Documentary Television in Canada

Documentary Television in Canada
Author: David Hogarth
Publisher: McGill-Queen's Press - MQUP
Total Pages: 212
Release: 2002
Genre: Language Arts & Disciplines
ISBN: 9780773523883
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Since the inception of Canadian television in the early 1950s, documentary television, consistently a favourite among viewers, has been misunderstood and often maligned by its critics. More popular, and arguably more innovative, than its cinematic counterpart or than dramatic Canadian television, Canadian documentary television has decisively shaped the form and function of public service television in this country. David Hogarth traces its history back to its roots in radio in the 1930s and 1940s and examines the variety of forms of documentary television that developed in the decades that followed, focusing on newsmagazines, science programs, historical essays, docudramas, and verité investigations. He concludes with a discussion of the recent international success of documentary television as one of Canada's leading cultural exports, examining the effects of globalization and looking forward to the future of this genre. While principally an overview of the last half century and an analysis of current conditions, Documentary Television in Canada also includes detailed analysis of selected programs, such as the For the Record series on schizophrenia, "Warrendale" (by Allan King), "Images of Canada" (by Vincent Tovell), "The Valour and The Horror" episode, "Death by Moonlight" and "Shooting Indians" (by Ali Kazimi) among others.

Programming Reality

Programming Reality
Author: Zoë Druick
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 354
Release: 2008-08-01
Genre: Performing Arts
ISBN: 1554580846
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Programming Reality: Perspectives on English-Canadian Television, the first anthology dedicated to analyses of Canadian television content, is a collection of original, interdisciplinary articles, combining textual analysis and political economy of communications. It explores the television that has thrived in the Canadian regulatory and cultural context: namely, programs that straddle the border between reality and fiction or even blur it. The conceptual basis of this collection is the hybrid nature of television fare: the widely theorized notion that all mediations of reality involve fiction in the form of narrative or symbolic shaping. Each of the contributions here is a reminder, too, of the significant relationship of television to nation building in Canada—to the imaginative work involved in thinking through the relations that constitute nations, citizens, and communities. The collection focuses on English-language Canadian television because the imperatives guiding its texts are markedly different from those pertaining to their French-lanugage counterparts. The collection, therefore, develops a nuance of perspective on the cultural and political economic specificities that inform the imaginative work of television production for English Canada.

Trends in Television Viewing

Trends in Television Viewing
Author: David J. Crowley
Publisher:
Total Pages: 72
Release: 1988
Genre: Documentary television programs
ISBN:
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Rain, Drizzle, Fog

Rain, Drizzle, Fog
Author: Darrell Varga
Publisher: University of Calgary Press
Total Pages: 346
Release: 2009
Genre: Atlantic Provinces
ISBN: 1552382486
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Offers a scholarly study of film and television in Atlantic Canada. This book provides a historical overview of film and television in the region, as well as essays on specific topics such as popular TV (""The Trailer Park Boys""), early TV (""The Don Messer Show"") and the work of filmmakers such as Bill MacGillivray and Andrea Dorfman.

Canadian Documentary Television Series

Canadian Documentary Television Series
Author: Source Wikipedia
Publisher: University-Press.org
Total Pages: 62
Release: 2013-09
Genre:
ISBN: 9781230509259
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 60. Chapters: How Do They Do It?, Ice Pilots NWT, Ghostly Encounters, Land and Sea, Death or Canada, History Bites, Northern Mysteries, Courage in Red, Survivorman, Mayday, Canada: A People's History, The Aviators, Years of Hope and Anger, Enigma, Prisoners of Gravity, Tank Overhaul, The Naked Archaeologist, True Pulp Murder, Blueprint for Disaster, Fraud Squad TV, Zero Hour, Quest for the Bay, The Re-Inventors, Documentary '60, Weird TV, How It's Made, Adieu Alouette, Masterminds, Wrestling Reality, Vietnam: The Ten Thousand Day War, Creepy Canada, Licence to Drill, Beyond Invention, Here Come the Seventies, Legends of Hockey, West, The Sex Files, Mighty Ships, City Sonic, Pacificanada, In an Uncertain World, The Fabulous Sixties, Miracle Planet, Recreating Eden, History Makers, Who Do You Think You Are?, Pioneer Quest: A Year in the Real West, Contact, l'encyclopedie de la creation, Beyond Survival, The Fifth Estate, Webdreams, Conviction Kitchen, Canada 98, On the Spot, Comparisons, Canada's Story, La Vie qui bat, Final 24, Summer Close-Up, The Nature of Things, The Rawside Of..., The Red Fisher Show, Rock Camp, FANatical, Torrent, When Disaster Strikes, We're Funny That Way!, Target: The Impossible, The Week the Women Went, Man Alive, Audubon Wildlife Theatre, Girls of Latitude, Zoo Diaries, Breaking Point, The NewMusic, The Skinny Dip, The National Dream, Stuntdawgs, Doctor*Ology, The Afterlife with Suzane Northrop, Big Ideas, On the Road Again, How Far Will You Go?, The Canadian Experience, Connections, Bold Concert Series, Night Walk, KinK, Mr. Gay Canada, Telescope, Make or Break TV, Reality Obsessed, Champions of the Wild, Let's Shop, Sex Matters, Lorne Greene's New Wilderness, Life and Times, Heads Up!, To Serve and Protect, Hockey: A People's History, Gadgets and Gizmos, Canada: The Great Experiment, Nothing...

Canadian Content in the 21st Century in Film and Television Productions

Canadian Content in the 21st Century in Film and Television Productions
Author: Francois N. Macerola
Publisher: Canadian Museum of Civilization/Musee Canadien Des Civilisations
Total Pages: 250
Release: 2003
Genre: Performing Arts
ISBN:
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This report reviews the definition of Canadian content as it applies to film & television production and its relationship to public funding. After an introduction on the review and a summary of stakeholder comments, chapter 2 puts Canadian content into perspective with respect to how it is currently administered & defined, and what it represents in terms of production activity. It also analyzes in detail the degree to which the current definition, more specifically the ten-point creative system, responds to today's realities. It provides information on how some foreign countries promote & determine their national content, and highlights major weaknesses in the current Canadian content system. Chapter 3 proposes fundamental changes to the Canadian content policy infrastructure in three key area: how a Canadian-content production is defined, how Canadian content is administered overall, and how to encourage the greater use of Canadian creators. Chapter 4 examines two areas believed to be integral to the Canadian content system: international treaty co-production and theatrical distribution. Chapter 5 considers the particular challenges faced by Aboriginal & minority communities within the Canadian film & television sectors. Annexes include a list of recommendations, summaries of stakeholder input to the review, and results of a creative & technical cost analysis of various types of productions.

Canadian Television

Canadian Television
Author: Marian Bredin
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 238
Release: 2012-06-01
Genre: Performing Arts
ISBN: 1554583896
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Canadian Television: Text and Context explores the creation and circulation of entertainment television in Canada from the interdisciplinary perspective of television studies. Each chapter connects arguments about particular texts of Canadian television to critical analysis of the wider cultural, social, and economic contexts in which they are created. The book surveys the commercial and technological imperatives of the Canadian television industry, the shifting role of the CBC as Canada’s public broadcaster, the dynamics of Canada’s multicultural and multiracial audiences, and the function of television’s “star system.” Foreword by The Globe and Mail’s television critic, John Doyle.