Drawing is Another Kind of Language
Author | : Pamela M. Lee |
Publisher | : Harvard University Press |
Total Pages | : 236 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
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Author | : Pamela M. Lee |
Publisher | : Harvard University Press |
Total Pages | : 236 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Author | : Keith Micklewright |
Publisher | : Laurence King Publishing |
Total Pages | : 180 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781856694605 |
Contrary to assumptions that drawing is a gift that cannot be learned, this book demonstrates that it is a highly teachable skill. As well as instructing the student how to draw, the book also serves as a visual handbook for artists and designers who need to express ideas through drawing. Each chapter addresses a key topic in drawing method and theory in order to improve technique and understanding. Issues such as perspective and the manipulation of tones and marks to make 3-D forms are tackled in a simple and direct way, with a wealth of drawings by the great masters of the medium, in addition to diagrams and tables. Each section also offers ways for the student to put into practice the ideas and concepts discussed. These 'Ideas to Explore' range from practical exercises in drawing to the selection of drawing surfaces (such as paper) and subjects to discovering ways of thinking.
Author | : Richard Serra |
Publisher | : University of Chicago Press |
Total Pages | : 290 |
Release | : 1994-08-15 |
Genre | : Architecture |
ISBN | : 0226748804 |
One of the most important sculptors of this century, Richard Serra has been a spokesman on the nature and status of art in our day. Best known for site-specific works in steel, Serra has much to say about the relation of sculpture to place, whether urban, natural, or architectural, and about the nature of art itself, whether political, decorative, or personal. In interviews with writers including Douglas and Davis Sylvester, he discusses specific installations and offers insights into his approach to the problem each presents. Interviews by Peter Eisenman and Alan Colquhoun elicit Serra's thoughts on the relation of architecture to contemporary sculpture, a primary component in his own work. From essays like "Extended Notes from Sight Point Road" to Serra's extended commentary on the Tilted Arc fiasco, the pieces in this volume comprise a document of one artist's engagement with the practical, philosophical, and political problems of art.
Author | : James Lancel McElhinney |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9781402768484 |
Featuring the insights of 15 current and former Art Students League instructors, this stunning volume reassesses the art of drawing not as a technique, but as the essential grammar of all visual thinking. In an illuminating introductory essay, James Lancel McElhinney punctures the myth that learning to draw is something for experts only, and presents methods for making, appreciating, and teaching drawing. The 15 contributors then offer a broad range of stylistic approaches and methodologies, accompanied by examples of their own and their students' artwork. A final section of basic exercises, along with information on materials, techniques, and resources, completes this inspirational study.
Author | : Alex Fowkes |
Publisher | : Adams Media |
Total Pages | : 211 |
Release | : 2014-04 |
Genre | : Art |
ISBN | : 1592538983 |
An introduction to playful typography features projects and examples from seventy-two designers, focuses on four styles of typographic work, and includes sixteen specimen sheets with which to practice drawing typefaces.
Author | : Jodi Hauptman |
Publisher | : The Museum of Modern Art |
Total Pages | : 236 |
Release | : 2004 |
Genre | : Architecture |
ISBN | : 9780870706646 |
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
Author | : Lee Hammond |
Publisher | : North Light Books |
Total Pages | : 240 |
Release | : 2004-02-27 |
Genre | : Art |
ISBN | : 9781581804737 |
Master the Essentials of Realistic Drawings With Lee Hammond's Big Book of Drawing, your art will spring to life! From laughing children and frolicking tigers to fruit so vivid it makes your mouth water, you'll discover how to realistically draw your favorite subjects and how to draw them well! Learn to: Use easy-to-master graphing and shaping techniques to better portray your subject Replicate the effects of light through blending and shading Accurately render the personalities of people and animals Realistically draw flowers and natural elements by applying hard or soft edges Achieve a range of effects by using different brands of colored and graphite pencils Whether you're a beginner or a professional, with Lee Hammond's instruction you'll find the arsenal of tools you need to create stunning, real-life drawings that will captivate your audience.
Author | : Ed Emberley |
Publisher | : Little Brown |
Total Pages | : 52 |
Release | : 2001 |
Genre | : Drawing |
ISBN | : 0316233196 |
Shows ways to turn fingerprints into animals, birds, or people.
Author | : Sherrie McGraw |
Publisher | : |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Drawing |
ISBN | : 9780974707433 |
Author | : Eve Meltzer |
Publisher | : University of Chicago Press |
Total Pages | : 250 |
Release | : 2013-07-02 |
Genre | : Art |
ISBN | : 022600788X |
By the early 1960s, theorists like Lévi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, Systems We Have Loved shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century’s most transformative movements—one artistic, one expansively theoretical—and she reveals their shared dream—or nightmare—of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art’s embrace of the world as an information system, Systems We Have Loved breathes new life into the study of conceptual art.