Detecting Chinese Modernities

Detecting Chinese Modernities
Author: Yan Wei
Publisher: BRILL
Total Pages: 291
Release: 2020-05-18
Genre: Literary Criticism
ISBN: 9004431284

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In Detecting Chinese Modernities: Rupture and Continuity in Modern Chinese Detective Fiction (1896–1949), Yan Wei historicizes the two stages in the development of Chinese detective fiction and discusses the rupture and continuity in the cultural transactions, mediation, and appropriation that occurred when the genre of detective fiction traveled to China during the first half of the twentieth century. Wei identifies two divergent, or even opposite strategies for appropriating Western detective fiction during the late Qing and the Republican periods. She further argues that these two periods in the domestication of detective fiction were also connected by shared emotions. Both periods expressed ambivalent and sometimes contradictory views regarding Chinese tradition and Western modernity.

Detecting Chinese Modernities

Detecting Chinese Modernities
Author: Yan Wei
Publisher: Sinica Leidensia
Total Pages: 292
Release: 2020
Genre: Literary Criticism
ISBN: 9789004431270

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"In Detecting Chinese Modernities: Rupture and Continuity in Modern Chinese Detective Fiction (1896-1949), Yan Wei historicizes the two stages in the development of Chinese detective fiction and discusses the rupture and continuity in the cultural transactions, mediation, and appropriation that occurred when the genre of detective fiction traveled to China during the first half of the twentieth century. Wei identifies two divergent, or even opposite strategies for appropriating Western detective fiction during the late Qing and the Republican periods. She further argues that these two periods in the domestication of detective fiction were also connected by shared emotions. Both periods expressed ambivalent and sometimes contradictory views regarding Chinese tradition and Western modernity"--

The Naked Gaze

The Naked Gaze
Author: Carlos Rojas
Publisher: BRILL
Total Pages: 357
Release: 2020-03-17
Genre: Literary Criticism
ISBN: 1684174813

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This is a study of visuality in early modern and modern China. Its focus, however, is not so much on imagery per se but rather on how vision itself has been conceived, imagined, and deployed in a variety of discursive contexts. Of particular interest is how these discourses of vision have been used to articulate issues of gender and desire, and specifically processes of gendered subject formation. Through detailed readings of narrative works by eight authors of the nineteenth and twentieth centuries—ranging from the canonical to the popular to the esoteric—the study identifies three distinct constellations of visual concerns corresponding to the late imperial, mid-twentieth century, and contemporary periods, respectively. At the same time, however, it argues that those historical periodizations themselves do not reflect a smooth, unidirectional temporal movement; rather, they are the result of a complex process of retrospection and anticipatory projection. The goal of this volume is to use a focus on tropes of visuality and gender to reflect on shifting understandings of the significance of Chineseness, modernity, and Chinese modernity.

Embodied Modernities

Embodied Modernities
Author: Fran Martin
Publisher: University of Hawaii Press
Total Pages: 301
Release: 2006-07-31
Genre: Literary Criticism
ISBN: 0824862325

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From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. By facilitating fresh dialogue between fields as diverse as the history of science, literary studies, diaspora studies, cultural anthropology, and contemporary Chinese film and cultural studies, Embodied Modernities addresses contemporary Chinese embodiments as they are represented textually and as part of everyday life practices. The book is divided into two sections, each with a dedicated introduction by the editors. The first examines "Thresholds of Modernity" in chapters on Chinese body cultures in the late nineteenth and early twentieth centuries—a period of intensive cultural, political, and social modernization that led to a series of radical transformations in how bodies were understood and represented.The second section on "Contemporary Embodiments" explores body representations across the People’s Republic of China,Taiwan, and Hong Kong today. Contributors: Chris Berry, Louise Edwards, Maram Epstein, Larissa Heinrich, Olivia Khoo, Fran Martin, Jami Proctor-Xu, Tze-lan D. Sang, Teri Silvio, Mark Stevenson, Cuncun Wu, Angela Zito, John Zou.

Becoming Chinese

Becoming Chinese
Author: Wen-hsin Yeh
Publisher: Univ of California Press
Total Pages: 451
Release: 2023-11-10
Genre: History
ISBN: 052092441X

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This volume evaluates the dual roles of war and modernity in the transformation of twentieth-century Chinese identity. The contributors, all leading researchers, argue that war, no less than revolution, deserves attention as a major force in the making of twentieth-century Chinese history. Further, they show that modernity in material culture and changes in intellectual consciousness should serve as twin foci of a new wave of scholarly analysis. Examining in particular the rise of modern Chinese cities and the making of the Chinese nation-state, the contributors to this interdisciplinary volume of cultural history provide new ways of thinking about China's modern transformation up to the 1950s. Taken together, the essays demonstrate that the combined effect of a modernizing state and an industrializing economy weakened the Chinese bourgeoisie and undercut the individual's quest for autonomy. Drawing upon new archival sources, these theoretically informed, thoroughly revisionist essays focus on topics such as Western-inspired modernity, urban cosmopolitanism, consumer culture, gender relationships, interchanges between city and countryside, and the growing impact of the state on the lives of individuals. The volume makes an important contribution toward a postsocialist understanding of twentieth-century China.

