Dialogue entre le café de François et le café de la veuve
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Total Pages | : 8 |
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Author | : Library of Congress |
Publisher | : |
Total Pages | : 710 |
Release | : 1971 |
Genre | : Catalogs, Union |
ISBN | : |
Author | : Ibrahim Akel |
Publisher | : Studies on Performing Arts & L |
Total Pages | : 343 |
Release | : 2020 |
Genre | : Art |
ISBN | : 9789004428959 |
The Thousand and One Nightsdoes not fall into a scholarly canon or into the category of popular literature. It takes its place within a middle literature that circulated widely in medieval times. The Nightsgradually entered world literature through the great novels of the day and through music, cinema and other art forms. Material inspired by the Nightshas continued to emerge from many different countries, periods, disciplines and languages, and the scope of the Nightshas continued to widen, making the collection a universal work from every point of view. The essays in this volume scrutinize the expanse of sources for this monumental work of Arabic literature and follow the trajectory of the Nights' texts, the creative, scholarly commentaries, artistic encounters and relations to science.Contributors: Ibrahim Akel, Rasoul Aliakbari, Daniel Behar, Aboubakr Chraïbi, Anne E. Duggan, William Granara, Rafika Hammoudi, Dominique Jullien, Abdelfattah Kilito, Magdalena Kubarek, Michael James Lundell, Ulrich Marzolph, Adam Mestyan, Eyüp Özveren, Marina Paino, Daniela Potenza, Arafat Abdur Razzaque, Ahmed Saidy, Johannes Thomann and Ilaria Vitali.
Author | : Thomas Cragin |
Publisher | : Bucknell University Press |
Total Pages | : 282 |
Release | : 2006 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780838755792 |
"In Murder in Parisian Streets Thomas Cragin provides an in-depth study of the production, sale, and content of the canards. He demonstrates their significance to nineteenth-century culture, even their role in determining the emerging tabloid's success. Cragin explores the incremental creation of textual meaning in the canards' authorship, production, distribution, and consumption. He exposes the power of oral traditions as well as modern marketing at work upon this popular news literature. The canards challenge our assumptions about the nineteenth century's revolution in print and reorient our understanding of cultural creation through textual construction."--Jacket.
Author | : Nicolás Bas Martín |
Publisher | : BRILL |
Total Pages | : 375 |
Release | : 2018-02-12 |
Genre | : Language Arts & Disciplines |
ISBN | : 9004359524 |
In Spanish Books in the Europe of the Enlightenment (Paris and London) Nicolás Bas examines the image of Spain in eighteenth-century Europe, and in Paris and London in particular. His material has been scoured from an exhaustive interrogation of the records of the book trade. He refers to booksellers’ catalogues, private collections, auctions, and other sources of information in order to reconstruct the country’s cultural image. Rarely have these sources been searched for Spanish books, and never have they been as exhaustively exploited as they are in Bas’ book. Both England and France were conversant with some very negative ideas about Spain. The Black Legend, dating back to the sixteenth century, condemned Spain as repressive and priest-ridden. Bas shows however, that an alternative, more sympathetic, vision ran parallel with these negative views. His bibliographical approach brings to light the Spanish books that were bought, sold and ultimately read. The impression thus obtained is likely to help us understand not only Spain’s past, but also something of its present.
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Publisher | : BRILL |
Total Pages | : 572 |
Release | : 2019-10-29 |
Genre | : Literary Criticism |
ISBN | : 900441035X |
This commemorative volume offers a retrospective of the discipline as mirrored in the series Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft since its founding in 1993. Leading scholars examine issues of world literature, the history of ideas, gender studies, aesthetics and literary translation.
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 1230 |
Release | : 1967 |
Genre | : English imprints |
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Author | : baron de Lahontan |
Publisher | : Chicago : A.C. McClurg |
Total Pages | : 544 |
Release | : 1905 |
Genre | : Algonquian languages |
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Author | : Karen MacNeil |
Publisher | : Workman Publishing Company |
Total Pages | : 2408 |
Release | : 2015-10-13 |
Genre | : Cooking |
ISBN | : 0761187154 |
No one can describe a wine like Karen MacNeil. Comprehensive, entertaining, authoritative, and endlessly interesting, The Wine Bible is a lively course from an expert teacher, grounding the reader deeply in the fundamentals—vine-yards and varietals, climate and terroir, the nine attributes of a wine’s greatness—while layering on tips, informative asides, anecdotes, definitions, photographs, maps, labels, and recommended bottles. Discover how to taste with focus and build a wine-tasting memory. The reason behind Champagne’s bubbles. Italy, the place the ancient Greeks called the land of wine. An oak barrel’s effect on flavor. Sherry, the world’s most misunderstood and underappreciated wine. How to match wine with food—and mood. Plus everything else you need to know to buy, store, serve, and enjoy the world’s most captivating beverage.
Author | : Rakhee Balaram |
Publisher | : Manchester University Press |
Total Pages | : 433 |
Release | : 2022-03-08 |
Genre | : Art |
ISBN | : 1526125188 |
Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.