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| Author | : Bob Bossin |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Bookmakers (Gambling) |
| ISBN | : 9780889843691 |
"In Davy the punk, Bossin tells the story of his father's life in the gambling underworld of the 1930 and '40s. This poignant memoir of father and son is packed with street-wise stories and troubling revelations about Canada as it was in the first half of the twentieth century"--P. [4] of cover.
| Author | : Bob Bossin |
| Publisher | : |
| Total Pages | : |
| Release | : 2022-04-29 |
| Genre | : |
| ISBN | : 9781947521841 |
In Davy the Punk, Bob Bossin tells the story of his father's life in the gambling underworld of the 1930s and '40s. This sometimes poignant, sometimes outrageous memoir of father and son is packed with streetwise stories and troubling revelations about Canada and the United States as they were in the first half of the twentieth century. In the 1930s, Davy Bossin was known in the underworld as "Davy the Punk." He was the "bookies' bookie," a layoff man who connected Toronto to the betting rackets in New York, Chicago, Detroit, and elsewhere. Davy's colleagues and friends were some of the top outlaws in America. A consummate storyteller, Davy often regaled his pals with tales of horse-racing, the mob, and the equally gritty underside of show business. Eagerly taking it all in was his son Bobby, who would grow up to become indie-music pioneer Bob Bossin. By turns funny, insightful, and moving, Davy the Punk is the story of horse racing, the Great Migration, antisemitism, baseball, gambling, show biz, and most of all, fathers and sons.
| Author | : Bob Bossin |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022-08-22 |
| Genre | : |
| ISBN | : 9781947521957 |
In Davy the Punk, Bob Bossin tells the story of his father's life in the gambling underworld of the 1930s and '40s. This sometimes poignant, sometimes outrageous memoir of father and son is packed with streetwise stories and troubling revelations about Canada and the United States as they were in the first half of the twentieth century. In the 1930s, Davy Bossin was known in the underworld as "Davy the Punk." He was the "bookies' bookie," a layoff man who connected Toronto to the betting rackets in New York, Chicago, Detroit, and elsewhere. Davy's colleagues and friends were some of the top outlaws in America. A consummate storyteller, Davy often regaled his pals with tales of horse-racing, the mob, and the equally gritty underside of show business. Eagerly taking it all in was his son Bobby, who would grow up to become indie-music pioneer Bob Bossin. By turns funny, insightful, and moving, Davy the Punk is the story of horse racing, the Great Migration, antisemitism, baseball, gambling, show biz, and most of all, fathers and sons.
| Author | : David Wilkinson |
| Publisher | : Springer |
| Total Pages | : 238 |
| Release | : 2016-08-31 |
| Genre | : History |
| ISBN | : 1137497807 |
As the Sex Pistols were breaking up, Britain was entering a new era. Punk’s filth and fury had burned brightly and briefly; soon a new underground offered a more sustained and constructive challenge. As future-focused, independently released singles appeared in the wake of the Sex Pistols, there were high hopes in magazines like NME and the DIY fanzine media spawned by punk. Post-Punk, Politics and Pleasure in Britain explores how post-punk’s politics developed into the 1980s. Illustrating that the movement’s monochrome gloom was illuminated by residual flickers of countercultural utopianism, it situates post-punk in the ideological crossfire of a key political struggle of the era: a battle over pleasure and freedom between emerging Thatcherism and libertarian, feminist and countercultural movements dating back to the post-war New Left. Case studies on bands including Gang of Four, The Fall and the Slits and labels like Rough Trade move sensitively between close reading, historical context and analysis of who made post-punk and how it was produced and mediated. The book examines, too, how the struggles of post-punk resonate down to the present.
| Author | : David Byrne |
| Publisher | : Crown |
| Total Pages | : 386 |
| Release | : 2017-05-02 |
| Genre | : Music |
| ISBN | : 0804188947 |
NEW YORK TIMES BESTSELLER • David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social, or technological—now updated with a new chapter on digital curation. “How Music Works is a buoyant hybrid of social history, anthropological survey, autobiography, personal philosophy, and business manual”—The Boston Globe Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, David Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers thrilling realizations about the redemptive liberation that music brings us all.
