Discographies of British Composers: Edmund Rubbra
Author | : |
Publisher | : |
Total Pages | : 26 |
Release | : 1981 |
Genre | : Composers |
ISBN | : |
Download Discographies of British Composers: Edmund Rubbra Book in PDF, Epub and Kindle
Download Discographies Of British Composers Edmund Rubbra full books in PDF, epub, and Kindle. Read online free Discographies Of British Composers Edmund Rubbra ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : |
Publisher | : |
Total Pages | : 26 |
Release | : 1981 |
Genre | : Composers |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 17 |
Release | : 1981 |
Genre | : Composers |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 28 |
Release | : 1981 |
Genre | : Composers |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 4 |
Release | : 1980 |
Genre | : Composers |
ISBN | : |
Author | : Alan J. Poulton |
Publisher | : Greenwood |
Total Pages | : 624 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : |
This catalog of works, organized alphabetically by composer, details the compositions of fifty-four modern British composers born between 1893 and 1923. Volume three covers composers from Elizabeth Maconchy to David Wynne. Compositions are listed chronologically and include pertinent information about the performance, year of composition, music history, first recordings, and original manuscript location. Concert music is listed separately from documentary and feature films and from music composed for radio, television or stage. As a tool for further research, this catalog will appeal to soloists, chamber musicians and orchestral players as well as to scholars of classical music. A selective bibliography is included for each composer. Each volume includes a title index organized by composer.
Author | : |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : |
Steven G. Estrella offers information about the works of the English composer Edmund Rubbra (1901-1986). The information is provided as part of Dr. Estrella's Incredibly Abridged Dictionary of Composers. Rubbra composed cello sonatas, vocal music, and chamber pieces. A bibliography on Rubbra is available. Links to other related Web sites are offered.
Author | : Andrew Palmer |
Publisher | : Boydell & Brewer |
Total Pages | : 529 |
Release | : 2015 |
Genre | : Music |
ISBN | : 1783270705 |
Contemporary British composers talk about their music, with the emphasis on the aesthetic sensibilities and psychological processes behind composing rather than technique. This book features interviews with leading and upcoming British composers who use the same raw materials but produce classical music that takes very different forms. Uniquely, Andrew Palmer approaches the sometimes baffling worldof contemporary music from the point of view of the inquisitive, music-loving amateur rather than the professional critic or musicologist. Readers can eavesdrop on conversations in which composers are asked a number of questionsabout their professional lives and practices, with the emphasis on the aesthetic sensibilities and psychological processes behind composing rather than technique. Throughout, the book seeks to explore why composers write the kindof music they write, and what they want their music to do. Along the way, readers are confronted with an unspoken but equally important question: if some composers are writing music that the public doesn't want to engage with, who's to blame for that? Are composers out of touch with their public, or are we too lazy to give their music the attention it deserves? ANDREW PALMER is a freelance writer and photographer. He is editor of Composing in Words: William Alwyn on His Art (Toccata Press, 2009), author of Divas... In Their Own Words (Vernon Press, 2000) and co-author of A Voice Reborn (Arcadia Books, 1999). Since 1998 he has been a corresponding editor of Strings magazine (USA). Interviewees include: Julian Anderson, Simon Bainbridge, Sally Beamish, George Benjamin, Michael Berkeley, Judith Bingham, Harrison Birtwistle, Howard Blake, Gavin Bryars, Diana Burrell, Tom Coult, Gordon Crosse, Jonathan Dove, David Dubery, Michael Finnissy, Cheryl Frances-Hoad, Alexander Goehr, Howard Goodall, Christopher Gunning, Morgan Hayes, Robin Holloway, Oliver Knussen, James MacMillan, Colin Matthews, David Matthews, Peter Maxwell Davies, John McCabe, Thea Musgrave, Roxanna Panufnik, Anthony Payne, Elis Pehkonen, Joseph Phibbs, Gabriel Prokofiev, John Rutter, Robert Saxton, John Tavener, Judith Weir, Debbie Wiseman, Christopher Wright
Author | : |
Publisher | : |
Total Pages | : 424 |
Release | : 1983 |
Genre | : Sound recordings |
ISBN | : |
Author | : Chris Woodstra |
Publisher | : Hal Leonard Corporation |
Total Pages | : 1620 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9780879308650 |
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author | : William Wallace McMullen |
Publisher | : Pendragon Press |
Total Pages | : 280 |
Release | : 1994 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780918728784 |
New York Times critic Harold Schonberg once commented that solo concerti for the English horn are as rare as fish with fur. Indeed, the common impression is that works composed specifically for the instrument are few and far between . However, William McMullen's thematic catalogue admirably refutes this notion, with 200 works that are originally written for a soloistic English horn; works that allow the player an opportunity to illustrate the instrument's unique expressive qualities in a solo setting. Each entry in the catalogue is divided into two main parts - one dealing with information about the composer, and the other supplying details about the work (instrumentation; date and place of composition/publication; numbers, titles and timings of movements; first performance dates; comments from the composer; and a description of any unusual technical demands upon the soloist). Thematic incipits are also included.