Dante's Comedy: Introductory Readings of Selected Cantos

Dante's Comedy: Introductory Readings of Selected Cantos
Author: Uberto Limentani
Publisher: Cambridge University Press
Total Pages: 178
Release: 2011-04-14
Genre: Literary Criticism
ISBN: 9780521155069

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Professor Limentani offers a well-informed commentary on the individual Cantos of The Divine Comedy. He offers a scrupulous exposition of each of the ten Cantos, ironing out linguistic difficulties. The volume is genuinely introductory and could be profitably read by all non-specialists approaching Dante's poem for the first time.

Dante's Comedy

Dante's Comedy
Author: Dante Alighieri
Publisher:
Total Pages: 164
Release: 1985
Genre:
ISBN:

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Vertical Readings in Dante's Comedy

Vertical Readings in Dante's Comedy
Author: George Corbett
Publisher: Open Book Publishers
Total Pages: 290
Release: 2015-09-01
Genre: Literary Criticism
ISBN: 1783741724

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Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.

Dante's Divine Comedy

Dante's Divine Comedy
Author: K. P. Clarke
Publisher: Cambridge University Press
Total Pages: 305
Release: 2024-06-30
Genre: Literary Criticism
ISBN: 1009400819

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Vividly illustrates the originality and energy of the Divine Comedy, for readers old and new, through Dante's singular language.

Inferno

Inferno
Author: Allen Mandelbaum
Publisher: Univ of California Press
Total Pages: 478
Release: 2023-04-28
Genre: Poetry
ISBN: 0520315804

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

Dante's Reforming Mission and Women in the Comedy

Dante's Reforming Mission and Women in the Comedy
Author: Diana Glenn
Publisher: Troubador Publishing Ltd
Total Pages: 299
Release: 2008
Genre: Literary Criticism
ISBN: 1906510237

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Offers an analysis of the presence and significance of female characters in Dante's 'Comedy'. Commencing with the tabulations of women listed in "Inferno IV" and "Purgatorio XXII", to which may be added the grouping in "Paradiso XXXII", this work traces the symmetry and symbolic import of these clusters.

The Divine Comedy Selected Cantos

The Divine Comedy Selected Cantos
Author: Dante
Publisher: Courier Corporation
Total Pages: 346
Release: 2012-04-27
Genre: Foreign Language Study
ISBN: 0486120465

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Begun about 1307 and completed in 1321, Dante's sublime poetic masterpiece, The Divine Comedy, is one of the world's great works of literature. It comprises an extraordinarily vivid and imaginative account of the poet's allegorical journey through the afterlife. Complementing its depiction of the world beyond, the poem's abundant allusions to earthly history and politics, vivid portrayals of Dante's friends and enemies, and many references to contemporary Italian affairs make it an intensely human, realistic portrait of life on earth. Led in his travels by the classical poet Virgil, Dante descends through the nine circles of Hell, where punishment is determined by the gravity of the sinner's transgressions. He then ascends the mountain of Purgatory, encountering souls atoning for their misdeeds, and, at the summit, is met at the entrance to Paradise by Beatrice, his beloved. Throughout his pilgrimage, he meets characters drawn from ancient Roman and medieval times (philosophers, heroes, emperors, popes, and politicians, among others) as well as numerous personalities from the Italy of his day. This dual-language edition includes the complete texts of 33 of the original 100 cantos or "songs"; each omitted canto is summarized in its proper place to provide continuity. The selection of cantos and the excellent line-for-line translations from Italian into English are by Stanley Appelbaum, who also has provided an informative Introduction and useful notes.

Italian Literature Before 1900 in English Translation

Italian Literature Before 1900 in English Translation
Author: Robin Healey
Publisher: University of Toronto Press
Total Pages: 1185
Release: 2011-01-01
Genre: Literary Criticism
ISBN: 1442642696

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"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.

Divine Providence: A History

Divine Providence: A History
Author: Brenda Deen Schildgen
Publisher: Bloomsbury Publishing USA
Total Pages: 265
Release: 2012-07-26
Genre: Literary Criticism
ISBN: 1441146105

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Holding divine intervention responsible for political and military success and failure has a long history in western thought. This book explores the idea of providential history as an organizing principle for understanding the divine purpose for humans in texts that may be literary, historical, philosophical, and theological. Providential History shows that, with Virgil and the Bible as authoritative precursors to late antique views on history, the two most important political thinkers of the late antique Christian world, Orosius and Augustine, produced the theories of Christian politics and history that were carried over into the first and second millennium of Christianity. Likewise, their understanding of how the history of the late Roman Empire connects to God's plan for humankind became the background for understanding Dante's own positions in the Monarchia and the Commedia. Brenda Deen Schildgen examines Dante's engagement with these authoritative sources, whether in biblical, ancient Roman writers, or the specific legacy of Orosius and Augustine.

Divine Dialectic

Divine Dialectic
Author: Guy P. Raffa
Publisher: University of Toronto Press
Total Pages: 286
Release: 2000-01-01
Genre: Literary Criticism
ISBN: 9780802048561

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A fresh reading of Dante's major literary works - the Divine Comedy and the Vita nuova - that combines central tenets of incarnational theology and dialectical thought to challenge a dominant paradigm in Dante criticism.