoint and provides deeper insight into traffic -user beh

Psychology of Music

Psychology of Music
Author: Siu-Lan Tan
Publisher: Routledge
Total Pages: 350
Release: 2017-11-02
Genre: Psychology
ISBN: 1317299779

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In Psychology of Music: From Sound to Significance (2nd edition), the authors consider music on a broad scale, from its beginning as an acoustical signal to its different manifestations across cultures. In their second edition, the authors apply the same richness of depth and scope that was a hallmark of the first edition of this text. In addition, having laid out the topography of the field in the original book, the second edition puts greater emphasis on linking academic learning to real-world contexts, and on including compelling topics that appeal to students’ natural curiosity. Chapters have been updated with approximately 500 new citations to reflect advances in the field. The organization of the book remains the same as the first edition, while chapters have been updated and often expanded with new topics. 'Part I: Foundations' explores the acoustics of sound, the auditory system, and responses to music in the brain. 'Part II: The Perception and Cognition of Music' focuses on how we process pitch, melody, meter, rhythm, and musical structure. 'Part III: Development, Learning, and Performance' describes how musical capacities and skills unfold, beginning before birth and extending to the advanced and expert musician. And finally, 'Part IV: The Meaning and Significance of Music' explores social, emotional, philosophical and cultural dimensions of music and meaning. This book will be invaluable to undergraduates and postgraduate students in psychology and music, and will appeal to anyone who is interested in the vital and expanding field of psychology of music.

Brain and Behavioural Reflections of Distracted Driving Associated with Emotion Processing and Social Factors

Brain and Behavioural Reflections of Distracted Driving Associated with Emotion Processing and Social Factors
Author: Michelle Chan
Publisher:
Total Pages: 241
Release: 2016
Genre: Automobile drivers
ISBN:

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Driving is a complex task that requires a high level of attention for the safe operation of a motor vehicle. However, the human attention system is limited in capacity, and distraction arises when there is a competition for attention from non-driving related activities. When insufficient attention is prioritized to the road ahead, driving safety may be undermined. Cognitive distraction, one form of driver distraction, occurs when attention is withdrawn from the primary task of driving to a competing cognitive event. In this dissertation, I implemented four studies involving behavioural and electrophysiological methods to expand our current understanding of the impact of cognitive distraction on driver attention and performance. The first three studies focused on the emotional side of cognitive distraction, while study four focused on the social and cognitive influence of an in-car passenger. Study one aimed to examine the potential for driver distraction from emotional information presented on roadside billboards. To achieve this, participants operated a driving simulator in the presence of positive, negative, and neutral words. Study two investigated the behavioural and event-related potential (ERP) effects elicited by auditory words of different emotional valence (positive, negative, and neutral) during driving (dual-task) and non-driving (single-task) conditions. The primary goal was to determine whether distraction presented in the auditory modality would produce a similar pattern of effects as visual distraction. The secondary goal was to assess the allocation of neural resources under single and dual-task conditions. Study three aimed to examine the effects of highly arousing taboo-related distraction on driving performance. Participants operated a driving simulator in the presence of non-arousing words, moderately arousing positive and negative words, and highly arousing taboo words, presented on roadside billboards. Study four examined the attentional effects of driving with an in-car passenger, using electrophysiological methods. The objective was to investigate the relationship between attention, cognitive load, and social demands, related to the presence of a passenger. Findings from the first three studies provided novel insights and significant contributions to the literature on driver distraction by: (a) providing evidence that emotion-related distraction can capture and modulate attention to impact driving behaviour, (b) providing evidence that the processing of emotional information while driving likely influences higher-order cognitive processes rather than lower level sensory and perceptual processes, and (c) providing evidence that driving performance is differentially influenced by the valence (positive vs. negative) and arousal (high vs. moderate) of the emotional content; these unique effects reflect separate processes in the attention system, related to how arousal and valence interacts. Study four provided novel insights and significant contributions to the driving literature by: (a) providing evidence that mere presence of a passenger is sufficient to consume driver attentional resources, (b) supporting research in social psychology that describe the social influence of others, and (c) providing evidence that a potential mechanism for the effects of passengers is that they impose additional cognitive demand on the driver's limited resources. Together, these convergent lines of research demonstrate that a main element of cognitive distraction is increased driver workload, which can modulate attention to influence driver attention and performance.

The Measurement of Affect, Mood, and Emotion

The Measurement of Affect, Mood, and Emotion
Author: Panteleimon Ekkekakis
Publisher: Cambridge University Press
Total Pages: 229
Release: 2013-02-21
Genre: Health & Fitness
ISBN: 1107011000

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Panteleimon Ekkekakis provides an accessible guidebook which clarifies theory and proposes a sound system for selecting measures for affective constructs.

The Social and Applied Psychology of Music

The Social and Applied Psychology of Music
Author: Adrian North
Publisher: Oxford University Press, USA
Total Pages: 489
Release: 2008-04-10
Genre: Business & Economics
ISBN: 0198567421

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The Social and Applied Psychology of Music is the successor to the bestselling and influential The Social Psychology of Music. It considers the value of music in everyday life, answering some of the perennial questions about music. It is required reading for anyone seeking to understand the role of music in our daily lives.