| Author | : David J. Haskins |
| Publisher | : Jawbone Press |
| Total Pages | : 0 |
| Release | : 2017-12-12 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781911036104 |
‘Heroic and absurd, scurrilous and profound, Who Killed Mister Moonlight? charts the descent of four intelligent young men with faces like ruby-eyed dime-store skull rings into a glittering and very modern maelstrom. Fast, compelling, and disarmingly honest, this is an invaluable account of a strange and spectral cultural twilight era that we shall almost certainly never see again. Highly recommended.’ - Alan Moore Beginning with the creation of Bauhaus’s seminal debut hit Bela Lugosi’s Dead, David J. Haskins offers a no-holds-barred account of his band’s rapid rise to fame and glory in the late '70s, their sudden dissolution in the '80s, and their subsequent - and often strained - reunions. In between, he explores his work as a solo performer, and with acclaimed trio Love And Rockets - culminating in the devastating fire that ripped through the sessions for their 1996 album Sweet F.A. He also delves deep into his exploration of the occult, drawing together a diverse cast of supporting characters, including William S. Burroughs, Alan Moore, Genesis P-Orridge, and Rick Rubin. Bristling with power and passion, music and magick, Who Killed Mister Moonlight? is a rock’n’roll memoir like no other. This revised and updated edition adds an extensive Bauhaus timeline, plus a selection of rare photographs not included in the original book.
| Author | : Christopher Sandford |
| Publisher | : Da Capo Press |
| Total Pages | : 418 |
| Release | : 2009-08-05 |
| Genre | : Social Science |
| ISBN | : 0786750960 |
Based on interviews with family members, colleagues, lovers, and the previously silent William Burroughs, this unsparing yet evenhanded biography guides the reader through the many personas, crises, and musical metamorphoses of David Bowie—also known as Davy Jones, the Laughing Gnome, Major Tom, Ziggy Stardust, Aladdin Sane, the Thin White Duke, a drug-addled grandfather of punk, actor, art aficionado, political activist, one of rock's most resonant icons, and a totem of modern pop culture. Nowhere else is the man and musician so convincingly deconstructed and so compellingly humanized.
| Author | : Tony Rettman |
| Publisher | : Bazillion Points LLC |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Music |
| ISBN | : 9781935950127 |
With a foreword by Freddy Cricien of Madball, who made his stage debut with Agnostic Front at age 7, NYHC slams the pavement with savage tales of larger-than-life characters and unlikely feats of willpower. The gripping and sometimes hilarious narrative is woven together like the fabric of New York itself from over 100 original interviews with members of the key bands of the era of New York Hardcore.
| Author | : Kevin Prested |
| Publisher | : Microcosm Publishing |
| Total Pages | : 193 |
| Release | : 2014-11-28 |
| Genre | : Music |
| ISBN | : 1621069206 |
Through hundreds of exclusive and original interviews, Punk USA documents an empire that was built overnight as Lookout sold millions of records and rode the wave of the second coming of punk rock until it all came crashing down. In 1987, Lawrence Livermore founded independent punk label Lookout Records to release records by his band The Lookouts. Forming a partnership with David Hayes, the label released some of the most influential recordings from California’s East Bay punk scene, including a then-teenaged Green Day. Originally operating out of a bedroom, Lookout created "The East Bay Punk sound,” with bands such as Crimpshrine, Operation Ivy, The Mr. T Experience, and many more. The label helped to pave the way for future punk upstarts and as Lookout grew, young punk entrepreneurs used the label as a blueprint to try their hand at record pressing. As punk broke nationally in the mid 90s the label went from indie outfit to having more money than it knew how to manage.
| Author | : Steven Lee Beeber |
| Publisher | : Chicago Review Press |
| Total Pages | : 288 |
| Release | : 2007-04-01 |
| Genre | : Social Science |
| ISBN | : 1569762287 |
Based in part on the recent interviews with more than 125 people —among them Tommy Ramone, Chris Stein (Blondie), Lenny Kaye (Patti Smith Group), Hilly Kristal (CBGBs owner), and John Zorn—this book focuses on punk's beginnings in New York City to show that punk was the most Jewish of rock movements, in both makeup and attitude. As it originated in Manhattan's Lower East Side in the early 1970s, punk rock was the apotheosis of a Jewish cultural tradition that found its ultimate expression in the generation born after the Holocaust. Beginning with Lenny Bruce, &“the patron saint of punk,&” and following pre-punk progenitors such as Lou Reed, Jonathan Richman, Suicide, and the Dictators, this fascinating mixture of biography, cultural studies, and musical analysis delves into the lives of these and other Jewish punks—including Richard Hell and Joey Ramone—to create a fascinating historical overview of the scene. Reflecting the irony, romanticism, and, above all, the humor of the Jewish experience, this tale of changing Jewish identity in America reveals the conscious and unconscious forces that drove New York Jewish rockers to reinvent themselves—and popular music.
