Diversity in Disney Films

Diversity in Disney Films
Author: Johnson Cheu
Publisher: McFarland
Total Pages: 317
Release: 2013-01-24
Genre: Performing Arts
ISBN: 0786446013

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Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.

Diversity in Disney Films

Diversity in Disney Films
Author: Johnson Cheu
Publisher: McFarland
Total Pages: 317
Release: 2013-01-04
Genre: Performing Arts
ISBN: 1476600090

Download Diversity in Disney Films Book in PDF, Epub and Kindle

Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.

Mouse Morality

Mouse Morality
Author: Annalee R. Ward
Publisher: University of Texas Press
Total Pages: 204
Release: 2010-01-01
Genre: Performing Arts
ISBN: 0292773935

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2004 – Clifford G. Christians Ethics Research Award — The Carl Couch Center for Social and Internet Research Kids around the world love Disney animated films, and many of their parents trust the Disney corporation to provide wholesome, moral entertainment for their children. Yet frequent protests and even boycotts of Disney products and practices reveal a widespread unease with the sometimes mixed and inconsistent moral values espoused in Disney films as the company attempts to appeal to the largest possible audience. In this book, Annalee R. Ward uses a variety of analytical tools based in rhetorical criticism to examine the moral messages taught in five recent Disney animated films—The Lion King, Pocahontas, The Hunchback of Notre Dame, Hercules, and Mulan. Taking the films on their own terms, she uncovers the many mixed messages they purvey: for example, females can be leaders—but male leadership ought to be the norm; stereotyping is wrong—but black means evil; historical truth is valued—but only tell what one can sell, etc. Adding these messages together, Ward raises important questions about the moral ambiguity of Disney's overall worldview and demonstrates the need for parents to be discerning in letting their children learn moral values and life lessons from Disney films.

The Psychosocial Implications of Disney Movies

The Psychosocial Implications of Disney Movies
Author: Lauren Dundes
Publisher: MDPI
Total Pages: 246
Release: 2019-07-11
Genre: Philosophy
ISBN: 3038978485

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In this volume of 15 articles, contributors from a wide range of disciplines present their analyses of Disney movies and Disney music, which are mainstays of popular culture. The power of the Disney brand has heightened the need for academics to question whether Disney’s films and music function as a tool of the Western elite that shapes the views of those less empowered. Given its global reach, how the Walt Disney Company handles the role of race, gender, and sexuality in social structural inequality merits serious reflection according to a number of the articles in the volume. On the other hand, other authors argue that Disney productions can help individuals cope with difficult situations or embrace progressive thinking. The different approaches to the assessment of Disney films as cultural artifacts also vary according to the theoretical perspectives guiding the interpretation of both overt and latent symbolic meaning in the movies. The authors of the 15 articles encourage readers to engage with the material, showcasing a variety of views about the good, the bad, and the best way forward.

The World Behind Disney Films

The World Behind Disney Films
Author: Karlina Jones
Publisher:
Total Pages: 0
Release: 2022
Genre: Children's films
ISBN:

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This thesis explores the history of Disney films, analyzing diversity and racism concerns in the media giant's children's and family films for nearly 100 years and researching how the company is making changes to overcome its negative image in this specific regard. This body of research also reviews The Walt Disney Company's evolving leadership, with a particular focus on the many initiatives that have worked, as well as those that have not proven successful, for the company. As the researcher details Disney's evolution of leadership, patterns emerge, showing how quickly things shifted in the 1990s and how diversity in Disney's films and characters have developed and become more common in the last decade. There are also comments about numerous Disney films that have impacted audiences, from strong negative feelings surrounding Fantasia to those who see The Little Mermaid as Disney's saving grace. The research also points out what was wrong in beloved films like Aladdin and the Lion King and how these movies were remade into more culturally appropriate stories through the drive and opinions of fans. This research reveals a great many things survey subjects did not notice when growing up watching Disney films. This study identifies those before unnoticed scenes, racial gestures, and voice-over nuances while providing the reader and industry professionals information which will help shape best practices for future filmmakers, especially in the children's and family film industry.

The Disney Middle Ages

The Disney Middle Ages
Author: T. Pugh
Publisher: Springer
Total Pages: 473
Release: 2012-12-10
Genre: Performing Arts
ISBN: 113706692X

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For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.