The Bloomsbury Handbook of Modern Chinese Literature in Translation

The Bloomsbury Handbook of Modern Chinese Literature in Translation
Author: Cosima Bruno
Publisher: Bloomsbury Publishing
Total Pages: 473
Release: 2023-10-19
Genre: Literary Criticism
ISBN: 1350215317

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Offering the first systematic overview of modern and contemporary Chinese literature from a translation studies perspective, this handbook provides students, researchers and teachers with a context in which to read and appreciate the effects of linguistic and cultural transfer in Chinese literary works. Translation matters. It always has, of course, but more so when we want to reap the benefits of intercultural communication. In many universities Chinese literature in English translation is taught as if it had been written in English. As a result, students submit what they read to their own cultural expectations; they do not read in translation and do not attend to the protocols of knowing, engagements and contestations that bind literature and society to each other. The Bloomsbury Handbook of Modern Chinese Literature in Translation squarely addresses this pedagogical lack. Organised in a tripartite structure around considerations of textual, social, and large-scale spatial and historical circumstances, its thirty plus essays each deal with a theme of translation studies, as emerged from the translation of one or more Chinese literary works. In doing so, it offers new tools for reading and appreciating modern and contemporary Chinese literature in the global context of its translation, offering in-depth studies about eminent Chinese authors and their literary masterpieces in translation. The first of its kind, this book is essential reading for anyone studying or researching Chinese literature in translation.

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art
Author: Minglu Gao
Publisher: MIT Press
Total Pages: 422
Release: 2011-04-29
Genre: Art
ISBN: 0262294710

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A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.

Manhua Modernity

Manhua Modernity
Author: John A. Crespi
Publisher: University of California Press
Total Pages: 218
Release: 2020-12-25
Genre: Performing Arts
ISBN: 0520309103

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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.

Beyond Tradition and Modernity

Beyond Tradition and Modernity
Author: Grace Fong
Publisher: BRILL
Total Pages: 181
Release: 2004-02-01
Genre: History
ISBN: 9047412966

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Beyond Tradition and Modernity is a collection of original essays which considers the complexities behind the dramatic changes generated in China during the last decades of the nineteenth and the first decades of the twentieth century. As men and women literally-or metaphorically- crossed into new geographical worlds, they came to express their understanding of the expanding universe in a variety of ways which cannot be neatly labeled either traditional or modern. The contributors to this volume demonstrate how the creativity of these writers marked a new moment in historical and literary practices transcending this usual binary and simple teleology. Their essays expose how the ethnographic, literary, and educational projects of these men and women gave voice to new ideals and ideas that reflect the changing boundaries of gender at this time.

The History and Logic of Modern Chinese Politics

The History and Logic of Modern Chinese Politics
Author: Mingsheng Wang
Publisher: Springer Nature
Total Pages: 414
Release: 2021-08-24
Genre: History
ISBN: 9811637164

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This book explores the history and development of modern Chinese politics. Written by Dr. Mingsheng Wang, a renowned Chinese political scientist, it presents a truly groundbreaking and thought-provoking study of the sociopolitical forces behind China’s gradual emergence as a new global power in the 20th century and its rapid rise as the world’s second-largest economy over the past 40 years. The author’s argument, illuminated by comparative theoretical analyses based on meticulously detailed empirical research, functions as a lens through which readers can better understand China’s remarkable accomplishments as well as consider broader issues that have perplexed many: Is there a China Path to sociopolitical progress? What is “socialism with Chinese characteristics”? Can China redefine its niche and maintain its growing momentum in an increasingly multilateral world? And finally, what lessons can we draw from China’s continuing progress in the post-COVID era? As the author argues eloquently and with persuasive evidence, China’s ongoing progress has followed neither the mode of Russian-style socialism nor that of Western prototypical capitalism. Rather, it represents a distinctively different model of progress and a continuous search for a viable alternative route to modernity that is permeated with Chinese realities. By identifying an alternative system described as the “China Path,” the author demonstrates convincingly that there exist ample options for different types of modernity and that economic growth means not only industrialization, but also the development of political democratization and the realization of the rule of law. In this sense, this book significantly enriches our understanding of modern China. The 33 carefully selected essays in the anthology provide a much-needed opportunity for scholars, policy makers and all interested readers to obtain an insider’s view of the history and prospect of China’s political development.