Czech and Slovak Cinema

Czech and Slovak Cinema
Author: Peter Hames
Publisher: Edinburgh University Press
Total Pages: 273
Release: 2010-08-09
Genre: Performing Arts
ISBN: 0748686835

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Examines the key themes and traditions of Czech and Slovak cinema, linking inter-war and post-war cinemas together with developments in the post-Communist period.

Czech and Slovak Cinema

Czech and Slovak Cinema
Author: Peter Hames
Publisher: Edinburgh University Press
Total Pages: 272
Release: 2010-08-09
Genre: Performing Arts
ISBN: 0748629262

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This book is the first study in English to examine some of the key themes and traditions of Czech and Slovak cinema, linking inter-war and post-war cinemas together with developments in the post-Communist period. It examines links between theme, genre, and visual style, and looks at the ways in which a range of styles and traditions has extended across different historical periods and political regimes. Czech and Slovak Cinema provides a unique study of areas of Central European film history that have not previously been examined in English.

Masculinities in Polish, Czech and Slovak Cinema

Masculinities in Polish, Czech and Slovak Cinema
Author: Ewa Mazierska
Publisher: Berghahn Books
Total Pages: 260
Release: 2008-11-01
Genre: Performing Arts
ISBN: 178238216X

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Gender, especially masculinity, is a perspective rarely applied in discourses on cinema of Eastern/Central Europe. Masculinities in Polish, Czech and Slovak Cinema exposes an English-speaking audience to a large proportion of this region’s cinema that previously remained unknown, focusing on the relationship between representation of masculinity and nationality in the films of two and later three countries: Poland, Czechoslovakia/the Czech Republic and Slovakia. The objective of the book is to discuss the main types of men populating Polish, Czech and Slovak films: that of soldier, father, heterosexual and homosexual lover, against a rich political, social and cultural background. Czech, Slovak and Polish cinema appear to provide excellent material for comparison as they were produced in neighbouring countries which for over forty years endured a similar political system – state socialism.

Avant-garde to New Wave

Avant-garde to New Wave
Author: Jonathan L. Owen
Publisher: Berghahn Books
Total Pages: 255
Release: 2011-02-01
Genre: Performing Arts
ISBN: 0857451278

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The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.

The Czechoslovak New Wave

The Czechoslovak New Wave
Author: Peter Hames
Publisher: Wallflower Press
Total Pages: 0
Release: 2005
Genre: Czechoslovakia
ISBN: 9781904764427

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This study of the most significant movement in post-war Central and East European cinema examines the origins and development of Czechoslovakian film during this time, as well as the political and cultural changes which influenced some of the most important works.

Cinema in Service of the State

Cinema in Service of the State
Author: Lars Karl
Publisher: Berghahn Books
Total Pages: 406
Release: 2015-12-01
Genre: Performing Arts
ISBN: 1782389970

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The national cinemas of Czechoslovakia and East Germany were two of the most vital sites of filmmaking in the Eastern Bloc, and over the course of two decades, they contributed to and were shaped by such significant developments as Sovietization, de-Stalinization, and the conservative retrenchment of the late 1950s. This volume comprehensively explores the postwar film cultures of both nations, using a “stereoscopic” approach that traces their similarities and divergences to form a richly contextualized portrait. Ranging from features to children’s cinema to film festivals, the studies gathered here provide new insights into the ideological, political, and economic dimensions of Cold War cultural production.

All the Bright Young Men and Women

All the Bright Young Men and Women
Author: Josef Škvorecký
Publisher: Toronto: P. Martin Associates
Total Pages: 286
Release: 1971
Genre: Performing Arts
ISBN:

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From the Peter Neil Issacs collection.

Army Film and the Avant Garde

Army Film and the Avant Garde
Author: Alice Lovejoy
Publisher:
Total Pages: 305
Release: 2015
Genre: History
ISBN: 9780253014887

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Based on the author's dissertation (doctoral)--Yale University, 2009.

The Cinema of Central Europe

The Cinema of Central Europe
Author: Peter Hames
Publisher: Wallflower Press
Total Pages: 318
Release: 2004
Genre: Performing Arts
ISBN: 9781904764205

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Analysis of 24 films including: People of the mountains, Ashes and diamonds, Knife in the water, A shop on the high street, Closely observed trains, Daisies, Man of marble, Colonel Redl, The decalogue (Dekalog), Satantango, The garden, Alice (directed by Jan Svankmajer).

Digital Peripheries

Digital Peripheries
Author: Petr Szczepanik
Publisher: Springer Nature
Total Pages: 303
Release: 2020-05-15
Genre: Business & Economics
ISBN: 3030448509

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This is an open access book. Media industry research and EU policymaking are predominantly tailored to large (and, in the latter case, Western) European markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited by, and pose new challenges for, existing audiovisual business models and their legal framework in the EU. The European Commission’s Digital Single Market (DSM) strategy, which was intended e.g. to remove obstacles to the cross-border distribution of audiovisual content, has triggered a heated debate on the transformation of the existing ecosystem for European screen industries. While most current discussions focus on the United States, Western Europe, and the multinational giants, this book approaches these industry trends and policy questions from the perspective of relatively small and peripheral (in terms of their population, language, cross-border cultural flows, and financial and/or symbolic capital) media markets.