The same old story? The portrayal of gender and ethnicity/race in Disney movies and the possible (re-) production of stereotypes over the course of the past 75 years

The same old story? The portrayal of gender and ethnicity/race in Disney movies and the possible (re-) production of stereotypes over the course of the past 75 years
Author: Eva-Maria Krapfenbauer
Publisher: GRIN Verlag
Total Pages: 104
Release: 2014-12-15
Genre: Social Science
ISBN: 3656859078

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Bachelor Thesis from the year 2013 in the subject Gender Studies, grade: 1,0, Vienna University of Economics and Business (Gender- und Diversitätmanagement), language: English, abstract: The following Bachelor’s thesis deals with the (re-)production of gender-related and ethnic stereotypes in animated movies part of the Disney Princess franchise. The introduction to the topic is followed by an overview of the theory, which includes the concepts of diversity, gender, and ethnicity as well as an introduction into stereotypes. The literature review will on the one hand present the Disney corporation and on the other hand give insight into the topics of television in general and children’s television in particular. It also outlines the hitherto findings pertaining to the scientific field of “Disney, gender and ethnicity”. The next chapters contain an introduction to the Critical Discourse Analysis and the methodology, which is followed by the empirical part consisting of the analysis and discussion of the movies. The thesis is completed by the conclusion, which brings together the findings as well as putting them in relation to the rest of the thesis.

Multiculturalism and the Mouse

Multiculturalism and the Mouse
Author: Douglas Brode
Publisher: University of Texas Press
Total Pages: 313
Release: 2009-01-27
Genre: Performing Arts
ISBN: 0292783302

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In his latest iconoclastic work, Douglas Brode—the only academic author/scholar who dares to defend Disney entertainment—argues that "Uncle Walt's" output of films, television shows, theme parks, and spin-off items promoted diversity decades before such a concept gained popular currency in the 1990s. Fully understood, It's a Small World—one of the most popular attractions at the Disney theme parks—encapsulates Disney's prophetic vision of an appealingly varied world, each race respecting the uniqueness of all the others while simultaneously celebrating a common human core. In this pioneering volume, Brode makes a compelling case that Disney's consistently positive presentation of "difference"—whether it be race, gender, sexual orientation, ideology, or spirituality—provided the key paradigm for an eventual emergence of multiculturalism in our society. Using examples from dozens of films and TV programs, Brode demonstrates that Disney entertainment has consistently portrayed Native Americans, African Americans, women, gays, individual acceptance of one's sexual orientation, and alternatives to Judeo-Christian religious values in a highly positive light. Assuming a contrarian stance, Brode refutes the overwhelming body of "serious" criticism that dismisses Disney entertainment as racist and sexist. Instead, he reveals through close textual analysis how Disney introduced audiences to such politically correct principles as mainstream feminism. In so doing, Brode challenges the popular perception of Disney fare as a bland diet of programming that people around the world either uncritically deem acceptable for their children or angrily revile as reactionary pabulum for the masses. Providing a long overdue and thoroughly detailed alternative, Brode makes a highly convincing argument that with an unwavering commitment to racial diversity and sexual difference, coupled with a vast global popularity, Disney entertainment enabled those successive generations of impressionable youth who experienced it to create today's aura of multiculturalism and our politically correct value system.

Animating Difference

Animating Difference
Author: C. Richard King
Publisher: Rowman & Littlefield
Total Pages: 205
Release: 2010
Genre: Performing Arts
ISBN: 0742560813

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Animating Difference studies the way race, ethnicity, sexuality, and gender are portrayed in recent animated films from 1990 through the present. Ranging from Aladdin to Toy Story to Up, these popular films are key media through which children (and adults) learn about the world and how to behave. While racial and gender stereotypes may not be as obvious as they may have been in films of decades past, they often continue to convey troubling messages and stereotypes in subtle and surprising ways.

Deconstructing Disney

Deconstructing Disney
Author: Eleanor Byrne
Publisher: Pluto Press (UK)
Total Pages: 232
Release: 1999-10-20
Genre: Literary Criticism
ISBN:

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''... brilliantly original ... brings cultural and post-colonial theory to bear on a wide range of authors with great skill and sensitivity.' Terry Eagleton