The Cyborg Subject

The Cyborg Subject
Author: Garfield Benjamin
Publisher: Springer
Total Pages: 247
Release: 2016-06-25
Genre: Social Science
ISBN: 1137584491

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This book outlines a new conception of the cyborg in terms of consciousness as the parallax gap between physical and digital worlds. The contemporary subject constructs its own internal reality in the interplay of the Virtual and the Real. Reinterpreting the work of Slavoj Žižek and Gilles Deleuze in terms of the psychological and ontological construction of the digital, alongside the philosophy of quantum physics, this book offers a challenge to materialist perspectives in the fluid cyberspace that is ever permeating our lives. The inclusion of the subject in its own epistemological framework establishes a model for an engaged spectatorship of reality. Through the analysis of online media, digital art, avatars, computer games and science fiction, a new model of cyborg culture reveals the opportunities for critical and creative interventions in the contemporary subjective experience, promoting an awareness of the parallax position we all occupy between physical and digital worlds.

Cyborg Subjects

Cyborg Subjects
Author: Jacob Johanssen
Publisher: Createspace Independent Publishing Platform
Total Pages: 0
Release: 2013
Genre: Computer networks
ISBN: 9781491271513

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This book is an interrogation of humanity's new potentials and threats brought by technology when the question of social change is becoming more crucial than ever. Collected in the course of 2010-2012, the selected essays in this anthology confront questions from a wide-ranging perspective that evoke the postmodern idea of the cyborg to illuminate recent phenomena from global warming, Wikileaks, to the Occupy movements. Multiple disciplines from music to psychoanalysis to journalism to anthropology collaborate to examine the way we shape the world from behind our ubiquitous screens to taking to the streets in mass protests. What does the increasing omnipotence of networked machines ultimately mean? What do social networks do to our sense of self, others and society? Does P2P technology foster new ethics and spiritualities? What potentials does posthumanity have to bring about social change? Featuring essays from Robert Barry, Siri Driessen & Roos van Haaften, Bonni Rambatan, Dustin Cohen, Jacob Johanssen, Michel Bauwens, Aliki Tzatha, Zakary Paget, Stefen Baack, Alessandro Zagato, Peter Nikolaus Funke, Glenn Muschert, and Jung-Hua Liu. The book's goal is to offer a cutting edge commentary on recent issues and debates that are of interest to a large audience precisely because they traverse borders, nation states and cultures. In its combination of complex theory, events and issues that many students, academics and readers relate to, it offers a new and illuminating way into different aspects of digital culture and helps to think about the question of how the virtual and the tangible are interwoven in our contemporary age. Part one of the book, entitled Subjects, is an exploration on the question "What is the Cyborg Subject?" Submitted by intellectuals from various fields-from music to film to psychoanalysis-this section represents the first moment: the conception of digital subjectivity and its different embodiments. Part two, Sharing, takes on this venture and proceeds to the second moment: when digital subjectivity turns into global resistance, specifically in the case of Wikileaks. The talk of shared discourses shifts our discussion from Part Two to Part three, Streets, marking the third moment: when people with a shared global consciousness enabled by digital networks begin taking to the streets, as exemplified by the worldwide Occupy movements. The book's uniqueness lies in its connection of three contemporary issues of our age. No publication has attempted this before. We believe that it is this combination of political and ethical questions on posthumanism, Wikileaks and the worldwide Occupy movements that allows readers to see what is at stake in our world in a different light.

Cyborg Theology

Cyborg Theology
Author: Scott A. Midson
Publisher: Bloomsbury Publishing
Total Pages: 302
Release: 2017-10-30
Genre: Religion
ISBN: 178672295X

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In particular, Donna Haraway argued in her famous 1991 'Cyborg Manifesto' that people, since they are so often now detached and separated from nature, have themselves evolved into cyborgs. This striking idea has had considerable influence within critical theory, cultural studies and even science fiction (where it has surfaced, for example, in the Terminator films and in the Borg of the Star Trek franchise). But it is a notion that has had much less currency in theology. In his innovative new book, Scott Midson boldly argues that the deeper nuances of Haraway's and the cyborg idea can similarly rejuvenate theology, mythology and anthropology. Challenging the damaging anthropocentrism directed towards nature and the non-human in our society, the author reveals - through an imaginative reading of the myth of Eden - how it is now possible for humanity to be at one with the natural world even as it vigorously pursues novel, 'post-human', technologies.

The Cyborg Handbook

The Cyborg Handbook
Author: Chris Hables Gray
Publisher:
Total Pages: 618
Release: 1995
Genre: Computers
ISBN:

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On cybernetic organisms (cyborgs)

Deaf Subjects

Deaf Subjects
Author: Brenda Jo Brueggemann
Publisher: NYU Press
Total Pages: 215
Release: 2009-05-01
Genre: Social Science
ISBN: 0814791271

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In this probing exploration of what it means to be deaf, Brenda Brueggemann goes beyond any simple notion of identity politics to explore the very nature of identity itself. Looking at a variety of cultural texts, she brings her fascination with borders and between-places to expose and enrich our understanding of how deafness embodies itself in the world, in the visual, and in language. Taking on the creation of the modern deaf subject, Brueggemann ranges from the intersections of gender and deafness in the work of photographers Mary and Frances Allen at the turn of the last century, to the state of the field of Deaf Studies at the beginning of our new century. She explores the power and potential of American Sign Language—wedged, as she sees it, between letter-bound language and visual ways of learning—and argues for a rhetorical approach and digital future for ASL literature. The narration of deaf lives through writing becomes a pivot around which to imagine how digital media and documentary can be used to convey deaf life stories. Finally, she expands our notion of diversity within the deaf identity itself, takes on the complex relationship between deaf and hearing people, and offers compelling illustrations of the intertwined, and sometimes knotted, nature of individual and collective identities within Deaf culture.

