Dramaturgia del bailarín
Author | : Patricia Cardona |
Publisher | : |
Total Pages | : 280 |
Release | : 2000 |
Genre | : Dance |
ISBN | : |
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Author | : Patricia Cardona |
Publisher | : |
Total Pages | : 280 |
Release | : 2000 |
Genre | : Dance |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2002 |
Genre | : |
ISBN | : 9789701890141 |
Author | : |
Publisher | : CENDEAC |
Total Pages | : 410 |
Release | : 2011 |
Genre | : Drama |
ISBN | : 8496898881 |
Podemos pensar que la dramaturgia ocupa un espacio intermedio entre los tres factores que componen el fenómeno escénico: el teatro, la actuación y el drama. Y podríamos entonces descubrir cómo en distintas épocas y en diferentes contextos, desde cada uno de esos lugares se ha sometido a crítica y transformación a los otros. La dramaturgia se constituye como un lugar de mediación. Al definir dramaturgia de esta manera podría parecer que estamos reinventando algo muy antiguo. Y en cierto modo así es. Pero las redefiniciones tienen también la función de abrir nuevos espacios para la acción y la reflexión sin por ello prescindir de una densa red de memorias y mediaciones. En la presente obra se recogen las diferentes propuestas que en torno a la dramaturgia hicieron artistas y teóricos de las artes escénicas durante el Seminario Internacional sobre Nuevas Dramaturgias celebrado en Murcia en noviembre de 2009.
Author | : |
Publisher | : |
Total Pages | : 172 |
Release | : 2014 |
Genre | : Choreographers |
ISBN | : |
Author | : Marilyn G. Miller |
Publisher | : Duke University Press |
Total Pages | : 293 |
Release | : 2014-02-07 |
Genre | : Performing Arts |
ISBN | : 0822377233 |
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
Author | : Steve Dixon |
Publisher | : MIT Press |
Total Pages | : 1027 |
Release | : 2007-02-23 |
Genre | : Performing Arts |
ISBN | : 0262303329 |
The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance—including what he calls postmodernism's denial of the new—and offers a series of boldly original arguments in their place.
Author | : Juan José Lahuerta |
Publisher | : |
Total Pages | : 422 |
Release | : 2010 |
Genre | : Art, European |
ISBN | : |
La muestra analiza, en el centenario de la fundación de la Residencia de Estudiantes, la relación entre estos dos creadores cuando ambos coincidieron en ella entre los años 1922 y 1929. Su objetivo es reconstruir la vinculación intelectual que se estableció entre ambos genios en el marco internacional de las vanguardias que ambos tomaban como horizonte cultural.
Author | : |
Publisher | : |
Total Pages | : 364 |
Release | : 1993 |
Genre | : Electronic journals |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 206 |
Release | : 2008 |
Genre | : Spanish American literature |
ISBN | : |