The Gendered Cyborg

The Gendered Cyborg
Author: Fiona Hovenden
Publisher: Routledge
Total Pages: 352
Release: 2013-09-13
Genre: Social Science
ISBN: 1136355081

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The Gendered Cyborg explores the relationship between representation, technoscience and gender, through the metaphor of the cyborg. The contributors argue that the figure of the cyborg offers ways of thinking about the relationship between culture and technology, people and machines which disrupt the power of science to enfore the categories through which we think about being human: male and female. Taking inspiration from Donna Haraway's groundbreaking Manifesto for Cyborgs, the articles consider how the cyborg has been used in cultural representation from reproductive technology to sci-fi, and question whether the cyborg is as powerful a symbol as is often claimed. The different sections of the reader explore: * the construction of gender categories through science * the interraction of technoscience and gender in contemporary science fiction film such as Bladerunner and the Alien series * debates around modern reproductive technology such as ultrasound scans and IVF, assessing their benefits and constraints for women * issues relating to artificial intelligence and the internet.

Cyborg Theatre

Cyborg Theatre
Author: J. Parker-Starbuck
Publisher: Springer
Total Pages: 257
Release: 2011-04-28
Genre: Performing Arts
ISBN: 0230306527

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This book articulates the first theoretical context for a 'cyborg theatre', metaphorically integrating on-stage bodies with the technologized, digitized, or mediatized, to re-imagine subjectivity for a post-human age. It covers a variety of examples, to propose new theoretical tools for understanding performance in our changing world.

The Subject of Film and Race

The Subject of Film and Race
Author: Gerald Sim
Publisher: Bloomsbury Publishing USA
Total Pages: 241
Release: 2014-07-31
Genre: Performing Arts
ISBN: 1623561841

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The Subject of Film and Race is the first comprehensive intervention into how film critics and scholars have sought to understand cinema's relationship to racial ideology. In attempting to do more than merely identify harmful stereotypes, research on 'films and race' appropriates ideas from post-structuralist theory. But on those platforms, the field takes intellectual and political positions that place its anti-racist efforts at an impasse. While presenting theoretical ideas in an accessible way, Gerald Sim's historical materialist approach uniquely triangulates well-known work by Edward Said with the Neo-Marxian writing about film by Theodor Adorno and Fredric Jameson. The Subject of Film and Race takes on topics such as identity politics, multiculturalism, multiracial discourse, and cyborg theory, to force film and media studies into rethinking their approach, specifically towards humanism and critical subjectivity. The book illustrates theoretical discussions with a diverse set of familiar films by John Ford, Michael Mann, Todd Solondz, Quentin Tarantino, Keanu Reeves, and others, to show that we must always be aware of capitalist history when thinking about race, ethnicity, and films.

Bodily Discursions

Bodily Discursions
Author: Deborah S. Wilson
Publisher: State University of New York Press
Total Pages: 290
Release: 1996-12-05
Genre: Social Science
ISBN: 1438424183

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Bodily Discursions offers a multiplicity of feminist perspectives on the body, especially the female body, from a variety of disciplines: literary history, social theory, art history, cultural studies, the history of rhetoric, film, and literary criticism among others. Subjects range from public punishment of outspoken women during the English Renaissance to current responses to the AIDS pandemic in the popular media. Contributors include Alice E. Adams, Susanmarie Harrington, Catherine Hobbs, Cynthia Huff, Cathy Peppers, Roberta Schreyer, Julie Shaffer, Torri L. Thompson, Angela Wall, Deborah S. Wilson, and Christine Moneera Laennec. All of the essays offer variations on the same theme—the idea that the body is a site for the production of political ideologies, particularly in response to social exigencies and cultural crises. However, there is no single, over-arching ideological model here for feminism, much less for reading the body in a specific historical or cultural moment. Bodily Discursions offers instead a number of individual voices on a variety of issues and phenomena as they determine the configuration of the body. This book demonstrates that society needs to pay attention to how the body is manipulated if we are to work for social progress and political justice, for it is through our bodies that we all must articulate our experience and live our lives. "This topic is on the cutting edge of scholarship in both feminist and cultural studies. It is an important contribution to a rapidly evolving field." -- Elizabeth D. Harvey, University of Western Ontario

Choreographing Intersubjectivity in Performance Art

Choreographing Intersubjectivity in Performance Art
Author: Victoria Wynne-Jones
Publisher: Springer Nature
Total Pages: 255
Release: 2021-09-29
Genre: Performing Arts
ISBN: 3030405850

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This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.